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수록정보
수록범위 : 1권0호(1975)~79권0호(2019) |수록논문 수 : 1,323
중국연구
79권0호(2019년 06월) 수록논문
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KCI등재

1리앙(李昻)의 『화장한 피의 위령제(彩妝血祭)』를 통해 본 애도의 정치

저자 : 김순진 ( Kim Soon Jin )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 3-20 (18 pages)

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“A Powdered Bloody Sacrifice for Departed Souls,” Li Ang's novella published in 1997, is a narrative of mourning for the victims killed in the February 28th Incident of 1947 and by the subsequent white terror. At the same time, it is a narrative of consolation and hope for the survivors burdened to mourn the departed.
We find two axes in the story. A family memorial service for consoling the souls is one axis, and the pain and discord surrounding the family history of Mother Wang who leads the opposition is the other. The juxtaposition of a “private” family memorial service and a “public” sacrifice for the departed souls of the “February 28th” victims is related to the narrative structure that employs two narrators: the main narrator and a co-narrator. It is also related to the “death photos” that exist only as hearsay. The truthfulness of the photos is emphasized more by not turning up, and that leads to a realization that the truth remains placed in an oppressive environment. This helps foster the spirit of resistance and solidarity.
The suicide of Mother Wang in “A Powdered Bloody Sacrifice for Departed Souls” can be seen as the result of the remorsefulness for not having protected her son from the violence of the powerful, and of the double guilty conscience about her husband and her son. She casts her body as an expression of her wishes that the lamp that bears three names, those of her diseased uncle died in the February 28th, of her husband and her son killed in the white terror, may drift afar. This demonstrates her wishes for the realization of justice and the revelation of historical truth.
“A Powdered Bloody Sacrifice for Departed Souls” by Li Ang is consistent with Judith Butler's idea for transforming the sorrow of a community into the power of political activity. Mourning for the departed in a world of violent oppression is bound to be postponed indefinitely. It might even be said that the mourner becomes the object of the mourning. The sorrow that can be expressed only by suicide calls for a clearer, louder voice of the community. “A Powdered Bloody Sacrifice for Departed Souls” is a response to such a calling.

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This Thesis tries to give insight into the nature of the period contradiction in Beijing during China's modernization period. I would like to compare Lao She's "Camel Xiang Zi" with Liu Zhenyun's "My name is Liu Yuejin" to proceed with my research. Xiang Zi and Liu Yuejin both came from the countryside to the city with the" Beijing" dream. However, due to accidental events, their dreams are frustrated. The accident led them to a fierce struggle for survival, and to conflict with different classes of society. This paper tries to read the changes of Chinese social class in the 20th century twice from the longitudinal aspect, and to give an in-depth insight into the changes of the consciousness of peasant masses.
Xiang Zi is naturally simple, sincere and not afraid of suffering. This personality can be traced back to its immediate superiors. But after coming to the city of Beijing, he becomes increasingly self-centered and evil in a number of humiliation and frustration. Liu Yuejin, who inherited Xiang Zi's character, also has a simple side, but does not pay back the money he borrowed from others and make a forcedly. He can't steal much, but he also steals small amounts of money from restaurants while shopping. His wife is taken away by an alumni, and he sometimes molests another's wife.
Xiang Zi tried to do well. Liu Yuejin did not try, nor did he want to be corrupted. He was struggling only for survival. Liu Yuejin's son, Liu Pengju, has no strength, diligence, responsibility, and even a simple dream that can be found in his father's generation. He is a degenerate creature who lives day and day without any vision. 
When we put Xiang Zi, Liu Yuejin and Liu Pengju together, we can see that they are gradually degenerating over three generations. This indicates the collapse of China's farmers' labor. So far, China's capitalist economic development has achieved the myth of rapid growth at the expense of the peasant masses, but it can be seen as an indication that it may be slowly brought to an end by the peasant masses. Meanwhile, Lutu defined the second generation of peasant laborers as new workers. Recently in China, the labor movement and student Marxism have begun to unite, and they are under constant oppression by the Chinese government. It remains to be seen whether workers can change China's future.

KCI등재

3영웅담론의 이식과 진화 - 바이런와 량계초(梁啓超)를 중심으로

저자 : 문대일 ( Moon Dae Il )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 41-56 (16 pages)

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梁啓超 actively introduced Byron to the Chinese people with an interest in the heroic aspects of his work for the freedom and independence of the small country and his related works. The fourth edition of the political novel 「新中國未來記」, published in January 13, 1903, is to be translated and inserted by Byron's poem 「Greek mourning」. Through this poem, Byron is celebrated for his achievements in free spirit, anti-imperialism spirit and heroic example. The poem is a compilation and introduction of only the parts of democracy, independence, independence and freedom from Byron's original 「The Isles of Greece」. Byron is a romantic poet who has created many works that represent rebellious people against society without restraint. So as a whole, 'Byronic Hero', which appeared in Byron's work, is portrayed as a 'personal hero' who seeks freedom, raising a number of problems due to the release of Kaesong by individuals alienated due to social structural problems in the industrial age of the West and unreasonable social structure. On the other hand, to save China from the brink of ruin, Zheng emphasizes ethnic heroism that emphasizes merit rather than virtue. Beyond the personal hero who pursued the free spirit of Byron, 梁啓超 wished for the birth of a national hero who suited the political, economic, social, cultural and environmental soil of China at that time. These examples of national heroes, whether from east to west, are all heroes who appear in 「意大利建國三傑傳」, 「羅蘭夫人傳」 and 「譚嗣同傳」, who are willing to die, who sacrifice themselves for the nation and are national heroes.

KCI등재

4아라이(阿來) 시에 나타난 티베트 문화의 형상화

저자 : 박남용 ( Park Nam Yong )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 57-79 (23 pages)

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The study aims to study the poetic figuration of Tibetan culture in his poems, focusing on the world of works by A-Lai(阿來), a leading Tibetan poet and novelist. The author analyzes on the cultural identity of various Tibetan imaginations and minorities contained in his poems, through the imagery of the life and culture of the Chinese minority appearing in his poems, centering on A-Lai's poetry.
Chinese minority literature can be said to be the work of a minority-turned-author who creates it in Chinese or in each ethnic language. Broadly speaking, it could include expressing the culture and identity of minorities as writers from the Han tribe. However, there is a limit to many studies of minority literature created in each ethnic language because deciphering the works published in that national language is essential. Therefore, it has to be studied based on the creation of Chinese by writers from minority regions.
I believe that there is a need to re-recognize the diversity of present-day literature and literature by reconstructing the contemporary writer and his work world from the perspective of a mutual batter's perspective on minority literature and culture, and to redefine the existing research trends and perspectives. His poems reflect various aspects of Tibet's life, culture, and power structure, but also the disintegration of traditional Tibetan society and culture and the transformation of a communist-ruled modern society. So his literary world was born out of deep reflection on the Tibetan minority culture. His literature reflects the world of minority literature as a member of the minority, unlike mainstream literature in China.
Conclusion, It could be confirmed that A-Lai's poetry creation shaped the nature and grasslands of Tibet, the natural and cultural customs of the native village, the conscious world of Tibetans thinking about life and death, and the conflicting world according to the dissolution of traditional culture and influx of modern civilization.

KCI등재

5중국문학 오디오북과 플랫폼 서비스 연구

저자 : 박정원 ( Park Jeong Weon )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 81-100 (20 pages)

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Paradoxically, in the age of video like Youtube, audio books are rapidly growing. Audio books are the result of complex influences such as digital detox trends that try to distance themselves from digital devices in the age of smart devices. The biggest advantage of audio books is that they can read books with "mutitasking" while working or driving, unlike video or text. The audio book market has already become the fastest growing industry in the publishing sector in recent years abroad.
Various platforms specializing in audio books are also appearing in South Korea and China. We hope that applying these audio books to Chinese literature education will have many effects. In particular, the addition of Chinese sounds to the Chinese-Korean translation text can dramatically enhance students' accessibility. Also, if the Chinese phonetic synthesis technology is applied to web pages and the text and sound of Chinese literature works are served at the same time, the effect will be maximized.
In particular, intelligent voice synthesis during the Fourth Industrial Revolution will be an alternative to overcoming the limitations of mechanical speech synthesis by developing a voice engine using the natural sound of the reader.

KCI등재

6육조시대(六朝時代) 영화시(詠花詩)의 특징 고찰

저자 : 배다니엘 ( Bae Daniel )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 101-120 (20 pages)

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This article was written to study the aspect of 'Yonghua Poems' of Six Dynasty in Ancient China. In the context of the development of 'Yonghua Poems', the period of the Sixth Dynasty, between the time of simple depiction in the form of 'description of shape' and 'description of sprit', and the period of high artistic achievement.
It was also time to play a role. In the poetry of Six Dynasty period, the expansion of the "flower" subject matter was introduced, the detailed description technique was applied, and works reflecting the various intentions were born as well as the artistic achievements of 'description of shape' and 'description of sprit'. In this paper, I will examine the characteristics of 'Yonghua Poems' in the Sixth Dynasty which played an important role in the development of 'Yonghua Poems'. I think it is very important to understand the characteristics of 'Yonghua Poems' of the Sixth Dynasty, which played a major role in the development of hole 'Yonghua Poems'.

KCI등재

7장후이원의 단편소설 「달 둥근 밤」 속의 '내면의 낯설음' 연구

저자 : 배도임 ( Bae Do Im )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 121-144 (24 pages)

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The character “I” in A Night With the Full Moon became 'an invisible person' to his family members 'inside' the family after his delinquency just one time in a certain game room in his adolescence. He caused external injury to other person, but, thereby he got incurable, internal injury to himself for good. He became 'a person who hid himself' like an invisible man as a fake-cigarette delivery man in the society as well. The unfamiliarity of 'non-existence' both 'internal' and 'external' of 'I' only became expanded and deepened rather than becoming reduced or extinct, as his identity had changed from an inflictor to an offender, to a murderer, to a fugitive, to a runaway after seizing weapon, and to an inmate.
The reason why the character 'I' became 'a non-existing being' imprisoned in himself and became 'an erased being' even outside, was originated by a lack of love. Love is begun from love and understanding, consideration and forgiveness in the family, and then it is expanded infinitely to those of others and in the society. This is a very common truth, but people often forget it.

KCI등재

8'중국몽(中國夢)'시대 '작가주의'적 애니메이션 탐색 - < 大世界(Have a nice day) >를 중심으로

저자 : 안영은 ( Ahn Young Yeun )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 145-164 (20 pages)

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The narration of < Have a nice day > is complex and clear. Even though diverse characters tangled up create the detailed narration surrounding money, eventually, nothing is left except for 'money'. The description of character form/characteristics, and the spaces where they are fully shows the characteristics of this animation. This work contains the extreme-realistic techniques shown in the description of characters or spatial background and the popular styles of Chinese modern art as an ex-painter director, for example, the styles of political pop art or cynical realism. The influence of modern art on the whole work is dominant, which is good enough to be called the animation-like representation of political pop art and cynical realism. Besides the narration or character form, there are several reasons why this animation has attracted the notice of the world. First, the director completed this animation all alone over the years. It could be so called 'auteurism animation'. Moreover, the world handled by this animation is completely the world of adults. This might be the reason why the animation poster specifies that this is only for adults. It is not common in the history of Chinese animation that has considered child education as the biggest value.
This thesis is largely divided into two parts. First, this thesis defines < Have a nice day > as an adult animation in the auteurism style, and then discusses the 'auteurism' and 'adult contents' of animation. Second, this thesis discusses the 'realistic aesthetics of animation', 'pictorial visualization of Chinese modern art', and 'China dream and diverse fragments' under the theme of animation aesthetics in the era of China dream.

KCI등재

9試論彦火散文的人文情懷 - 以遊記散文爲中心

저자 : 왕러 ( Wang Le )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 165-179 (15 pages)

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Yan Huo is a famous contemporary Chinese essayist, a well-known publisher in Hong Kong, and a book. With his unique vision and temperament, he created a collection of poetry, philosophical and literary styles that are different from other writers' prose styles. The lack of academic research can not conceal his deep thoughts, and can not hide the value of Yan Huo in the history of contemporary Chinese prose. Thesis writing tells the humanistic feelings of Yan Huo's prose from two aspects. Firstly, it analyzes Yan Huo's travel essays from the cultural perspective of geography. Taking the image of the sea as an example, we see that Yan Huo writing context is a different country and region. The cultural cross-cutting space composed of different cultures, the compatibility of this multi-culture in the travel notes constitutes the unique writing context of Yan Huo - the context of multi-ethnic cultural rendezvous. His essays present a tendency to appreciate the universal civilization of human society across geospatial spaces. Secondly, we see that Yan Huo has shown a wealth of homeland consciousness in many travels. Like many “local writers”, he has produced the anxiety and embarrassment of “lost home”, but unlike many “local writers”, he Instead of confronting the urban-rural duality to express the feelings of nostalgia and criticizing the value missteps brought about by industrial civilization, it is to transcend the "homeland" of the concept of geography and culture and consciously turn to the pursuit of "spiritual homeland". As a good writer, these complexities and diversity in his work deserve further attention and research.

KCI등재

10루쉰(魯迅)의 '개체성 원칙'과 '역사적 중간물' - 왕후이(汪暉)의 『절망에 반항하라』를 읽고

저자 : 임춘성 ( Yim Choon Sung )

발행기관 : 한국외국어대학교 중국연구소 간행물 : 중국연구 79권 0호 발행 연도 : 2019 페이지 : pp. 181-196 (16 pages)

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WANG Hui's LU Xun research has a special status in the history of LU Xun studies. While senior researchers regarded LU Xun as an embodiment of dialectic unification, such as the leader of the anti-feudalistic enlightenment(LI ZeHou) and the mirror of the anti-feudalism(WANG FuRen), WANG Hui regarded LU Xun as the result of paradox. There is a difference between them. In his Ph. D. dissertation, “Resist against Despair”, WANG Hui studied LU Xun's ideas and literary works in three parts. The first is the paradox of the LU Xun's thought, the second is the LU Xun's literary world as a 'historical intermediary' against despair, and the third is LU Xun novel's narrative principle and narrative method. Here we focus WANG Hui's study of LU Xun on two things: First, examining the paradox of the LU Xun's thought based on the principle of individuality, focusing on the 'paradox of modernity', which is one of the key words of the WANG Hui's academic research. Second, I would like to consider the implication of the 'historical intermediary'.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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