간행물

중국연구 update

Chinese Studies

  • : 한국외국어대학교 중국연구소
  • : 인문과학분야  >  동양사
  • : KCI등재
  • :
  • : 연속간행물
  • : 계간
  • : 1225-8695
  • :
  • :

수록정보
수록범위 : 1권0호(1975)~77권0호(2018) |수록논문 수 : 1,289
중국연구
77권0호(2018년 12월) 수록논문
최근 권호 논문
| | | |

KCI등재

1전한(田漢) 「추성부(秋聲賦)」의 서정성(抒情性) 연구(硏究)

저자 : 권수전 ( Soo Jeon - Kwon )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 3-22 (20 pages)

다운로드

(기관인증 필요)

초록보기

This monograph is about lyricism of 「Qiushengfu」,which is wrote in 1941 during the Sino-Japanese War. The Sino-Japanese war influenced the Chinse people both historically and in literature. Especially, fighting back to Japan was important point to Tianhan, who changed his own ideology in 1930, in order to write anti-Japan theme reflecting the realities of realism. 「Qiushengfu」is the most representative work in this period.
This monograph describes a historical case that when Tianhan writing 「Qiushengfu」was during the Sino-Japanese war and describes the hwa-geuk-centered literary background for the rise of the Chinese public's anti-Japanese sentiment. Also it describes the anti-Japanese patriot which Tianhan persued through the whole story. Tianhan talks about the hope that family will come before family and Chinese people and that people will unite and pursue a new world. Therefore, He inserted 6 poems into his work 「Qiushengfu」to reveal lyricism. So this monograph is also about those 6 poems make 「Qiushengfu」lyrical.
In the historic vortex of anti-war, Tianhan steadily created a flower drama that led to the promotion of anti-Japanese sentiment for the Chinese public, but did not overlook the excellence of traditional Chinese dramas, but melted them in his works and「Qiushengfu」is a drama work that represents Tianhan's this ability,

KCI등재

2한유(韓愈)와 유종원(柳宗元)의 서신(書信) 고찰

저자 : 남덕현 ( Nam Duk-hyun )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 23-40 (18 pages)

다운로드

(기관인증 필요)

초록보기

This paper studies the letter of Han-Yu and Liu-ZongYuan of Middle Tang who live in during the period of political and social upheaval. This paper have two parts. One is self recommendation letter, another one is individua letter. Under the unreasonable reality, they lived a life of self-defense, we can see social welfare and the will of personal life through their letters. The genre of letters is not logical or theoretical so that individuals can freely release their feelings and will. In this paper, Their letters contains personal emotional description, concerns about family and friends, exchange of opinion as a scholar and opinion on politics. Through letters of the two writers, we can understand not only personal circumstances but also situation in those times. They were frustrated and depressed at the time of catastrophe, but never gave up and constantly wrote letters to announce their situations and try to overcome the difficult situation. I try to recognize their will and their values to fight for the world and the value of letters through the letters of two writers.

KCI등재

3원대 유민시사(遺民詩社)와 시 창작활동: 월천음사(月泉吟社)를 중심으로

저자 : 박영순 ( Park Youngsoon )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 41-70 (30 pages)

다운로드

(기관인증 필요)

초록보기

Since the Southern Song Dynasty had been ruined and changed by Yuan Dynasty, the adherents (Intellectuals) of Song Dynasty suffered emotional and national distress because of ethnocracies and abolishment of imperial examination system by the Yuan Dynasty, and shared suffering of ruined country, remaining faithful not to serve two kings, loving of the former dynasty, sense of loss of finding a way out, etc. And so, they became to need a group to share such feelings and thus a poets' club was formed, which provided a community to resist the royal court of Yuan Dynasty as adherents and got chances to create poetry as poets.
Yue Quan Yin She, a group of adherent poets in Puyang, Wu Zhou, was just established in such a situation, which was one of adherent poets' club established in the beginning of Yuan Dynasty by the adherents of Song Dynasty. Yue Quan Yin She was established, and began its major activities, in 23rd year, Zhi Yuan (1286). Wu Wei (吳渭), the founder of the poets' club, launched a poetry creation event with the title as 'Poetry of Garden in Spring (春日田園雜興)' in October, 1286 and gathered 2,735 poems in just 3 months over the country.
Wu Wei invited Fang Feng (方鳳), Xie Xiang (謝翔), Wu Si Qi (吳思쓴) and others as examiners, and they selected 280 pieces of poetry among 2737 pieces at first and then, chose the poems by 60 people and 33 couplets among them. The poems by above 60 people were published with 'Yue Quan Yin She Shi (Poems of Yue Quan Yin She)'. This is the first complete works in existence.
From initiation, organization through practice and award, the events organized by Yue Quan Yin She showed very complete organization and considerable scale, which was different from other poets' club. Most of the participants of the poetry creation events were unknown civilian adherents. Their poetry creation events influenced the events of poetry creation of later generations, especially formation of the organizations of scholars in Ming and Qing Dynasy.
This article is intended to have a look into main contents such as establishment and characteristics of Yue Quan Yin She, the movements and organization of poetry creation events, the poems and poets, influence to later generations and its significance, etc., by studying the poetry creation events and the collection of works, Yue Quan Yin She Shi (月泉吟社詩) by Yue Quan Yin She.

KCI등재

4아라이 소설 속의 '어머니' 형상의 양가성 연구 - 『소년은 자란다』, 『색에 물들다』, 『거싸얼 왕』을 중심으로

저자 : 박정원 ( Park Jeongweon ) , 배도임 ( Bae Doim )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 71-97 (27 pages)

다운로드

(기관인증 필요)

초록보기

The present paper was started from having a critical mind that the historical tragedy of the country Tibet and Tibetans and the dilemma of Writer A Lai, who thereby could not help but passing by the real problems, were reflected in the 'mother' figure in his literary works such as Guerra Grew Up, The Dust Settles, and The Song of King Gesar.
A Lai is a writer who stands by the borders of Huizu, Tibetan, and Chinese. He was born to a Huizu father and a Tibetan mother. He creates the stories of Tibet and Tibetans in Putonghua. In the literary works of A Lai, a Tibetan mother seldom appears. In Guerra Grew Up, Guerra's mother was an outsider, unknown on her origin, but she settled down in Jicun under the silent approval of the villagers. In The Dust Settles, the Hanzu mother was sold to Maiqi Tusi and she gave birth to a baby boy named Fool. In The Song of King Gesar, there are two mothers of Gesar. In these works, the meaning of mother is ambivalent. The mother of Guerra, Sangdan, was the object that her son had to protect for good. And while Meiduonaze, the biological mother of Gesar in the human world, was the one who should be protected by her son Gesar in that she had suffered with her son and had been fallen to hell with his karma instead of him, and then she had been led to the buddhist paradise, Langmandamu who was his heavenly mother was his ideological mother in that she had continuously awakened him to accomplish the great tasks and had welcomed his returning to paradise with brilliance. It was thought that the Hanzu mother of Fool became as good as a Tibetan completely, however, she committed a suicide because she had got frustrated from her private desires. The mother of Guerra was not known whether she was Hanzu or not, but she continued to give birth to illegitimate children even though she was an outsider. Both Langmandamu and Meiduonaze who were the mothers of Gesar were not Tibetans.
In these works, if mother is substituted into the homeland, it has different meanings in the cases of Tibet and China. Also, one cannot read the texts as if the homeland equals Tibet in each case of mother in the novels. It is therefore revealed as a truth that 'son(Tibet)' does not grow up fast only with love in the embrace of mother(homeland).

KCI등재

5'어떤 곳' 헤테로토피아(Heterotopia) - 단편영화 < 버터램프(Butter Lamp) >에 대한 단상

저자 : 안영은 ( Ahn Youngyeun )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 99-118 (20 pages)

다운로드

(기관인증 필요)

초록보기

Tiananmen Pavilion, Great Wall, Potala Palace, Chinese traditional living room, Olympic Main Stadium and Disneyland are all full of ideology. People dressed in traditional Tibetan costume gather at 'someplace' and take pictures in front of a large screen printed with Tiananmen Pavilion, Great Wall, and Potala Palace. The strange tension created between a place with rich ideological colors and the Tibetan nomads stimulates the imagination of 'someplace'. Eventually, these elements are recognized as a dispersed "force" to reveal a huge space 'someplace' in the film ending scene.
These places such as Tiananmen, Great Wall, and Potala Palace have a form of eternity make time or culture cumulate in any privileged space. These places, which have become a background for Tibetans to photograph are also places where all the time, age, forms and tastes are represented. The awareness of this study on the short film < Butter Lamp > can be summarized as follows. First, in what format does Hu-Wei talk about the reason for a specific object? Second, what kind of story do you tell through a specific format? Third, we will examine the relationship between 'someplace' where the story begins and 'a specific place' as the background of the central narrative, and try to grasp heterotopia characteristic as the opposing place.

KCI등재

6고등학교 중국어 교과서의 성모 발음 설명 연구

저자 : 유재원 ( Yoo Jae-won )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 119-141 (23 pages)

다운로드

(기관인증 필요)

초록보기

The first requirement for textbooks is accuracy. Because effective delivery of inaccurate content has no educational significance. However, there are a lot of errors or omissions in the Chinese language textbooks in high school. These errors can negatively affect the effectiveness of teaching and learning by acting as internal noise. Therefore, it is necessary to correct these errors and lay the groundwork for efficient teaching and learning. This research was aimed at identifying errors that occurred in terms of the name of consonants, place of articulation, and manner of articulation in 17 types of high school Chinese textbooks and proposing a way to correct them. In addition, we reviewed existing studies similar to the purpose of the study and introduced our ideas that were different from those of the previous studies.

KCI등재

7유사 양태 표현 '불회(不會)'와 '불가능(不可能)'의 의미 대조

저자 : 이은경 ( Lee Eun Kyoung )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 143-161 (19 pages)

다운로드

(기관인증 필요)

초록보기

Bukeneng' is the negation of modal of assumption. Therefore, it belongs to a strong set of 'impossibility', negates the modal. This form is a form that does not require a graduality of the meaning. Thus, by the nature of the word 'impossibility', it appears to be combining 'jue', 'juedui', 'genben' and 'yagen', which generally represent a strong meanings. On the other hand, 'buhui' is a proposition negation of assumption and has relatively weak meaning. However, the meaning is strengthened and weakened by the adverb or auxiliary verb. In other words, the meaning that speculates of 'buVP' with 'buhui' can form a continuous continuum from strong to weak. These 'buhui' allow the formulas of the adverbs such as 'jue', 'juedui', 'genben', and 'yagen' to reinforce the meaning. At this time, 'jue-buhui' is almost identical to 'jue-bukeneng.' Also, unlike 'Bukeneng', 'buhui'can represent aspect of habitual behavior and be used for future guesswork. The difference between them may not be a significant difference between the speaker and the listener. But if being asked to tell the difference, We can also point out that 'Bukeneng' is impossible and seems to represent stronger meaning.

KCI등재

8중세 위구르족 장편시 『복락지혜(福樂智慧)』의 철학사상

저자 : 정병윤 ( Jung Byungyoon )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 163-192 (30 pages)

다운로드

(기관인증 필요)

초록보기

The Wisdom of Royal Glory(Kutadgu Bilig) is a Karakhanid work from the 11th century written by Yusuf Khass Hajib. Translated, the title means something like "The Wisdom which brings Happiness" or "The Wisdom that Conduces to Royal Glory or Fortune" or "Wisdom Which Brings Good Fortune". The text reflects the author's and his society's beliefs, feelings, and practices with regard to quite a few topics, and depicts interesting facets of various aspects of life in the Karakhanid empire. So the famous Chinese writer Lao she(老舍) once pointed out that “it is not only the Uyghur's precious heritage, is also a priceless art treasures of our country's culture history.” This paper mainly discusses about the common thoughts of this work. The paper discusses the following five aspects: ethology, view of life(view of life, death, and happiness), view of knowledge and wisdom, legalistic thought, health thought.

KCI등재

9『화간집(花間集)』의 군소사인(群小詞人) 고찰

저자 : 홍병혜 ( Hong Byung-hye )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 193-210 (18 pages)

다운로드

(기관인증 필요)

초록보기

In 『Huajianji』, includes 18 author 500 piece. In general, people think that 『Huajianji』's 500 Cizuo share a similar quality. But, no, sirree. Saying that again, 『Huajianji』's Huajian personality diversity. Some piece deep beautiful, other piece light beautiful. As well as, some piece is implied, other piece is coarse and obvious. Nevertheless, by this time, commonly recognize 『Huajianji』's Huajian personality is one character. During that time, the many writers be the subject of study. However, minor author of below 10 piece has not been studied.
Accordingly, the subject of this manuscript is 『Huajianji』's minor author. This is just Lu Qian-yi(鹿虔扆), Yan Xuan(閻選), Yin E(尹鶚). And, for the purpose of this manuscript is contemplation on these Cizuo. Small as it is work, have a different personality, feel not quite satisfied, which is the beginning of Wudai'Ci and Songdai'Ci.

KCI등재

10시진핑 시기 '중국몽(中國夢)'담론의 체제 정당화 프레이밍(framing) 분석

저자 : 강수정 ( Su-jeong Kang )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 77권 0호 발행 연도 : 2018 페이지 : pp. 213-241 (29 pages)

다운로드

(기관인증 필요)

초록보기

Since Xi Jinping came to power, the 'Chinese dream' has become an important concept and keyword in Chinese political discourse. In recent years, the studies of authoritarian resilience have paid increasing attention to the importance of mass persuasion as a mean of political legitimation in authoritarian regimes. This study views that the Chinese leadership headed by Xi Jinping uses the 'Chinese dream' discourse as a mean of mass persuasion for political legitimation. From this perspective, based on the theory of political legitimacy and the theory of framing, this article focuses on analyzing how the official discourse of 'Chinese dream' is used and framed to gain public support for strengthening the CCP's leadership. Through the analysis of frames exhibited in the Chinese leaders' speeches as well as the analysis of keywords appeared in the articles of CCP's official newspaper, People's Daily, it explores the official frames of the 'Chinese dream' discourse that the Chinese leadership use in the mass persuasion campaigns to promote its political legitimacy.

12
권호별 보기
가장 많이 인용된 논문

(자료제공: 네이버학술정보)

가장 많이 인용된 논문
| | | |
1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

다운로드

2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

다운로드

가장 많이 참고한 논문

(자료제공: 네이버학술정보)

가장 많이 참고한 논문

다운로드

2미국의 비트코인 규제

(2006)홍길동41회 피인용

다운로드

해당 간행물 관심 구독기관

한국외국어대학교 서울대학교 연세대학교 경희대학교 고려대학교
 141
 77
 56
 54
 39
  • 1 한국외국어대학교 (141건)
  • 2 서울대학교 (77건)
  • 3 연세대학교 (56건)
  • 4 경희대학교 (54건)
  • 5 고려대학교 (39건)
  • 6 부산대학교 (31건)
  • 7 이화여자대학교 (31건)
  • 8 성균관대학교 (30건)
  • 9 명지대학교 (27건)
  • 10 동국대학교 (26건)

내가 찾은 최근 검색어

최근 열람 자료

맞춤 논문

보관함

내 보관함
공유한 보관함

1:1문의

닫기