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The Collected Papers of Chinese Prose

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수록정보
수록범위 : 1권0호(2011)~9권0호(2019) |수록논문 수 : 107
중국산문연구집간
9권0호(2019년 12월) 수록논문
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1『장자』의 우인과 아Q의 연관성 고찰

저자 : 한영걸 ( Han Yongjie )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 1-22 (22 pages)

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The Lu Xun and Zhuāngzǐ are the two figures who had significant influence over Chinese literature.
Though they were from different eras, their characters, the 'imbecile' and Ah Q, the main character of the True Story of Ah Q have something in common.
The story of imbecile is one of the most representative of such stories along with the story of an imbecile in and has been a good source of inspirati Han FeiZi on and experience in the creation of poetry, prose, and novels of the subsequent times.
Especially after the Opium Wars, China faced anti-feudalism and anti-colonialism crises. This was when people turned to the ideas of the philosophers of the past. As a result, the story of an imbecile of Zhuangzi influenced modern literature significantly. Lu Xun was introduced to Taoism by his teacher, Zhang TaiYan. While Lu Xun did not accept Taoism as an ideology, its influence in his literature cannot be ignored.
As we look at Ah Q and the imbecile, they are both idiots, while the Creative purpose were very different. Also, they are similar to each other in their satirical tendencies through the character of the idiot and ideas against Confucianism, while using their names for satirical reasons, as well.

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2공자문예어노자(孔子問禮於老子)'구(句)로 보는 사마천(司馬遷)의 '필법(筆法)'과 '일가지언(一家之言)'

저자 : 김이식 ( Kim Leesik )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 23-46 (24 pages)

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Up until now, the previous research has only focused on the authenticity of the fact that Confucian had met Laozi each other. But it has never been discussed that on what data Sima Qian established his own principles and standards, and that he confirmed the meeting between Confucius and Laozi, and what he meant with 'Yijiazhiyan(一家之言)' Sima Qian tried to convey. In this article, I have ultimately put emphasis on 'Yijiazhiyan(一家之言)' based on both the principles of choosing sources concerning the phrase “Confucian asks Laozi of etiquette(孔子问礼於老子)” and his way of describing history.

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3試論陶淵明與柳宗元的人生觀

저자 : 金鍾聲 ( Kim Jongseong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 47-68 (22 pages)

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Although there are many separate studies of Tao Yuanming and Liu Zongyuan, there are not many comparisons between the two authors. Therefore, they compared the two authors' views on life. Tao Yuanming's view of life is life-conscious. A view of life at an opportune time enjoy. He discussed the view of life that did good and sought freedom. Liu Zongyuan's view of life is that he pursues ideal politics and social reform. an idealistic view of life. He discussed the view of life in pursuit of freedom. Both valued life and pursued their ideals. They also expressed individual thoughts and feelings through their works. Tao had a view of life, pursuing a quiet life and obedient to fate. However, Liu had an active and reform-minded view of life.

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Han Yu(韓愈)'s SongQiongWen(送窮文) has its own complex and ambiguous characteristics. So, each previous editors attributed it to a different style in their anthology. These complex features have also influenced the creation of ancient Korean writers who have honored Han Yu's prose works as a paradigm. These forms of creation in ancient Korea can be summarized as two main ways.
First, It is the series of GuShiMaMun(驅詩魔文), which is one of writing form ZaWen(雜文) that has strong fable character. Second, It is the series of SongDuShinMun(送痘神文), which is one of writing form ZaWen or Poetry(詩詞) that has strong character of funeral oration(祭文). These can be attributed to the stylistic complexities of Han Yu's SongQiongWen. Especially, as series of SongDuShinMun that can be seen as cultural products which were occurred from the backdrop of the cultural environment in the late Joseon Dynasty. Therefore, these are worth the research as an example of the creative form of literature that Joseon writers have adopted and transformed Chinese literature independently.

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5范仲淹 賦論 硏究

저자 : 李承信 ( Lee Seungshin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 95-117 (23 pages)

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Fan Zhongyan(范仲淹) is credited with playing a pioneering role as a reformer of the politics and literature of Nothern Song(北宋). His literary work is an exemplary work that practiced the Guwen(古文) movement, and has been widely praised in later generations. His literary work and its theory of literature were reviewed in this paper. In his early years, he worked hard on works of Futi(赋体), especially by writing Fulinhengjian(赋林衡监) specialized theory books and expressed his view of the literary style of Fu(賦). His works of Futi(赋体) and a theory book, Fulinhengjian(赋林衡鉴) are important significance and value that brought about the transition from Lüfu(律賦) to Wenfu(文賦).
As described in the preface of Fulinhengjian(赋林衡鑑), the Lüfu(律赋) values as a test subject of selecting the nation's talent, and has studied the characteristics of Lüfu(律赋) in detail to raise the level of Lüfu(律赋).
For Fan Zhongyan(范仲淹), Futi(赋体) works may have been more than a textbook intended for examination in the Keju(科举). Futi(赋体) works were the basis of a sense of political and social responsibility for fostering talents, zhidao (治道), and zhiguo(治国), which can reveal his literary and political ability. Fan Zhongyan(范仲淹) appears to have fulfilled his writer's desire by displaying beautiful forms and investigative techniques through the Literary style of Fu(赋). Furthermore, it is assumed that the company has made a great contribution to the development of literature in Nothern Song(北宋) by enhancing the internal and external level of Lüfu(律赋).

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6역사 공간의 서사적 재현: 『수양제염사(隋煬帝艶史)』 읽기

저자 : 이지원 ( Lee Jiwon )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 118-138 (21 pages)

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In this article, I analyzed the narrative features of Sui Yangdi Yanshi, one of the historical romance(历史演义) published in late Ming, focusing on the aspect of representations of the historic space. This is because the literary features of Sui Yangdi Yanshi, which are distinct from the historical narratives of the previous period, and similar to other types of feature-length vernacular fiction, are believed to be closely related to the representation of historic space. Sui Yangdi Yanshi made up a long narrative by modifying, supplementing and rearranging numerous historical events recorded in the previous historical narratives. The most powerful key driver of this work is the representations of historic space. In this work, 长安is represented as a space that reveals the imbalance of power, 西苑 of 洛阳 as a space of pleasure full of luxury and entertainment, 大运河as a space of pleasure and crisis at the same time. And 迷楼 of 江都 is represented as a space created for pleasure but cannot satisfy desires unlike 西苑. Sui Yangdi Yanshi constructs the narrative in a mutual-subjective way that represents space through characters and events and shapes characters and events through the representations of space. As a result Sui Yangdi Yanshi becomes a more self-complete text and produces various meanings.

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This article, from the diachronic perspective, based on the field surveys and interviews verifies the present geographic names of the places passed by the Joseon envoys from the Zhuqiao ancient courier station(朱桥驿) to Laizhoufucheng(莱州府城) in the Dengzhou-Beijing shipping routes of the envoys during the alternation of Ming and Qing Dynasties as well as reconstructs the routes. This thesis supplements the missing records in the relative documents according to Sahaeng record and corrects Joseon envoys' inaccurate records of the names of some places basing on the local records.
According to the analysis and field surveys, the names of the places passed by the Joseon envoys from Ershili station(二十里铺) to Laizhoufucheng(莱州府城) are reconstructed as follows: Shuigu River(水古河), Ershili station(二十里铺), Lu Mengzheng old village(吕蒙正故里), Shili station(十里铺), Hou Donglai cemetery(侯东莱之墓), the inscription of Yizhong(义塚碑), and Laizhoufucheng (莱州府城). According to the field study, the present spots of the listed places are as follows: Suguo River(苏郭河), Chengguo Zhen Qiansu Village(程郭镇前苏村), Laizhou City Chenggang Street Junzhaizhi Village(莱州市城港路街道军寨址村), Chenggang Street Qishui Village(港城路街道淇水村), Chenggang Street Donglangzifu Village and Xilangzifu Village(港城街道东郎子埠村西郎子埠村), Wenchang Street Mingzhuyuan dong Block(文昌路街道明珠园东区), Laizhou City Wenchang Street Dongguan Village and Nanguan Village(莱州市文昌路街道东关村和南关村).

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8元稹贞元十九年应试判文考论

저자 : 姜贵仁 ( Kang Kwiin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 177-189 (13 pages)

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In Tang Dynasty, scholars were good at writing court verdicts, Yuan Zhen was one of the best. Compared with the five court verdicts during the the imperial examination in the 19th year of Zhengyuan period of Dezong, we found that Bai Juyi was considered the best, which revealed that the official still respected the classics, and even the exploration of justice should not contradict the classics. However, there were obvious contradictions between the standpoint in Yuan Zhen's court verdicts and his usual writing, which made his court verdicts have a strong academic atmosphere. The style of court verdict gradually changed from the emphasis on stacking stories and gorgeous words in the early Tang Dynasty to the emphasis on reasoning and fluency in writing after the middle Tang Dynasty, Yuan Zhen's work wasin this turning period, which also explains why the later evaluation of Yuan and Bai tending to praise the former one and depreciate the latter one.

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9乾嘉骈序的抒情成就及其文学史意义

저자 : 吕双伟 ( Lyu Shuangwei )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 190-208 (19 pages)

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Pian Wen in Qing Dynasty, especially in Qian Jia(乾嘉) has outstanding achievements; in terms of style, it is most prominent in preface. Since the Song and Yuan dynasties, the scriptures have been mainly used in the “four-six” of Zhao Gao and Biao Qi etc, so the contents were restricted.
In the early Qing Dynasty, Chen Weisong and Wu Qi used them more in prefaces and postscripts. During the Qian Jia period, the scope of the PianWen was greatly expanded. Prefaces, notes, theories, and fu all used the PianWen large quantities.
Among them, Pian Xu is the main body of various carcass in Qian Jia, and has achieved outstanding achievements in expressing individual emotions.
Whether Zeng Xu or Shi Wen Xu ect, the overall style is fresh, the tone is smooth, the emotions are sincere, the mood is faraway, and the characteristics of poetry as essays are clear.
This not only developed the lyrical tradition of the prose in Tang Dynasty and the beginning of the six dynasties, but also changed the history of the futility of public prose in Song and Yuan dynasties; it also promoted the revival of the PianWen in Qing Dynasty and enriched the aesthetic connotation of PianWen

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10姚鼐“义理考证文章”说探源

저자 : 欧明俊 ( Ou Mingjun )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 9권 0호 발행 연도 : 2019 페이지 : pp. 209-230 (22 pages)

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'Yi Li Kao Zheng Wen Zhang' written by Yao Nai was told that there are far and near sources, indirect resources, and direct resources, so we should sort out the context. Before Yao Nai, it has been proposed long ago that the relationship between the three or two of them was discussed, but the expressions were differen just a little. Among them, Liu Da Kui and Dai Zhen contributed the most. Yuan Mei and Zhang Xuecheng also made their own unique contributions at the same time.
The right of naming has Yao Nai but he only further elaborated the proposition of literati and scholars of previous dynasties. It can be said that he is just the name integrating person not name inventing person.
We should fully affirm Yao Nai's outstanding contributions. At the same time, we should fully respect and recognize the achievements of Yao Nai's previous literati and scholars.

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