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한국언어문화학회(구 한양어문학회)> 한국언어문화> 영화이론 번역의 문제들 -프랑스 영화이론서 번역을 중심으로-

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영화이론 번역의 문제들 -프랑스 영화이론서 번역을 중심으로-

Etude sur La traduction de La theorie du film: autour des Livers francais de La theorie filmique traduits en coreen

김호영 ( Ho Young Kim )
  • : 한국언어문화학회(구 한양어문학회)
  • : 한국언어문화 36권0호
  • : 연속간행물
  • : 2008년 08월
  • : 175-197(23pages)

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Cette etude a pour but d`examiner certains problemes de la traduction en matieres de la theorie du film, et d`en eclaircir les causes radicals. Nous avons choisi pour object d`etude trios livres francais sur la theorie du film: Decadrages. Peinture te cinema de Pascal Bonitzer, L`image de Jacques Aumont et Cinema II de Gilles Deleuze. En particulier, nous nous sommes occupes des exemples de la mauvaise traduction concernant les termes specifiquws du cinema. Ainsi, le terme "plan-tableau", propose dans Decadrages. Peinture et cinema comme notion essentielle de l`esthetique du film, se traduit dans le livre coreen en "영상-회화" qui signifie en francais "image-peinture". Aussi le terme "surcadrage", terme noyau dans la theorie d`Aumont, se traduit dans le livre coreen "과잉 프레이밍" qui veut dire en francais "trop de cadrage". Le terme "matiere signaletique" que, dans Cinema II, Deleuze a propose comme terme s`opposant a l`element semiotique, se transforme dans le livre coreen en terme "기호적 질료" qui signifie en francais "matiere serniotique". Cette etude a donc essaye de mettre au point les problemes essentials de la traduction de la theorie et des termes filmiques, Elle se propose ainsi de rappeler la necessite de la traduction plus serieuse et plus experts en matiere de la theorie du film.

UCI(KEPA)

I410-ECN-0102-2009-710-019933886

간행물정보

  • : 어문학분야  > 언어학
  • : KCI등재
  • :
  • : 연3회
  • : 1598-1576
  • :
  • : 학술지
  • : 연속간행물
  • : 1974-2020
  • : 1022


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1"학교"에서 "시장"으로의 전환 (1) -1920년대 중반 ≪개벽≫의 "조선의 자랑"을 통해 본 식민지 근대의 내적 "전환" 연구-

저자 : 차혜영 ( Hye Young Cha )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-26 (26 pages)

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The Gaebyuk(開闢)`s feature articles `pride of Chosun` is very important to analysis Korean modern cultural change. The change of middle of 1920` in the recognition of self and other, condition of the public, media, and culture is as follows. The first, as the relationship with the others, from sense of inferiority caused by civilization to cultural diversity and particularity. The second, decline of historical philosophy or progressive prospect. The third, as the subject of discourse(opinion-leader), the change from the enlightenment intelligentsia to professional. The fourth, as the communication with the mass of people in writing, from intellectual monopolistic writing to public discourse of mass media. I will call this change metaphor `from school to market`. In my thought, this naming is useful to exposition the inner change of colonial modernity and avoid circular reasoning of `imperial and colonial`.

2창조적 전통으로서의 목월 문학

저자 : 오세영 ( Sae Young Oh )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-19 (19 pages)

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Park Mok-wol`s early poems are highly musical. It is a result of being influenced by folk poetry that is a branch of modern Korean poetry. However, although his scheme of rhythm was inherited from traditional poetry, he succeeds in creating anew his own unique rhythm from what he has inherited. He abandons set-form verse and folk rhythm in later years, but the musicality in his poetry that is beyond compare with other poets, is a result of his effort in his early years to create his own rhythm. In creating nature poetry as well, he inherited the literary tradition of his predecessors, but also revised it and created a new order, such as perceiving nature as an object of objectivity, erasing human trace from the world of nature, and perceiving nature not as an abstract idea but as a specific phenomenon of here and now. Park Mok-wol was the first poet to perceive human existence in an existential way. Of course, there were poets like Yu Chi-hwan before Mok-wol, but the difference in the two poets lies in the fact that whereas Yu Chi-hwan pursued atheistic existence, Mok-wol explored the world of theistic existence. Therefore the fact that Park Mok-wol`s poetry in later years developed into that of Christian belief is no accident. Mok-wol not only inherited the tradition of the past era, but also opened a new world of poetry by re-creation and thus can be appraised as having made a great contribution in the history of modern Korean poetry.

3서사를 활용한 문화콘텐츠 간 One Source Multi Use 활성화 방안 연구

저자 : 박기수 ( Ki Soo Park )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-23 (23 pages)

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This article is about researching the strategy for activating One Source Multi Use(OSMU) utilizing storytelling. OSMU is defined as the marketing activity, such as diversifying windows of one source, adapting genre, selling concerned products, and effect of creating brand, for maximizing value added in this article. On that base it is to be examined to activate OSMU with storytelling, dividing parts as to windowing, genre adaptation, merchandising, and creating brand strategically. The most suitable windowing should be found by the advent of new media and the change of revenue structure, and the strategic compression and expansion of storytelling is to be observed to actualize windowing in the process. The order and scope should be decided by discrimination of genre, embodying media, enjoyer, and the condition and scale of market in adapting genre with storytelling. It is also needed acutely to merchandise with systemic interrelation between macro contents and micro contents and plan, develop storytelling based on creating brand. The practical strategy is to be prepared by concrete case-study at this point of time, when the demand on strategy for activating OSMU using storytelling is increasing rapidly.

4소리와 영상콘텐츠 -악기(樂記)의 소리론을 바탕으로-

저자 : 최민성 ( Min Sung Choi )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-21 (21 pages)

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This work has started with the propose of trying to explore the property of sound in move by methodology of . Internalization and centralization of sound was made auditory sense ontological peculiarity compared with other sense. Traditional artistic theory,  developed esthetics centering around sound. According to , sound has three horizon. There are voice(聲), sound(音), harmony(樂). This work has annalized movie`s sound by degrees of Three horizon. This way was brief and to the point and easy of acess to the power of sound compare with existing Western way. And by methodology of  that was ontological artistic theory, it could of approach to the immernent power of sound.

5박목월 시어의 현대성

저자 : 김용희 ( Yong Hee Kim )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-26 (26 pages)

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Mokwol tried to find modern daily life through poem language in the reality of post-war full of nihilism, excessive existence and intellectual humanism. A poet tries to make experiment of the modernity of poem language in the rivalry between tradition and modern. The meaning of `tradition` to Mokwol is `how to survive the modern time` and the recognition of modern subject is the road to realization of concrete experience world after making every day of modern times to be recovered from abstraction. When the member of  showed the self-shutting up, Mokwol created modern sensitivity by `translating` a native tongue of traditional food into poem language. He suggested the issue of `personal taste` by concretization of `collective native tongue` into `sensuous` thing. By making `what is trivial`, `what is vulgar` and `subjective experience of person` concrete, the traditional aesthetics works as `a modern subjective personal signature`. By reproducing `colloquial style` and `oral situation`, he tried to show `the feeling` and `sympathy` of our language as a native tongue. However the sensuous `dialect` is awakening the sense of modernity, an ear for music and the sense of sound symbol. Finally the poet reveals aesthetic self-consciousness with modern subject as searching for identity and self-reflection as a poet. He makes experiment of his meta method by calling his own name as a common noun and showing his writing. The symbolizing of tradition food symbol, colloquial style and dialect means the birth of strange native tongue against literary style. It is `the native tongue` and `collectively colloquial style` found out just by the birth of modern language and cultural language. The method of `symbolizing in a strange way what is familiar` is the one which reveals aesthetic autonomy of modern poem language. Additionally it reveals modern retrospective self-consciousness and crock by calling the name of poet out of text as a poem language inside text. It can be considered to be a modern experiment of self-consciousness. Eliot said that modernity is `the present of the past` and can be said to be the process in which tradition and modernity interfere together in the most organic way. On the basis of it, `the modernity of poem` can jump out of the schematism and limit of tradition severance theory and tradition absence theory. It is, the fact the tradition language is called as a modern strange poem language and the process to find `native tongue` composed of new the other through the other called modern times, can be shown. Mokwol tried to express in a creative way that modern poem language is the process of symbolization of language, creative individuality and sensational process of ego.

6한국 현대소설과 상해

저자 : 정호웅 ( Ho Ung Jung )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-23 (23 pages)

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Sanghai-novel(상해소설) have several characteristics. 1) The mind of identification Sanghai with Korean society rules the novel. So, Sanghai as the space of novel has a semblance space that was produced in imagination for representation. 2) There is not the consciousness on the other about China which is in fact the other. This is a different aspect from the Sanghai novels of English and Japan writers. 3) In many Sanghai-novels, the revolutionary politicity rules the thoughts and behaivors of characters. 4) The revolutionary politicity are regarded as the same with the idea of romantic love. Both can be connected easily because those are similar on that are free from the restriction of reality. 5) In Sanghai-novels, the belief of the law of rewards in accordance with deeds of virture and vice, and the belief of progress of history are dominant. On the other hand, there are several novels in which the skepticism of history is apparent.

7무궁화 축제의 현황과 발전방안 연구

저자 : 김영만 ( Young Mann Kim ) , 박상천 ( Sang Chun Park )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-27 (27 pages)

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Festivals have a sociocultural function of promoting social integration and solidifying the existing order. This is in correspondence with the purpose fulfilled by the nation`s symbol for the sake of the country`s perpetuity. The national flower of Korea is the rose of Sharon. The Festival of Rose of Sharon is the one and only festival which is themed with the nation`s symbol. Although the festival has little history so far and its conditions do not meet the standard of a festival, it is decided that such business is essential both in terms of our cultural identity and national dimension. The development scheme for the festival of Rose of Sharon, the national flower, is as follows. The purpose of holding the festival should be oriented to consumers not suppliers, and the body of the festival should be a voluntary private organization. In addition, it should be based on a specific regional area and provide spectacles as well as programs to visitors such as a hill of Rose of Sharon in a massive scale that go beyond their daily experience. The adequate period to hold the festival is considered to be around the time of Liberation Day, in the period of which flowers blossom and social interests are high on national affection. However, the Arbor Day can also be a consideration to facilitate more people involvement. In order to draw out voluntary participation, which is regarded as a critical factor in festivals, some illusionary outcomes different from reality should be acquired through the play of festival, and more attention should be paid to the nature of the festival, that is, its role as a social integration of a community.

8목월시에 나타난 상징계 읽기

저자 : 이승훈 ( Seung Hoon Lee )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-17 (17 pages)

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The purpose of this essay is to analyze Mok-Wol`s Poetry in terms of the French psychologists J. Lacan`s concept of the symbolic. The research starts as an investigation of the imaginary and the symbolic in Lacan`s thought. On this level the imaginary exerts a captivating power over the subject, founded in the specular image, and the Symbolic dimension of language is that of the signifier; a dimension in which elements have no positive existence but which are constituted purely by virtue of their mutual differences. Applying these concept in the analysis of Mok-Wol`s Poetry means talking an approach which identification-alienation(the imaginary) and the Other-alienation(the symbolic). Lacan`s concept of alienation consist in the subject`s causation by the Other`s desire, separation consist in the attempt by the alienated subject to come to grips with that Other`s desire. Separation implies a situation in which both the subject and the Other are excluded. But this separation, in Mok-wol`s poetry, is substituted by christianity.

9금기설화의 구조와 상징적 의미 연구

저자 : 김용덕 ( Yong Suk Kim )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-28 (28 pages)

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This paper is written with the object of analyzing the structure of a taboo tale and newly pursue its symbolic meaning. The structure of this paper comprises of `Examination of history of studies`, `Fundamentals and meaning of taboo`, `Structural distinctions of taboo tales` and `Symbolic meaning of taboo tale`. For `Examination of history of studies`, I`ve summed up studies about Korean taboo tales, organized and analyzed them in order to search for imperfections and set a direction for this study. I`ve come to a conclusion as follows in `Fundamentals and meaning of taboo`. I made it certain that a taboo has a ritual function, required when performing a ritual such as a rite of passage in the ancient religion. I`ve found out that a taboo has a restraining characteristic for instinctive desire(i.e., incest) from a psychological desire aspect. I`ve also learned that the purpose of a taboo is shown in the willingness, expressed paradoxically in duplication, to protect oneself from transcendental power or terror of mysterious supernatural power. In `Structural distinctions of taboo tales`, I`ve examined (1)Expressions of a taboo motif, and (2)narrative structure of taboo tales. There are ①negative instructions such as "Don`t do (blank)" and ②positive instructions such as "If you do (blank), (blank) will happen" for taboo expressions. The effect of negative instructions is that it makes the scenes of the story more real by not warning about the result of punishment beforehand. As for the content of taboo, there are unconcealed taboos such as ③"Don`t (blank)" and ④hidden taboos which is not expressed in the writing but can be inferred from the result. In the ④hidden taboos, more weight is given to the in-depth moral punishment rather than superficial punishment where the result of punishment is directly linked to curiosity or inquisitiveness. `Narrative structure of taboo tales` evolves by explaining the tragic ending met by destroying taboos. The basic structure of taboo tales comprises of three parts, A. deficiency and settlement of deficiency, B. taboo and destruction of taboo and C. punishment and attempt to escape. In `Symbolic meaning of taboo tales`, I`ve traced and analyzed the symbolic meaning from aspects of religious ritual, psychological desire and societal system. A taboo from a ritual aspect is a symbolic expression of worldly human being`s desire to challenge the world to obtain sacredness across the board, aspiration and challenge in other words. From a psychological desire aspect, a taboo tale is a cultural phenomenon which reveals human`s old latent unconsciousness and has a function of restraining instinctive desire while taboos were created and settled in ethics and morality. From a societal system aspect, a taboo tale is perceived as a symbol of attempt to escape to a sacred world, away from the constraint of a worldly society.

10공간 텍스트로서 도시 "부천"의 텍스트성 분석 -"둘리의 거리"와 "한국만화박물관"을 중심으로-

저자 : 김영순 ( Young Soon Kim ) , 정미강 ( Mi Khang Chung )

발행기관 : 한국언어문화학회(구 한양어문학회) 간행물 : 한국언어문화 36권 0호 발행 연도 : 2008 페이지 : pp. 1-28 (28 pages)

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In this paper, we analyze the textuality of urban space in order to understand contemporary city spaces. Ultimately, this is for production of communicative space. City can be text that sends some messages to human. However, contemporary cities produce meaningless spaces through imprudent development inclining to function and investment. Therefore, this paper studies what is the attributes which give a space communicative competence and meaning. For this, we represent the concept and characteristics of the space text based on the textlinguistics, and apply Beaugrande and Dressler(1981)`s 7 textualities -cohesion, coherence, intentionality, acceptability, informativity, situationality and intertextuality-to space. And as a case study, we analyze the `Street of Dooly` and `Korea Comics Museum` in Bucheon, and represent that communicative competence of space can be increased by consideration of the space textuality. Urban space will be not any more meaningless but abundant meaningful place to human if it has textualities that are the essential attributes to communicative text.

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