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수록범위 : 1권0호(1973)~100권0호(2019) |수록논문 수 : 1,368
중국문학
100권0호(2019년 08월) 수록논문
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1중국문학에서 시인(詩人)의 개념과 역사 ―두보(杜甫)를 중심으로

저자 : 강민호 ( Kang Minho )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 1-32 (32 pages)

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在中國文學中, '詩人'本是 《詩經》的作者, 具有集體而高尙的意義, 因而讓後人對把一般詩作家稱爲 '詩人'有些猶豫。另外, 被稱爲離騷的作家的 '騷人'一詞也是在指詩人時使用的, 因此, '詩人'還具有兼備屈原的忠情之意。從建安時期開始, 以曹操父子爲中心, 出現了很多具體的詩作家,而且以五言詩爲中心, 詩的形式成型。結果六朝時期出現了對詩作家的專門評論書 《詩品》。所以,從以前的以辭賦·散文作家爲主的 '文人', 轉變爲也創作樂府詩·五言詩等的文人, 乃至隨着詩的創作比重的逐漸增大, 也有可能稱以比文人狹義的 '詩人'。結果就像 《詩品》中把陶淵明稱爲 '隱逸詩人'一樣, 出現了與 《詩經》詩人不同的一般詩人的槪念。作爲一般詩作家的 '詩人'一詞在南北朝時期幾乎沒有使用, 直到唐代以後才逐漸被使用。初盛唐代很少使用那種詩人用語, 中晩唐代逐漸增加, 宋代以後普遍使用。在這樣過程中, 元稹評杜甫曰: "詩人以來, 未有如子美者", 意味深長。杜甫在詩作創作的專業性方面可以說是典型的詩人。在此基礎上, 杜甫取得的集大成和創新的成就, 反而對他生前的知名度産生了負面影響。所以, 與其說杜甫是普遍的詩人典型, 不如說更像是處於最高點的詩人的典範。在中國文學史上, 詩人似乎很常見, 眞正的詩人却很少, 杜甫就是這樣一位難得的詩人。

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2남조(南朝) 민가(民歌)의 형성과 전승의 양상 연구 ―〈오성가곡(吳聲歌曲)〉을 중심으로

저자 : 주기평 ( Ju Gi-pyeong )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 33-52 (20 pages)

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In order to examine the formation and tradition of folk songs in the Southern Dynasty(南朝), this study divides folk songs of 〈WuSungGeQu(吳聲歌曲)〉 in the 〈YueFuSiJi(樂府詩集)〉 into the folk song of civil origins and the folk song of literate origins. I compared the origins, outlines, and aspects of borrowing, with the focus on the folk songs that borrowed by the other class. In the folk song of a literary person who borrowed the folk song of civil origin, the original song often changes in the contents. Especially, instead of 'female speaker' used in civil folk songs, it is mainly focused on 'observer point of view' to portray the beautiful and sexy figure of the woman, which is a variation of folk songs according to their emotions and preferences. On the other hand, in the general folk song borrowing the folk of literate origins, the original contents and narrative method are followed without modification. This can be attributed to the class situation according to the order of that time.

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3唐代古文运动与唐传奇关系之探讨

저자 : 张宏伟 ( Zhang Hongwei ) , 李奭炯 ( Lee Seokhyoung )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 53-70 (18 pages)

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The Ancient Chinese Movement was an important cultural reform movement and Tang Legend was a very important literary form in the Tang Dynasty. Both of them reached prosperity during the Mid-Tang Dynasty, so the relationship between the two became a concern of the academic community. This paper first compared the methods of writing, language style and ideological connotation of the two, and systematically demonstrated that the "Legendary Text is a vassal of the Ancient Chinese Movement" put forward by Mr. Zheng Zhenduo is not appropriate. In addition, this paper systematically demonstrated the role of Tang Legend in promoting the Ancient Chinese Movement from three aspects. That is, Tang Legend that flourished by the influence of “Xingjuan” and “Wenjuan” increased the social needs of Ancient Chinese; The Legendary "entertainment" satisfies the entertainment needs of the citizens and promotes the popularity of Ancient Chinese; The Legendary novel writing style, which inspired Ancient Chinese writers, affected the writing of Ancient Chinese, which was no longer monotonous, but became lively and vivid. Thus, a more detailed and supplementary discussion was made on the relationship between the Ancient Chinese Movement and Tang Legend.

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4《浮生六記》追憶空間的建構與沈復的下層文人心態

저자 : 劉暢 ( Liu Chang )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 71-83 (13 pages)

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The academia has always maintained a strong interest in Fu Sheng Liu Ji since it was known to the world. However, current studies mostly focused on English versions translation, classification of works genres, the Image of the heroine Chen Yun, and depicting, which based on content of the works, the life of the lower literati in the mid-Qing Dynasty, yet no systematic discussion on the characteristic construction of memorial space has been carried out. Although real life was used as writing material, a careful reading will reveal that Shen Fu, the author, had the memories significantly split and reassembled, which was achieved through the repetition of fragmentary memory spaces. The intentionally constructed characters of these memory spaces, along with their combinations, and the mentality of the lower literati in the mid-Qing Dynasty are all worthy of further study, these aspects and their relations were discussed in this paper. 
The second chapter summarized, classified and described the types of memory spaces in the works. Two typical memory spaces were appeared, semi-closed dotted space and open linear space. The former was mainly in Gui Fang Ji Le and Xian Qing Ji Qu while the latter was in Kan Ke Ji Chou and Lang You Ji Kuai. The following discussion was on Shen Fu's deliberately disconnecting the time chain, and the narrative ways of categorizing and linking these memory spaces. The third chapter revealed the mentality of the lower-class literati in the mid-Qing Dynasty, which hidden behind the special construction mode of Shen Fu's memory spaces, was believed as a "active marginalization", and specifically manifested in defending the private space, as well as resisting the social space. Therefore, the paper holds that Fu Sheng Liu Ji is not a record of Shen Fu's life, but a deliberate cutting and reorganizing of the memory spaces, and his active marginalization mentality contributes to the construction of such groups of memory spaces.

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5台湾当代文学历史叙事的新转折 —平路与陈耀昌小说中十七世纪台湾史料的再现与思索

저자 : 李淑娟 ( Lee Shuchuan )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 85-99 (15 pages)

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In the 21st century, there was a boom of research in the field of Taiwanese historical narrative on Netherland's colonial rule of Taiwan in the 17th century. Such trend expanded to the literature field, and creations were made using the forgotten historical material. Representative works are 《婆娑之島》 and 《福爾摩沙三族記》, written by Ping Lu and Chen Yao-chang. By analyzing these texts, this study studies what kind of a message the author presents through the literary form, and what his view is on the present and the future. In 《婆娑之島》, Ping Lu presents the fate of Taiwan being in the midst of imperialism for 400 years, and points out the betrayal of imperialism on Taiwan. Ping Lu argues that in order for Taiwan to evade from such situation, the future of Taiwan should be discussed in the global context, outside of the limited perspective of “China/Taiwan”. Chen Yao-chang established the Tiwanese identity based on the multiple history narrative, by referencing to the spacial identity instead of the innate kinship. Such establishment of identity gave a breakthrough to the identity politics in Taiwan. Amidst the rapidly changing world politics and economy, it is essential for Taiwan to reestablish the cultural identity for itself for its development. What is more important is that the multiple history narrative maintains openness of history and communicates with the grand narrative to prevent history from being baised.

KCI등재

6중국어 이중목적어구문의 이항동사 인가 조건

저자 : 백은희 ( Paek Eun-hee )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 101-117 (17 pages)

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本论文旨在考察汉语二價动词进入雙宾结構的条件。二價动词在词汇意义上只需要两個论元, 但可以进入雙宾结構。此时在结構层次上赋予另一個论元, 整个结構表示间接宾语的受影响性很强。
與汉语二價动词进入雙宾结構的现象相比, 英语二價动词进入雙宾结構时表示给予意义, 可以看做是英语的特徵, 但间接宾语的受影响性增加, 为进入雙宾结構的主要条件这一點上, 汉语和英语是相同的。

KCI등재

7'니즈다오(你知道)'와 '양가·불이'의 시선 ―동아시아 고전해석학의 현재성

저자 : 오태석 ( Oh Tae-suk )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 119-143 (25 pages)

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This paper mainly discussed how to approach the East Asian original classic texts in Scientific Revolution Era. In this regard I made a point that we should pay attention to two different cultural eyes between West and East for thousands of years. The most typical contrast is dichotomy. Traditionally the East has regarded the two different aspects as one while the West has separated like as body and soul, man and the world, also the visible and the invisible as alternative. The first chapter explained the differences between two regions through the implications of verbal expression about 'Knowledge'. i.e. "Do you know?" in English and 'Ni zhidao(你知道)' in Chinese.
The second chapter discussed that Asian thoughts are rather nearer than the West to the past century's new evocation of dazzling revolutionary scientific discoveries, i.e. Einstein's Special(1905) and General(1915) Theory of Relativity in large scale, and Quantum Mechanics in micro scale. And it is strongly necessary to reconsider the traditional Western separative dichotomy of subject superiority. On the contrary, Eastern thoughts represent the concepts of ambivalence or equation of two different aspects paradoxically going together of 'in and out' simultaneously i.e. 'in·exisit'(兩 行). East Asian YinYang(陰陽) theory, Taoism and Buddhism, unlike the West, require 'in-and-out' or 'both and' simultaneous sight in common.
The third chapter talked about hermeneutic contemporariness of East Asian classical texts. It is important to sustain the attitude of 'timely hit(時中)', which is from 'The Book of Change' and 'The Book of Golden Mean'. Everything in the Universe is not fixed on one specific meaning, and ceaselessly changing, and the text also is changing. Besides, if not me, nothing has any meaning. Text is a texture, and the texture is from thread. If we come near to the text, there we could find nothing but emptiness among weft and fly. So we could also say there is nothing outside the text as Jacques Derrida already mentioned.
As a conclusion, I think there would be a possible contact that could connect modern physics performance with East Asian thoughts. This could be a meaningful reason to re-read and reinterpret the ancient East Asian thoughts today despite their chronological distance.

KCI등재

8중국 고전·문학의 읽기론 ―'융합'과 '텍스트'의 갈림길에서

저자 : 류준필 ( Ryu Junpil )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 145-182 (38 pages)

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關於現有的 '融合 vs Text(文本)'的課題, 本論文的立場是選擇以Text爲出發點, 以融合存在於Text的內部來進行硏究的。從非媒介和重層媒介的二重原理的視角, 提出言語-媒體的複合性, 通過言語-媒體的複合性說明了認識到言語-媒體很難包括感知的全面性的局限性, 所以一直在探索文學文本多樣性的方略。
文學文本在原本融合傾向於內在化的立場上看, '融合 vs 文本'或許沒有逾越同語反覆。這是作爲言語-媒體的文學文本所賦與得本領。只是文學文本的融合的可能性要通過 '閱讀'來實現。不是以選擇文本爲出發點的融合作爲方法而是以閱讀爲方法的意思。閱讀或是好的閱讀, 是指不忽視文字或言語媒體根本上的局限性, 另一方面要有可以確認文學文本潛在的多樣性的可能性的能力。
隨著媒體的發達, 如果各種感知的分離·儲存·組合·流通可能的話, 那麼要有可以確定存在於文學的文字文本可以轉換爲其他媒體的可能性。因此閱讀不得不含蓄那種把知覺的層位活性化的過程和能力。那些使文化地位下降的因素才是反向的提供給閱讀能力增進的機會。可能因爲是這樣, 現在或許可能才是文學文本最可以好好閱讀的最佳時刻。

KCI등재

9AI의 중국 고전시가(古典詩歌) 창작 ―시어(詩語)의 학습과 생성

저자 : 강병규 ( Kang Byeong-kwu )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 183-207 (25 pages)

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Is it possible that computers write Chinese poetry like a person? In the past, these questions were considered to be unrealistic. In the days when computers were merely a device for manipulating human commands inflexibly, these questions would have been considered somewhat erratic. In recent years, however, there has been a growing awareness that artificial intelligence algorithms based on Big Data have been utilized in a wide variety of ways, and that the creation of literary works is no longer possible.
In this paper, we discussed the process of creating literary works of artificial intelligence, which has recently attracted attention. Especially, artificial intelligence algorithms based on Big Data are used in various fields today. If you have enough data, you can quickly and efficiently process the given conditions. The artificial neural network model is also applied to the field of literary creation, which is known as a human realm. The latest AI creation system introduced in this article writes a natural Chinese ancient poem that is hard to distinguish among the general public. AI creation based on artificial neural network model is a method to find optimal sheer through full learning of mass Chinese poetry data. In this process, the AI can generate a poem based on the information obtained from the deep learning of traditional Chinese ancient poetry. Because the AI creation system remembers all the poems written by thousands of poets, it can be used as a convenient tool to help people if they are specialized for the purpose of poetry creation. In addition, AI creative techniques can also help to broaden understanding of human poetry creation. Computers can play a role in creating new artistic values through methods different from human beings.

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10“도광양회(韜光養晦)” 이데올로기의 출생과 성장

저자 : 김광일 ( Kim Kwang Il )

발행기관 : 한국중국어문학회 간행물 : 중국문학 100권 0호 발행 연도 : 2019 페이지 : pp. 209-241 (33 pages)

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“韜光養晦”相傳是鄧小平强調的對外戰略方針。目前, 這一古老的成語已經提升到一種意識形態, 成爲構建中國成長模式的核心環節。本文著眼於作爲一種意識形態的 “韜光養晦”, 討論這一意識形態經過什麽樣的歷史過程, 成長到現在的樣子。爲此, 本文從三個層面考察這一問題。第一, 細緻分析 “韜光養晦”一詞的形成過程與意味脈絡。第二, 根據有關鄧小平的一手資料, 嚴格考察鄧小平與“韜光養晦”的關係。第三, 追踪鄧小平以後 “韜光養晦”經常出現的語境。

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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