본 연구는 댄스스포츠 전국체육대회 정식종목 채택의 성과와 의미를 규명하는 연구로 문헌고찰 방법을 활용하여 도출된 연구결과는 다음과 같다. 첫째, 국내 댄스스포츠 사설 단체들은 성공적인 대통합을 이루고 경기단체(대한댄스스포츠경기연맹)를 설립하며 대한체육회 준가맹 승인의 기틀을 마련하였다. 둘째, 통합된 댄스스포츠 경기단체는 2003년 대한체육회 준가맹 단체로 승인된 이후 2007년 대한체육회 정식가맹 단체로 승격되면서 본격적인 활동을 시작하였고, 이후 다양한 정책적 지원을 통해 전문화된 스포츠 종목으로 성장을 지속하였다. 셋째, 댄스스포츠는 2009년 전국체육대회 시범종목으로 선정되고 2013년 정식종목으로 채택된 이후 괄목할 만한 성장을 이루게 되었다. 넷째, 댄스스포츠 전국체육대회 정식종목 채택은 국내에서 스포츠 경기종목으로서의 이미지 제고와 대중화에 큰 역할을 하였으며, 체계적인 정책수립과 기술의 향상으로 댄스스포츠 종목의 양적ㆍ질적 발전을 가져왔다.

This study will explore the achievements and significances of adoptation of Dancesport as official sporting event in National Sports Festival and results are as follows: First, Successful consolidation of Korea's many regional Danceport competition groups into one federation has led to it laying the foundation for sub∼affiliation approval for KSOC. Secondly, After being accepted as sub∼affiliate of KSOC in 2003 and achieving full member status in 2007, Korean Dancesport introduced various policy support initiatives resulting in the sound growth of the sport. Thirdly, Dancesport continued to flourish in its growth by being selected as a demonstration sport for the National Sports Festival in 2009 and later being fixated as an official sport in 2013. Lastly, Becoming one of the official sports in National Sports Festival has played a significant role in enhancing and popularizing Dancesport. The recognition has brought about quantitative and qualitative development of Dancesport events through systematic policy establishment and technological improvements, solidifying Dancesport's status as a legitimate sporting event in Korea.

본 연구는 경영학적 관점에 근거한 태권도 산업의 미시적·거시적 발전방안을 제시함으로써, 스포츠산업의 하위요소가 아닌 단일산업으로써 태권도 산업의 발전방안을 제시하는데 목적이 있다. 이에 본 연구에서는 선행연구의 분석과 함께 태권도산업과 연관된 전문체육, 동호인, 교육, 이벤트, 관광, 공연산업의 관련 자료가 조사·분석되었고, 이를 근거로 SWOT 분석을 통해 태권도 산업의 내·외부 환경을 분석하는 과정을 거쳤다. 최종적으로 태권도 산업의 발전을 위한 미시적 관점의 발전전략은 첫째, 국내 태권도 전문브랜드 개발. 둘째, 전 연령층의 수요자 창출 프로그램 개발. 셋째, 표준화된 경영프로그램 개발. 넷째, 거점공연장과 연계한 태권도 공연문화 페스티벌 개최. 마지막으로 다섯째, 국기원과 태권도원의 관광콘텐츠 강화 등이다. 거시적 관점의 발전전략으로는 첫째, 태권도장의 국제 표준화 인증제도 개발. 둘째, 전문체육 활성화를 위해 거버넌스 모델을 구축. 셋째, 태권도 산업 MBA 과정 신설. 넷째, 상설공연체제를 위한 태권도 공연도시 사업. 다섯째, 중국 및 동남아 시장을 겨냥한 태권도 관광 상품 개발이 요구된다.

The purpose of this study was to provide the microscopic and macroscopic perspectives of the Taekwondo industry in Korea as a single industry. Therefore, the present study analyzed the Taekwondo industry associated with physical education, sports club members, education, events, tourism, and performance industries through a review of the existing literature with identifying internal and external environmental factors. Based on SWOT analysis, the micro development strategies for the Taekwondo industry included 1. the development of Korean Taekwondo brand, 2. the program development for a variety of consumer groups, 3. the development of standardized management program, 4. holding Taekwondo cultural performance and festival in conjunction with performance centers, 5. the enhancement of tourism contents in Kukkiwon and Taekwndowon. The macro development strategies for the Taekwondo industry included 1. the development of international standard certification system, 2. building up a governance model for promoting elite sports, 3. the establishment of Taekowndo industry MBA program, 4. the Taekwondo performance city project for a regular performance, 5. the development of Taekwndo tourism products for the Chinese and South Asia markets.

이 연구는 태권도 도장의 서비스 가치와 관계품질 및 관계성과의 구조적 관계를 규명하는데 목적이 있다. 연구의 목적을 규명하기 위해 태권도 도장을 이용하는 수련생의 학부모를 모집단으로 선정하였고, 편의추출법을 이용하여 317부의 설문지를 최종 연구 자료로 사용하였다. 이를 바탕으로 통계프로그램인 SPSS 24.0과 AMOS 24.0을 이용하여 빈도분석과 확인적 요인분석, 신뢰도 분석, 상관관계분석, 구조방정식모형분석 등을 연구의 목적에 맞게 활용하여 아래와 같은 연구결론을 도출하였다. 첫째, 서비스 가치는 고객만족과 고객신뢰에 영향을 미치는 것으로 나타났다. 둘째, 고객만족은 재이용의도와 구전의도에 영향을 미치는 것으로 나타났다. 셋째, 고객신뢰는 재이용의도와 구전의도에 영향을 미치는 것으로 나타났다.

The research has a purpose in searching Structural Relationships among Service Value, Relationship Quality and Relationship Performance in Taekwondo Gym. In order To achieve it, 360 questionnaires were given out to Taekwondo trainees' parents. After excluding unsuitable questionnaires, a total of 317 questionnaires were used as a final valid sample. For data analysis, SPSS 24.0 and AMOS 24.0 were used for frequency analysis, confirmatory factor analysis, reliability analysis, correlation analysis, and structure equation model analysis. The research has drawn the following conclusions. First, the customer value has influenced on the customer satisfaction and customer trust. Second, the customer satisfaction has influenced on the reuse intention and word-of-mouth intention. Third, the customer trust has influenced on the reuse intention and word-of-mouth intention.

본 연구의 목적은 해외진출 태권도 지도자 인턴십 프로그램 사례와 전략을 분석하고 인턴십 프로그램의 문제점, 교육내용, 성공요인 등을 제시하는 것이다. 이와 같은 연구목적을 달성하기 위해 국내 B대학교 해외 인턴십 프로그램 교육과정을 분석하고 해외 인턴십 교육경험 대학교수 3명, 해외 지도자 3명, 인턴십 참가학생 2명을 심층면담하여 해외 인턴십 프로그램의 문제점, 교육내용, 성공요인 등을 분석하였다. 해외진출 태권도 지도자 인턴십 프로그램 실시하고 있는 B대학교는 산업인력관리공단 K-Move 해외취업연수 사업에 선정되어 태권도 직무교육 307시간, 어학교육 265시간, 해외취업의 실제, 노동법규, 성희롱 교육 35시간 등 총 607시간 6개월간의 인턴십 프로그램을 진행하였다. 또한 대학자체 중국태권도 지도자 전문 육성 교육과정을 진행하고, 태권도 전문실기 교육 38시간, 어학교육 30시간을 통해 중국 태권도 시장에 학생들을 진출시키고 있었다. 해외진출 태권도 지도자 인턴십 프로그램의 문제점은 국내지도자 차원에서는 ' 해외 도장의 행정적 체계성 부족', '취업비자의 어려움', '현지도장의 열악한 처우', '인턴십 참여학생의 인성', '현지도장 지도자의 철학과 국내 교육의 간극' 등으로 분석되었으며, 해외지도자 차원에서는 '태권도 교육에 필요한 언어교육의 부족', '해외 도장에 맞는 교육방식 및 커리큘럼 교육 미비', '참여학생의 자신감 부재' 등을 문제점으로 꼽았다. 참여학생은 '해외 진출 비자에 관한 정보 부족', '호신술, 검술 등 타 무도 교육 필요', '태권도 영어 등 어학교육 부족'등을 문제점으로 제시하였다. 해외진출 태권도 지도자 인턴십 프로그램에 필요한 교육내용은 태권도 실기교육, 태권도 이론교육, 어학교육, 인성교육, 합법적 신분교육, 현지 문화교육 등 총 6개의 핵심범주로 파악되었다. 해외진출태권도 지도자 인턴십 프로그램의 성공요인으로 첫째, '참여학생의 마음가짐과 인성', 둘째, '한국 대학태권도학과의 관심과 노력', 셋째, '현지도장의 협력과 현실인식'이 제시되었다.

The purpose of this study is to analyze the cases and strategies of Taekwondo internship program for overseas expansion and to present the problems, educational contents, and success factors of the internship program. To achieve the purpose of this study, we analyzed the Korean B University overseas internship program curriculum. In-depth interviews were conducted with three university students, three overseas leaders, and two internship participants to analyze the problems, educational contents, and success factors of the internship program. B University is conducting K-Move Overseas Employment Training Project. A total of 607 hours and 6 months of internship programs were provided, including 307 hours of taekwondo job training, 265 hours of language education, actual employment of overseas employment, labor laws, and 35 hours of sexual harassment education. The problems of the internship program that Korea professors think were analyzed due to the lack of administrative system of overseas gym, the difficulty of employment visa, poor treatment of local gym, the personality of internship students, the philosophy of local gym leaders , and domestic education. Problems of Internship Program Considered by Overseas Leaders: The lack of language education needed for Taekwondo education, the lack of education and curriculum education for overseas gym, and the lack of confidence among participating students were cited as problems. Participating students suggested the lack of information on overseas visas, the need for other martial arts such as self-defense and swordsmanship, and the lack of Taekwondo English education. Six core categories were identified: Taekwondo practical education, Taekwondo theoretical education, language education, character education, legal status education, and local cultural education. The success factors of the Taekwondo instructors internship program for overseas expansion were the attitudes and personality of participating students, the interest and effort of the Taekwondo department of the Korean university, and the cooperation and recognition of the present leader.

본 연구는 태권도 선수들의 시합 유형(겨루기, 품새, 시범)에 따른 ACE 유전자 다형성의 특성과유, 무산소성 운동능력, 골밀도와의 관련성을 규명할 목적으로, 대학교 엘리트 태권도 선수를 유형별로 겨루기(남자 27명, 여자 7명), 품새(남자 20명, 여자 18명), 시범(남자 25명, 여자 8명), 대조군으로 체육전공 학생(남자 17명, 여자 6명), 합계 128명을 대상으로 하였으며, 유, 무산소운동능력, 골밀도를 측정하여 이들 변인과의 상관성을 확인한 결과 다음과 같은 결론을 얻었다. 태권도 선수들의 시합유형에 따른 남, 여 선수들의 ACE 유전자 특성은 남자들은 겨루기와 품새에서 II>ID>DD형 순으로, 여자들은 ID>II>DD형 순으로 나타났으며, 시범에서 남자들은 ID>II>DD형 순으로, 여자들은 II>ID=DD형 순으로 나타났으나 집단 간에 유의한 차이는 나타나지 않았다. 또한 남녀별 시합유형별 ACE 유전자 다형성과 유·무산소 운동능력, 골밀도 간에 유의한 차이는 나타나지 않았다. ACE 유전자 다형성은 남자선수들의 경우에는 DD형과 최대산소섭취량에서만 유의한 상관성이 나타났다. 여자선수들의 경우에는 DD형과 체중 당 피크파워와 관련성이 나타났고, ID형과 다리 골밀도에서, DD형과 팔 골밀도에서만 유의한 상관성이 있는 것으로 나타났다. 이상의 결과를 미루어 볼 때 남녀 태권도 선수들의 시합유형별 ACE 유전자 다형성은 집단 간유의한 차이가 나타나지 않았고, 남녀 선수들 모두 ACE 형에서 II형과 ID형이 DD형의 거의 2배정도 되는 것으로 나타나 훈련 특성과 관련성이 있는 것으로 사료되며, 이들 유전자와 유, 무산소성 운동능력 간에도 대체로 낮은 관련성이 있는 것으로 보인다. 여자들의 경우 골밀도에서만 일부 유의한 관련성이 나타난 것은 여성호르몬의 변화와 관련성이 있는 것으로 생각된다.

The purpose of this study is to investigate the relations of angiotensin 1-converting enzyme(ACE), alpha-actinin-3(ACTN-3) gene polymorphism of taekwondo athletes in different competition types(kyorugi, poomsae, demonstration group) and their aerobic, anaerobic performance and bone mineral density(BMD). The subjects of the study were 128 elite taekwondo athletes and physical education majors from University Y. The experimental group that participated in the research was based on 34 from Kyorugi, 38 from poomsae, and 33 from demonstration in taekwondo athletes while the comparison group targeted 23 athletes majoring in physical education. Aerobic athletic ability was carried out to the all-out state by the Bruce protocol, and anaerobic athletic ability was implemented by the Wingate Test, while dual energy x-lay absorptiometry(DEXA) was applied in BMD measurement. Following conclusions were drawn via the process above. The ACE gene characteristics of male and female athletes according to different competition types were showed as man is with II>ID>DD type in kyorugi and poomsae while women with ID>II>DD type. And Men are with ID>II>DD type in demonstration while women with II>ID=DD type, but there was no significant difference between groups. There were no significant differences between ACE gene polymorphism and aerobic, anaerobic athletic ability as well as BMD for each competition type in both man and women. ACE gene polymorphism was shown to be with significant relations only in the case of male athletes in the maximum oxygen intake DD type. For female athletes, it was found that DD type was related to peak power per weight, and there is only an advertent between ID type and leg BMD, and also between DD type and arm BDM. Judging from the above results, although there is no significant statistical difference between the ACE gene polymorphism and the distribution of oppositional genes among by type of competition male and female Taekwondo athletes but the sequence of genetic polymorphism II and ID type was twice the size of DD type. In women athletes, a significant difference in bone density is due to the effects of female hormones.

Martin Heidegger's “Da-sein” (Being-there) is the ideal manifestation of the Nietzschean of “overman” in relation to the “will to power.” Overman is the potential human subject thrown in the world, and is concerned with the world. Dasein manages in the world with other fellow human beings in the world. Dasein is 'ek-sistent' (being ahead of itself) and sustains himself by looking ahead of the potentiality of the future anterior (will have been). In this trans-temporality of the gathering together of the simultaneity of past-present-future, this Dasein is the deconstruction of the Nietzschean human subject, thus anticipating the ontology of Being in the form of Nietzschean “trans-human” (human who overcomes himself/herself) and further of post-human (machinic human after human).”
In this context, the purpose of this paper is first of all to trace how Martin Heidegger articulates Nietzsche's concepts of “world,” “overman,” and “will to power,” by deconstructing them into his own ontology of being and provokes the question concerning the ontology of technology. Heidegger's ontological project of being and technology opens up the new poetics of the postmodern technological sublime, in tandem with the Kantian epistemology of “the analytic of the sublime.” My own aesthetics of postmodern sublime constructed in terms of the convergent dialogues among Nietzsche and Heidgger, and Kant will prepare an open and free relationship to the questioning concerning technology and the sublime.

Mixed with a general British fascination with Russia was the actual presence of Somerset Maugham in Moscow in 1917 acting as a foreign agent, later fictionalized in his popular novel of 1928, Ashenden. Virginia Woolf never went to Russia but she studied Russian, co-translated several Russian volumes and wrote about its literature in various essays and Orlando, also appearing in 1928, a banner year for English fiction devoted to Russia. Parallel approaches by these two early twentieth century novelists to the country is the subject of this essay which highlights satire as their common aesthetic practice. Each began with distant admiration but also skepticism, overstating Russia's characteristics and importance for comic purposes. Love, itself, became a satirical focus in both novels which also contain international intrigue if not danger. Biography is also a point of contact. Maugham was in Russia in 1917 and had to escape when his role as a British agent was discovered. He had also had an affair with a Russian princess before he arrived, so was familiar with the elements of Russian love. Woolf never went to Russia but had studied its history as a young woman and she admired its literature. She then learned the rudiments of its language, co-translated several Russian works and incorporated elements of Russian life in her writing, most dramatically in Orlando. The coincidental publication of both Ashenden and Orlando in 1928, and their co-reliance on satire as the means to address the internal repression and outward instability of Russia, marks a parallel and critical response to the Russian experiment.

Although its pedigree is frequently traced back to the nineteenth century, world literature as an institution is a much more recent phenomenon, emerging along with the spatial turn in the humanities and social sciences in the era of globalization. During roughly this same period, we have witnessed the rise of the postcritical approaches to literature that would abandon critique in favor of mere description. One of the most innovative forms of this, Franco Moretti's “distant reading” project developed out of his attempts to reckon with the scope of world literature, but the project also implicates a political program. As a concept, genre, or field, world literature presents serious problems to readers in the twenty-first century; translation, cultural literacy, commodification, the book industry, and a sort of literary imperialism underlie the global market for world literature, and the reader is confronted with sometimes invisible obstacles to understanding. In a moment when so-called surface reading or postcritical approaches have been increasingly championed, Tally asserts that this sort of ideology-critique is needed more than ever, and that the spatially oriented critique made possible by geocriticism is particularly well suited to the crises and mystifications facing culture workers in the twenty-first century.

Since the 1990s, postmodernism has undergone the distinctively visible changes in the face of globalization and digital technology, as some theorists and critics claim that postmodernism is dead. Consequently, they have proposed many post-postmodern theories on this issue: remodernism, neomodernism, trans-postmodernism, performatism, altermodernism, digimodernism, metamodernism, transmodernism, and post-postmodernism not as a comprehensive term but as a cultural theory. As revealed from the rise and development of post-postmodern theories, they emerge as a result of the return to modernism. Therefore, modernism redux is examined to discover how it interacts with postmodernism in each theory: the return to modernism; and the integration or synthesis of modernism and postmodernism. In this context, metanarratives, one of the modern attributes, work as a common factor in the post-postmodern theories. From this study in terms of metanarratives, the post-postmodern framework, while echoing Charles Jencks's critical modernism and Philip Galanter's complexism, is expected to reach the goal of unveiling how the modern and postmodern attributes are integrated and synthesized into a new cultural entity on a new dimensional stage through interaction at the time of a paradigm shift. In consequence, the post-postmodern framework is revealed as an evolutionary system where the modern and postmodern attributes operate to create post-postmodernism, a new cultural environment. In addition, this mechanism of evolutionary process within the post-postmodern framework will continue to shape the cultural sensibilities years to come.

This essay investigates the construction of British female authorship within Harper's New Monthly Magazine in the latter half of the nineteenth- century in relation to American reprinting and American nationalism. By transplanting British authors and their realist works into American literary context, Harper's tried to “Americanize” British literature, especially through its editorial control and rearrangement of British texts. In its effort to become a major “family literary magazine” targeting middle-class readership, Harper's mobilized the presences of major British women writers in a distinctive way. Thus, the magazine constantly touted the literary reputation of Elizabeth Gaskell, Charlotte Brontë and Elizabeth Barrett Browning as a way to support its nationalistic project. Their names assumed high visibility within the magazine, and their realist authorship participated in the elevation of an American literary taste by providing American readers with sound forms of writing. In other words, these British women writers played an important role in constructing healthy readership for the magazine. This essay aims to make visible the magazine's close links with these British women writers, first, by exploring its signing policy for their works and, second, by analyzing its editorial reviews on these women writers. The magazine allowed several works by popular British women writers to be signed with their real names both at the volume index and in the main text, unlike other articles. It also made positive editorial commentaries on their works and personal characters.