간행물

민족무용 update

The Ethnic dance

  • : 한국예술종합학교 세계민족무용연구소
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수록정보
수록범위 : 1권0호(2002)~23권0호(2019) |수록논문 수 : 269
민족무용
23권0호(2019년 12월) 수록논문
최근 권호 논문
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1백제문화제 제례악무 재구성을 위한 기초연구 - 공주(웅진) 백제문화제를 중심으로 -

저자 : 남성호 ( Nam Sung-ho )

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 7-43 (37 pages)

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Since ancient times, ritual ceremonies have been a national event and have been a means of securing the legitimacy and legitimacy of power and gaining recognition. So the ritual is at the forefront of national ideology. Although Baekje Cultural Festival, which has a history of more than 60 years, has established itself as a regional festival, it is questionable whether it functions in a way that does not suit the reputation of being one of Korea's representative festivals. Festivals have traditionally had their own structures different from event events.
It has the ritual structure of the spirit-Osin-Songshin, which makes the gods happy, conveys the will of man to God, and then returns the god. The festival as a modern cultural event does not necessarily have to be a medium for the gods, but it cannot be ignored in terms of expanding the function of the festival by having a condensed and complete structure.
The Baekje Cultural Festival has made trials and errors as it has made strenuous efforts through numerous changes and various event events.
As the Baekje Cultural Festival has recently risen in status as an international event, there is a movement for reconsideration of music and dance accompanied by ritual ceremonies. The purpose of the ceremony is to use Confucian music and dance from the Joseon Dynasty. This paper starts from the position that it should be reconsidered with a wake-up call for such a move. This paper is starting from the position that it should be reconsidered with a wake-up call for such a move. In the limited data, the nature of the rite was reviewed by examining the conceptual differences in ancestral rites, je(祭), sa(祀), sa(祠), gi(祈), and al(謁) which is a visit to one's ancestral grave. Based on this, we hope that the festival will have its original characteristics as well as the integration of local residents while making the best use of cultural assets in Chungcheong Province by holding rituals for the god of heaven, rites for the god of the earth, and memorial services for the man-made ancestors. The period of Baekje and its locality of Chungcheong Province should be considered by inclusion in the structure of the festival, rather than listing various rituals.

2류큐 왕국의 '구미오도리(組踊)'에 관한 일고찰

저자 : 홍성준 ( Hong Sung-joon )

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 44-62 (19 pages)

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This article introduces the types of "Kumiodori", a traditional dance handed down to the kingdom of Ryukyu in Okinawa Prefecture Japan. It also introduces what each piece has and what are its characteristics, and examples of the works used in literary works in the Edo period.
The Kingdom of Ryukyu is a country with a short history of 450 years, but it is greatly influenced by China and has the characteristics of both Japan and China. Even if you look only at traditional dances, you will find many unique parts that differ from the traditional forms of Japan. The uniqueness of the traditional dance of the Kingdom of Ryukyu is not to be overlooked in terms of the acceptance of Chinese traditions in addition to the traditional culture of an independent country different from Japan.
This paper examines the types and characteristics of Kumiodori, a traditional dance of the Kingdom of Ryukyu, and how the contents of major works were utilized in modern literature. Chokun's five works are the most common among Kumiodori and appear in various forms in later literary works and literary content.

3근세후기 삽화소설로 재탄생한 가부키(歌舞伎) - 『소가 다유조메(曾我太夫染)』를 중심으로 -

저자 : 김미진 ( Kim Mi-jin )

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 63-82 (20 pages)

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Ryutei Tanehiko was the foremost writer of gokan, a form of illustrated novel, during the latter part of the Edo period. In the Bunka, Bunsei and Tenpou periods (1804-1844), a kind of annotation meant to explicate the culture of one hundred years prior based on literary evidence reached the height of its popularity. Tanehiko made many discoveries concerning the customs, language, haikai, kabuki and joruri of the early part of the Edo period, and left behind many essays based on his research. The knowledge gleaned from this research was used in the writing of his gokan. In this way, the customs and culture of early Edo were revived in the pages of these works.In this presentation, I would like to investigate how the results of research were used in gokan, taking Sogatayuzome (1817) as a primary example. According to the work's introduion, Chikamatsu Monzaemon's kyogenbon Sogatayuzome from the Genroku period (1688-1704) is the source book. The introduction states that, in order to communicate the classical style to the readers, the themes of the original were left unchanged, while only the language was updated to that of the present day. One point reflecting the style of the day is that the characters' faces are drawn as actor's portraits of the same period Sogatayuzome was written by Tanehiko. However, this work also contains Tanehiko's idea for reviving the antique. They are the eight annotations on eight of the fifteen pages. These annotations explained such things as a character's hair, makeup, or part in the play, as well as old vocabulary from the Genroku period. Tanehiko used the manner of expression and classical style of one hundred years before in his works.In this presentation, I will clarify the revival of Chikamatsu's kabuki in this work, in the light of these eight annotations. I will show that the reason for using annotation as a means for putting sources of research in the work is to show both the present-day and classical styles on the same page.

4일제강점기의 한국 궁중 춤의 질곡과 소생

저자 : 신태영 ( Shin Tae-young )

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 83-115 (33 pages)

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This paper tried to understand how the royal dance came to liberation during the Japanese colonial period through two series, YeoryungJungjae and MudongJungjae. In the horrendous period of Japanese colonial rule, our ankmu had to undergo a lot of upheaval. The disbandment of the government allowed the gisaeng to operate more freely through the KwonBan. Eventually, as the protection of the system was lifted, there was a fierce competition for survival in the rapidly changing ecosystem. In comparison, Mudong was revived within the institutional area through the aagbuwon-yangseongso and was able to work in a relatively stable environment.
In other words, in the changed ecosystem, the art and spirit of a gisaeng, the work and even self-consciousness of gisaeng were all changed, and they were changing into new beings. Japan banned KwonBan's business in 1942. And the gisaeng system was abolished in 1948. With the disappearance of gisaeng, the art of gisaeng also declined rapidly.
LeeWangJik Aakbu passed only 12 of the more than 50 dances to Mudong. The decisive reason for this is that LeeWangJik Aakbu was in charge of ritual music under the Governor general and was used as a propaganda tool in Japan. In other words, the subjects the students learned were not centered on traditional royal ankmu, and the teachers also did not focus on maintaining the traditional royal ankmu. The confusion experienced by the subsequent generation became an inevitable process.
More than 70 years after liberation, let's think deeply about A's achievements and mistakes, and this should be a valuable lesson in restoring and recreating our royal dances.

5세계민족무용연구소 개소 20주년 기념 공연 세계 민족무용의 발자취

저자 : 한국예술종합학교세계민족무용연구소

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 117-120 (4 pages)

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6세계민족무용연구소 개소 20주년 기념 발자취 모임(국제포럼)

저자 : 허영일 , 하라다미카 , 사토고지 , 다무라히로미 , 덩원잉 , 모리시타하루미 , 박은영 , 남성호 , 강영순

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 121-139 (19 pages)

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7세계민족무용연구소 20주년 회고록

저자 : 허영일

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 140-174 (35 pages)

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8세계민족무용의 발자취를 느끼다

저자 : 김나형

발행기관 : 한국예술종합학교 세계민족무용연구소 간행물 : 민족무용 23권 0호 발행 연도 : 2019 페이지 : pp. 175-185 (11 pages)

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가장 많이 인용된 논문
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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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가장 많이 참고한 논문

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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