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The Review of Korean Cultural Studies

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수록정보
수록범위 : 1권0호(1996)~65권0호(2019) |수록논문 수 : 842
한민족문화연구
65권0호(2019년 03월) 수록논문
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KCI등재

14·3문학, 팔레스타인문학, 그리고 혁명으로서 문학적 실천

저자 : 고명철 ( Ko Myeong-cheol )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 7-43 (37 pages)

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This paper shows a significant consciousness how to focus on literary praxis as a revolution of 4 · 3 literature and Palestine literature. What happened historic accident in another region before and after 1948, i.e. the April third uprising in Jeju a little island of eastern Asia and the Nakba before the establishment of Israel in Palestine of the southwest Asia are directly related to new colonial domination of western imperialism after the 2nd world war. Especially as the 70th anniversary in 2018, 4 · 3 literature and Palestine literature have remembered overwhelming catastrophe heart, newly recognized the aspect of its violence, tried to effort to cure the heart of antihuman violence. Meanwhile literary resistances have continuously been going against violence and destroy depended on political ideology and exclusive nationalism/ racism by building a nation state.
Regarding this, although the concrete historic situations are different, the April third accident and the Nakba emerge how much close to the status of absolute devil. It has been emerged genocide, national communities dismantle and division as well as refugee of great tragedy. And they are still going on. Literary responses by 4 · 3 literature and Palestine literature intervene existent world literature, it is closely related to revolutionary affect based on each literature involving historical truth.
Besides, although there is literary agenda as unaccomplished revolution to pursue, it should establish literary platform for peace communities of which 4 · 3 revolution and Palestine revolution have accomplished when it comes to as narrowly each literature copes with political territory (eastern Asia, southwest Asia) practically, as widely beyond its limit copes with global imaginary territory. Of course, meanwhile 4 · 3 literature and Palestine literature can create alternative modern overcoming existent modern as they break Eurocentric world literature and produce new literary agenda. That's why 4 · 3 literature and Palestine literature, rooted on 4 · 3 revolution and Palestine revolution, have never forgiven revolution of process, intervened new world literature.

KCI등재

2반공주의와 '개발'의 정치학 -제주의 사례를 중심으로-

저자 : 김동현 ( Kim Dong-hyun )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 45-71 (27 pages)

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This paper looks at how the violence of modern states creates memories of regional-subjects. From Jeju 4.3 onwards, how the Anti-communism that became the mainstream ideology of South korean society expanded its influence to the region, it analyzes it using the media issued in the region at that time.
Anti-communism became a new ideology in 1961 when the coup d'etat government was take power. These changes inevitably led to the inside of silence and its synchronization. At this time, the memory of the local-subject has been refracted and disguised.
From this point of view, this paper concentrates on anticommunism and development issues. In particular, I analyzed the “monthly Jeju”, media published in the Jeju and examined how the anti -communism was internalized in the area. After the Jeju 4.3 conflict, anti-communism in Jeju effectively combined with development discourse. This followed another aspect of modern violence, it was quickly the internalization of the region-based silence.

KCI등재

3김시종의 '재일'과 제주 4 · 3의 시적 형상화1)

저자 : 하상일 ( Ha Sang-il )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 73-97 (25 pages)

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The primary purpose of this paper is to summarize the meanings and implications of Kim Si-jong's poetry under the context of the April 3 Jeju Uprising. That is, the study intends to investigate how his linguistic consciousness and existential consciousness deepened with assertive intent of 'Jaeilhada [在日する]', residing in Japan' meet with the historical consciousness that testifies the April 3 Jeju Uprising with attention paid to the emphasis placed on the independence and identity of 'Jaeil' beyond the oppression and closure of ethnic or national ideology.
First, the study noted that his poetry revealed poetic orientation as part of 'criticism' to find the basis of 'Jaeil'. That is, Kim Si-jong struggled to establish the right-minded direction of his poetry as one of the 'Jaeil' poets on the basis of the Ono Tozaburo's poetics as 'criticism' that manifest the ideological orientation as 'denial' and 'resistance'. In other words, he believed that the poetic orientation as 'criticism' that reasons and criticizes the reality should be established as an attitude of new lyric beyond the melodic direction shown by the traditional lyricism with nature used as a topic. This led to the most meaningful poetry and the direction of poetics that practice the lifelong task of having to overcome the underlying guilt and anxiety of April 3 Jeju Uprising. Second, the study has examined Kim Si-jong's works that poetically portrayed the memory of April 3 Jenu Uprising. The images of April 3 Jenu Uprising depicted in his poetry are mostly indirect and implicit projection leaning toward other comparable incidents committed by the era of violence instead of revealing direct characteristics with emphasis on the sense of presence. As a result, Kim Si-jong and his poetic embodiment of April 3 Jeju Uprising are characterized by the voice of resistance against the unjust times in a rather symbolic and figurative manner, which is a result of critical reflection on his distressed destiny of having to live hiding his pain and suffering from the tragic history of April 3 Jeju Uprising that redefined his life and poetry as if they were his original sin.

KCI등재

4조상숭배의 사적 영역과 여성 - 서울굿 조상거리를 중심으로 -

저자 : 권선경 ( Kwon Sun-kyung )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 101-129 (29 pages)

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This paper explores the reason why the shamanism, which was informal religion and was criticized as a sermon, survived persistently in terms of ancestor worship and women. In traditional society, women did not participate in the priestly initiative. Especially, the Confucian ceremony based on paternalism was strengthened in the late Joseon period, and the women were thoroughly excluded from their blood sacrifices. In traditional societies, women could not host or participate in their own family sacrifices. It was possible to receive sacrifices as ancestors, or to help the ancestors, but all of them were confined to sacrifices on the side of the husband. Because of this, women informally sacrificed their direct ancestors through Buddhism or shamanism.
Especially, in the case of Je-su-gut of Seoul which was regularly done, this aspect could be confirmed clearly in the ancestral geo-ri. In the Je-su-gut, where the women of the poetry have opened for their own family, not only the ancestors of the women but also the ancestors of the fathers were surely gathered.
Even if he did not set up a gut for his parents or did not do his own family gut, it could be confirmed that her family could be offered regularly at the ancestral geo-ri of Je-su-gut. Unlike the temporary rites of death, Je-su-gut performed regularly in spring and autumn like traditional death day service of Confucianism. The reason why women were active participants of shamanism, which is a personal area of religion in traditional society, is that Gut is satisfied this need of women.

KCI등재

5윤동주 시 「눈오는지도(地圖)」에 나타난 계절의 상징성 연구

저자 : 하빛나 ( Ha Bin-na )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 131-158 (28 pages)

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The purpose of this study was to make an in-depth analysis of the poem, “Snowing on the Map”.This poem is included in The Sky, Wind, Stars, and Poems, which is the collection of poems selected by the poet Yun Dong-ju(尹東柱) and has been somewhat excluded from the center of discussions although it takes a crucial position in the research on the poet. A total of five studies have been conducted on this poem through articles and publications and most of them have tried to focus on the poetic object, 'Sooni(順伊),' in interpreting the poem. Of course, because this poem is about farewell to the person named 'Sooni,' it is essential to define the person with the aim of analyzing the work. However, the attempt to analyze the poetic object alone can result in neglect of the multi-layered implications of the poem. This study not only analyzed the poetic object, 'Sooni,' but also paid attention to the seasonal background of the poetic description. While the seasonal background of the poem is winter, the repeated crossing of 'snow' and 'flowers' as the central images leads to the image of the cycle of seasons. This study has confirmed that “Snowing on the Map” is a work that reveals the poet's stoic optimism through such a cycle of seasons. The evidences of thinking about the cycle of seasons are found in prose and verse written at those times. A bibliographic study, which had been excluded, was also conducted to analyze the work carefully.

KCI등재

6전봉건 시에 나타난 전쟁 폭력에 대한 시적 형상화

저자 : 장은영 ( Jang Eun-young )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 159-190 (32 pages)

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This paper analyzed the response to war violence and the problem of poetic embodimenting against war violence on the subject of the poetry work of Jeon Bong-gun. The response to war violence and poetic embodiment patterns have four tendencies from time to time.
First, the poetry that deals with direct war experience shows a poetic strategy of keeping one's distance from physical violence and spontaneously materializing oneself. The materialization of the poetic subject shows a cross-section of war violence that tool humans. It also shows the will of a poetic entity not to be engulfed in cultural violence, such as ideological slogans and propaganda.
Second, right after the war, the works began to evoke the tragedy of the war, revealing their will to overcome death. Jeon's favorite phrase, "Hang-a-ri," symbolizes eroticism and vitality that transcends death. Eroticism evokes a life of overflowing in sensuality. It is a source of overcoming death and an opportunity to restore the unspoilt human vitality caused by the cultural violence caused by the war.
Third, Chun Bong-gun expressed the trauma of the war by venting his own sorrow, a separated family. The self-explanatory incitement of the grief and longing of those who lost their homes is evidence of a structural reproduction of the war violence that does not go away even after the ceasefire. At the same time, they show their willingness to overcome the injury by confronting it.
Finally, the 6.25 was reconstructed in a series of poems. "We," which appeared as a poetic subject in this work, shows a sense of solidarity that the tragedy of war is that of all members of the Korean Peninsula. “We” are the party sharing the scene of tragedy, the poet in the position of witness, and the person who testifies to the war. As a testimony, the 6.25 is a generation that experienced war, reflecting the ethical duty of the war leader to talk about the violence and tragedy of war.
The wartime period of war in Jeon-bongun is beyond the logic of the wartime system and the limits of the divisional system. His work advocates universal human existence with a will to live, and reveals a sense of counter-war and a tendency toward peace.

KCI등재

7도시 주거공간의 비장소성과 단자적 의식의 문제 -최인호의 「타인의 방」과 채영주의 「도시의 향기」를 중심으로-

저자 : 김정남 ( Kim Jeong-nam )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 191-224 (34 pages)

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The purpose of this study is to consider non-place and isolated consciousness through Choi In-ho's 「Other's room」(1971) that literally preempted a new residential type of apartment, and Chae Young-ju's 「Urban fragrance」(1993) that 22 years later from then, when the type of apartment house became a universal residential culture of urban space. It will be a work to uncover the tragedy of the 'apartment republic' that run into an isolated society in Korea and the literary challenge for the recovery of the placeness.
The confinement of the existence of those who have lost their place results in a space nightmare and objectify in the 「Other's room」 and a downfall and defeat of the lax artificial paradise decorated dandy in the 「Urban fragrance」. All of this is due to the nature of retribution because it targets the other (especially women), leading to a reflection on the exceptional condition concealed in the objectification caused by plasslessness.
This is manifested by individualized seclusion and distorted communication. First, the apartment space in 「Other's room」 which is completed only through the interruption, shaped the objectified apartment space, which is completed on the premise of constant interception of contact and anonymity. In 「Urban fragrance」 based on the wall noise of the sound of a ringing telephone, the destruction of the cold-blooded attitude of a person who typifies all things other than oneself in order to construct his artistic paradise was revealed clearly.
The space nightmare in 「Other's room」 that the non-placebased alienation of the objects rises and the tragedy of the loss of the place through the irony which is placed in the equivalence relationship with the object itself. Narcissistic madness in 「Urban fragrance」 which is manifested in the dandy artistic indulgence of life and isolation, through the narrator, who is the owner of the artistic taste that serves only for his aesthetic achievement, and the opponent with the sense of concrete life, Reveals the deceit and laxity of the selfish world.
The catastrophic situation created by the space of plcaelessness, which is symbolized by these apartments and officetels, is all based on the hierarchies of 'inclusive exclusion' in which the aversion and abasement for women. In 「Other's room」 was a seed of tragedy in which he tried to justify his loneliness by constantly othering his wife based on a patriarchal gender-role. Deceitfulness of dandy in 「Urban fragrance」, which does not recognize a woman beside her as a mere sexual object but instead pushes herself into an autistic situation rather than a relationship, transforming her lonely self into a cultural aristocracy, has already built a catastrophe.

KCI등재

8표기 단위로서의 형태소

저자 : 정희창 ( Jeong Hui-chang )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 225-244 (20 pages)

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The unit of writing of the Korean language as defined in the Korean spelling system is a morpheme. If a single morpheme can be written as it sounds and divided into more than one form, it is the principle of notation to write down 'wonhyeong(the original form)'. However, it is not enough to set up a morpheme as a unit of notation. For example, suffix '-들이(deuli)' was composed of '들 (deul)' and '이(i)'. This means that there is a principle of notation to reveal the connection with the nouns. This can be called the principle of notation according to the 'wonhyeong(the original form)'. If only the morpheme is recognized as a unit of notation, the suffix '-박이(baki), -살이(sali), -잡이(jabi)' becomes difficult to explain.
To solve these problems, it is necessary to set 'wonhyeong(the original form)' in units of notation in addition to the morpheme. From this point of view, the suffix '-박이(baki), -살이(sali), -잡이 (jabi)' describes the purpose of maintaining the consistency of the notation with the verb '박-(bak-), 살-(sal-), 잡-(jab-)'. In other words, if it is necessary to maintain the consistency of the marking, it is established that 'wonhyeong(the original form)', not the morpheme, can act as the reference for the notation. From this point of view, the principle of marking consistency in notation is also the basic principle of Hangeul orthography, considering the original form.

KCI등재

9다문화 가정 자녀를 위한 한국어 교육 교재의 개선 방안

저자 : 홍승아 ( Hong Seung-ah )

발행기관 : 한민족문화학회 간행물 : 한민족문화연구 65권 0호 발행 연도 : 2019 페이지 : pp. 245-272 (28 pages)

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In recent decades, several Korean language textbooks for children from multi-cultural families have been published, but most of which have been published by government agencies. Among these various textbooks, this paper focused on the contents of _The standard Korean language Textbook for elementary school students_ which developed by the National Institute of Korean Studies and some other instructional materials and studied to improve it. And as parents play a big role in their children's education, Korean language textbooks for immigrants also inspected if necessary.
A review of textbooks reveals some improvement points. first, it would be better if there were a variety of conversations with students from multi-cultural families because there were more Koreans in the textbook. And the task-solving scenes need to be set aside from schools to experience a variety of situation. Sometimes there should be negative scenes that are uncomfortable or dissatisfied with the text. It raises the reality in education and lets children learn the solutions to those problems that will come to reality. In the Korean language teaching materials for immigrants, it would be good to help them continue their happy lives in Korea, including words and actions that express amity and affection between couples and families. In textbooks, questions from multicultural students often finish simple things in the first place, but it would be better if they continue to ask more questions about answers, giving them depth and breadth of content.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

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