간행물

한국무용예술학회> 무용예술학연구

무용예술학연구 update

The Korean Journal of Dance Studies (KRSDS)

  • : 한국무용예술학회
  • : 예체능분야  >  무용
  • : KCI등재
  • :
  • : 연속간행물
  • : 계간
  • : 1226-900x
  • :
  • :

수록정보
수록범위 : 1권0호(1998)~79권3호(2020) |수록논문 수 : 681
무용예술학연구
79권3호(2020년 09월) 수록논문
최근 권호 논문
| | | |

KCI등재

1교육대학 온라인 무용수업경험에 대한 자문화기술지연구 - 신체표현활동 강의를 중심으로 -

저자 : 유미희 ( Yoo Mi-hee )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 1-13 (13 pages)

다운로드

(기관인증 필요)

초록보기

This study uses auto-ethnography to review my experience of a dance course conducted online due to the COVID-19 pandemic. Through the qualitative analysis of personal recollections, course plans, online sources, course materials, self-evaluations, and student evaluations of the course, the study reached the following conclusions.
First, as an instructor who had only taught in face-to-face settings, I realized my lack of familiarity with modern technology and online culture.
Second, I found online education that involved no face-to-face contact intimidating and frustrating.
Third, to be a guiding rather than a leading instructor, I focused on adapting to the changing conditions and maintaining a two-way communication environment to avoid a one-way instruction.

KCI등재

2마리나 아브라모비치의 작품과 홍신자의 작품에 나타나는 수행성

저자 : 김주희 ( Kim Joohee )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 15-28 (14 pages)

다운로드

(기관인증 필요)

초록보기

This study scrutinize the dance works of Marina Abramovic (1946-) and 「pilgrimage」(1998) of Hong Sin-Cha (1940-) with a focus on performertivity making a reference to 『Aesthetik des Performativen』 (2004) of Erika Fischer-Lichte (1943-). The performertivity concepts of Fischer-Lichte that could be understood through the works of Abramovic are emergence, cybernetic feedback and liminality. The concepts indicate that the audience who watch the performance become performers. The performertivity concepts of Fischer-Lichte are not found at 「pilgrimage」 of Sin-Cha Hong. It is because the performance is played at proscenium theater which is a traditional theatre. Even if the audience did not experience the performertivity in this work, the dancers participated in this performance were found to experience performance elements.

KCI등재

3콩쿠르 참여 무용수들의 주도적 몰입 심리기술 프로그램 효과 분석

저자 : 민애경 ( Min Ae Kyoung ) , 김승일 ( Kim Seung Il )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 29-56 (28 pages)

다운로드

(기관인증 필요)

초록보기

This study explores the effect of self-directed flow on dance competition participants. For this purpose, this study creates a self-directed flow program. It consists of three stages.
First, as a perception for a goal setting, dancers participating a dance competition have a goal, and then it has an effect in reaching the flow state. This study figures out that dancers in the flow achieved more with less stress, so felt more satisfied. Second, as a control stage for practice focuses on alleviating the anxiety and tension of dancers through self-directed flow program, which specifically emphasized the attention training skills. This program helps them focus on anything they are working on. Third, as a performance for evaluation, participants in the self-directed program express their satisfaction with successful performances. Furthermore, they maintain confidence without losing concentration even if they experience mistakes while performing.

KCI등재

4무용공연지원사업의 공적 가치와 예술적 의미 관계 연구 - 창작산실 무용분야 지원사업의 사례 중심으로 -

저자 : 박성혜 ( Park Sung Hye )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 57-77 (21 pages)

다운로드

(기관인증 필요)

초록보기

This study discusses the relationship between the expectation of economic utility and artistic value in the production of dance performances, centering on the 'Creative cradle program for dance support' in Korea. Dance has difficulties in expecting productivity in proportion with its actual production cost and measuring its achievement. Although dance, as both a fine art and a performing art, relies on public funds, it is more often than not difficult to estimate precise outcome, which is its character and limitation. Therefore, it is natural to get insufficient numbers and results in the annual quantitative evaluation required from an industrial perspective. Alternatives should include long-term assessment and management, the need for sustainable collateral support, and accentuation on artistic evaluation rather than quantitative one with separate recognition from industrial understanding and assessment. Rather than quantitatively evaluating dance performances and simply evaluating them with economic income, public value should be given priority. To this end, in terms of fine arts, long-term result is expected and recognition as non-exclude ability and non-rival goods is required.

KCI등재

5통합학급에서의 감각통합 무용교육 프로그램 개발

저자 : 서예원 ( Suh Ye Won )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 79-95 (17 pages)

다운로드

(기관인증 필요)

초록보기

The purpose of this study was to develop a dance education program for sensory integration for general students as well as disabled students with sensory integration problems. For this purpose, the sensory integration dance program and a teaching plan was developed by applying the contents. To this end, it went through the process of application of the program, teacher-interview, researcher's reflection log, expert advice, peer consulting, and a program that could be applied to the integrated elementary school was presented.
While it was possible to confirm field applicability and program revisions from the teacher's point of view since the subjects of this study were elementary school special class and integrated class teachers, it was difficult to generalize the effectiveness of the program because it was not applied to actual students. Despite this limitation, this research was significant in terms of field practice research and field improvement research in that teachers at the site and researchers at the preparatory teacher education institution conducted joint research to improve the educational site.

KCI등재

6한국의 고대 제천의식에서 보여지는 집단무(集團舞) 연구

저자 : 신효영 ( Shin Hyoyoung )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 95-110 (16 pages)

다운로드

(기관인증 필요)

초록보기

This paper was able to find the original Korean dance through collective dances accompanied by drinking dances performed at national rituals, such as Buyeo's 'Yeonggo,' Goguryeo's 'Dongmaeng', Ye's 'Muchon' and Samhan's 'Sodo,' a representative ritual of sacrificial rites in ancient times, and to infer the sense of beauty of Korean dance from the common features of their dances.
In addition to the ritualistic nature of wishing and appreciating the harvest of the year, it can be seen that in ancient times, the playtul nature of experiencing the unity of heaven and human beings promoting the people's consciousness, the third, a new order, and the nature of social as well as personal purification (purification) and spirituality were implied.

KCI등재

7확장된 안무 개념에 대한 연구 - 윌리엄 포사이드(William Forsythe)의 '안무적 오브제(Choreographic Objects)'를 중심으로 -

저자 : 이나현 ( Lee Na Hyun )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 111-124 (14 pages)

다운로드

(기관인증 필요)

초록보기

The purpose of this study is to understand differences in medium, space, and appreciation of art of dance by focusing on the changing notion of choreography and to clarify an implications of the change observable in Forsythe's 'choreographic objets'. Early notion of choreography was the meaning of writing and creating a harmonious floor pattern of simple steps by using notation, and then it has changed to the meaning of creating movements suitable for each subjects. However, in contemporary dance, such as 'choreographic objects' changed the medium of choreography from a body to an object and erased a boundary between a daily life and a performance stage. Spectators experience and complete the dance using senses of their bodies. Choreography using objects is not a instruction for creating a illusory dance or a dance of profound meaning to be interpreted, but a suggestion for providing a space to experience the essence of dance that feels the world with the whole body.

KCI등재

8무용과 과학 융합 STEAM 프로그램 개발과 적용사례 - 초등 고학년을 중심으로 -

저자 : 조영미 ( Cho Young-mi ) , 이정임 ( Lee Jeong-im )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 127-141 (15 pages)

다운로드

(기관인증 필요)

초록보기

In this study, the dance and science convergence STEAM program aims to create a shadow play through scientific knowledge and artistic experience. < Show Me the Shadow >, developed as an 8-hour project for elementary school students, drew three research results as follows.
First, it re-established the role of art in the convergence talent education (STEAM). Second, we found a positive aspect of the possibility of developing a dance and science convergence program, which had few opportunities for convergence. Third, the composition and principle of the dance and science convergence program were created.
In this way, the program should be structured so that art and science function as tools for each other, and it can be expected that creative talent can be nurtured through virtuous cycle learning in this process. We look forward to continuing interest and research for the development and spread of STEAM program development.

KCI등재

9무용공연예술에서 아리스토텔레스 카타르시스의 미적 가치

저자 : 최영영 ( Cui Yong-ying ) , 박미영 ( Park Mi-young )

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 143-161 (19 pages)

다운로드

(기관인증 필요)

초록보기

This paper discusses the aesthetic value of catharsis in dance performances, focusing on Aristotle's theory of catharsis. The conclusion is as follows. First, catharsis as an aesthetic ideal that arises through emotional connection with the audience is an axis of aesthetic sense and aesthetic category, and performs overall aesthetic activity in dance performances. Second, catharsis in dance transcends the emotions of the audience through appreciation, eruption and purification of emotions, based on ethics and social utility that further solidify aesthetic values. Third, the heightened emotions of the audience regain peace while experiencing catharsis and form a virtuous cycle of social moral ethics. Fourth, catharsis has the ideal function of moral thinking by controlling and restraining inner emotions by purifying the mind and emotions of the audience with the effect of psychotherapy in dance performance activities.

KCI등재

10춤의 공공성 실천 가능성

저자 : 한석진

발행기관 : 한국무용예술학회 간행물 : 무용예술학연구 79권 3호 발행 연도 : 2020 페이지 : pp. 163-166 (4 pages)

다운로드

(기관인증 필요)

키워드 보기
초록보기
1
권호별 보기
가장 많이 인용된 논문

(자료제공: 네이버학술정보)

가장 많이 인용된 논문
| | | |
1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

다운로드

2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

다운로드

가장 많이 참고한 논문

(자료제공: 네이버학술정보)

가장 많이 참고한 논문

다운로드

2미국의 비트코인 규제

(2006)홍길동41회 피인용

다운로드

해당 간행물 관심 구독기관

중앙대학교(서울) 이화여자대학교 경희대학교 상명대학교 성균관대학교
 45
 29
 26
 26
 26
  • 1 중앙대학교(서울) (45건)
  • 2 이화여자대학교 (29건)
  • 3 경희대학교 (26건)
  • 4 상명대학교 (26건)
  • 5 성균관대학교 (26건)
  • 6 서울대학교 (25건)
  • 7 한양대학교 (18건)
  • 8 부산대학교 (18건)
  • 9 충남대학교 (14건)
  • 10 한국예술종합학교 (13건)

내가 찾은 최근 검색어

최근 열람 자료

맞춤 논문

보관함

내 보관함
공유한 보관함

1:1문의

닫기