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The Collected Papers of Chinese Prose

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수록범위 : 1권0호(2011)~8권0호(2018) |수록논문 수 : 91
중국산문연구집간
8권0호(2018년 12월) 수록논문
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1『손자병법(孫子兵法)』의 상식을 깨는 인(仁)

저자 : 박영희 ( Park Younghee )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 1-20 (20 pages)

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This thesis addresses the argument about the interpretation of Sunzi's The Art of War's version of “Ren(仁)” in the respect of Confucius discussed on my prior thesis. “Ren(仁)” in the Warring states period brought attentions and interests from numerous thinkers, not just certain thinker's and its special thought. Numerous thinkers utilized “Ren(仁)” as their own terms of thoughts and Sunzi's The Art of War did too.
It is anticipated to overcome the preexisting ideas and common knowledge by a "Guidao(詭道)" which explores a whole strategy in Sunzi's The Art of War. This "Guidao(詭道)" works as a big framework of recognition in Sunzi's The Art of War and as such, “Ren(仁)” by its author should be discussed in view of the framework.
Sunzi warned it is burdensome for a general to take generous cares of people. This is fundamentally different from Benevolence of Confucius which does not spare any beneficial efforts to care people. Thus, “Ren(仁)” of Sunzi cannot be well described by the perspective of Confucius's benevolence which is friendly respectful and amicable with people. Even though “Ren(仁)” of Sunzi is also to take cares of people, this is not related with the concept of “Ren(仁)”. As for Sunzi, a person of “Ren(仁)” is not necessarily a benevolent person like Confucius's. According to Sunzi, a person of “Ren(仁)” can establish and utilize the human network beyond preexisting circumstances and conditions as he addressed a general of “Ren(仁)” does not spare any financial resources to acquire adversary's information from a spy. Therefore, this is a breakaway from then common sense and knowledge in line with “Guidao(詭道)”.

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2今本『孔子家語』所附『後序』考 ―以日藏『孝經述議』引文爲參照

저자 : 정소동 ( Cheng Sudong )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 20-48 (29 pages)

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At the end of the book 『Confucius's Family Language』 by Liu Shi Yu Hai Tang ben, Si Kuben, and Japan's Kuan Yong ben, there is a 『Postscript』 without author. Its main message are about an authenticity, author, character ect.
Through the analysis of Liu Xuan's 『Preface of the Family Words』, 『Postscript of family Words』 in Jing Du University in Japan and 『Postscript』 the current book, we can know 『Postscript』 has many errors.
At the same time, according to the different name 『Preface of the Family Words』 and 『Postscript of Family Words』 in the 『Shu Yi』, we can know there are two kinds of works in the current 『Postscript』, the first ons is written by Kong an guo and the second one is posterity's retouch of the 『Confucius's Family Language』. Through the analysis of the three books mensioned so far, we can know these books were not written by same writter.

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3『韓詩外傳』文本邏輯關係新論

저자 : 조계화 ( Cao Jihua )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 48-61 (14 pages)

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Han Ying's "Han shi wai zhuan(韓詩外傳)" is an 'New text studies(今文學)' mastication in the Han Dynasty. It shows its own value in stylistic form and the study of Confucian classics. Putting aside the discussion on the degree of the relationship between the text and the "The Book of Songs", returning to the logic of the internal relationship construction of the text of the study, paying attention to the text style of "Wai zhuan(外傳)"; paying attention to the tradition of the Han dynasty from "using study of Confucian classics" to "Serve to the study of Confucian classics" The transformation; exploring the logical relationship and practical strategy of textual relationship construction provides a valuable reference for the evaluation of value and meaning in the history of the Confucian classics.

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4十六國“文武兼修”的敎育模式與公牘文的新發展

저자 : 곽신광 ( Guo Chenguang )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 61-83 (23 pages)

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During the period of the Sixteen Kingdoms, there were many separatist regimes dominated by the Hu people. Due to the large number of abnormal deaths of Yongjia Nandu and the literati elite, the pure literary works dominated by poetry in the north were almost extinct, and there was a defamation. The military country Wenhan with distinctive characteristics of the times. This kind of public literature is not high in value and has always been underestimated. In fact, due to the educational model of “Cultural and Civil Service” advocated by the leader of the Hu nationality, the public knowledge structure of the scholars in the middle and lower classes of the North is adapted and constructed, forming a specific literary style and promoting the publicity of the text. New development is a new growth point in the study of literature at this stage.

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5백거역(白居易)의 후예 - 송대(宋代) 지식인

저자 : 정진걸 ( Jeong Jingeol )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 83-115 (33 pages)

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The purpose of this paper is to explain why this phenomenon has occurred and what it means by starting from the fact that the intellectuals of Song dynasty respect the Bai Juyi and favored his poetry. The intellectuals of the Song dynasty earned high respect for the Bai Juyi's social participation, envied his restful life, and respected the acceptance of the philosophy of the Confucianism, Taoism and Buddhism.
This is because the transformation that occurred in the middle Tang led to the formation of a culture, and related to Bai Juyi is the Neo-Confucianism, urbanization and commercialization, and the Civil service Examinations system. And the true reason for the respect of the Bai Juyi was that they reflected their desires to the Bai Juyie, which is self-reliance, self-esteem, and elegance.

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6話術、心術與面具:宋代宰相日記硏究

저자 : 진가 ( Chen Ke )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 115-136 (22 pages)

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The diary of prime ministers of Song dynasty possesses fundamental academic and cultural value. During the northern song and southern song dynasty, direct conversation strategies used in the diary started transforming to a orthodox article where writers' true emotion was gradually concealed. At the same tine, the original narrative style with overall degree was replaced by logical illustration with specific opinions; it began to evaluate receivers' capacity of psychological acceptance to the strategies and suggestions brought forward. Therefore, the former pace of narration was eternally disturbed. As a matter of fact, the mental transmission from "Serve the king" to "Serve both the king and other ministers" reveals the decrease in prime ministers' political power. In addition, the focus of their strategies and suggestions changed from provoking king's empathy through logic statement to engendering king's sympathy by means of petition and confession. Making use of diaries, prime ministers in Song dynasty put on their persona, behind which was the prevailing exhaustion both physically and mentally. Narrative method such as disappearance of subjects, identity switch and Writing in detail came to emerge at the very moment.

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7朱熹和陳獻章文學觀點之比較

저자 : 안찬순 ( An Chansoon )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 136-169 (34 pages)

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Because neo-Confucianism flourished in the Song and the Ming dynasties it is often called 'Song-Ming neo-Confucianism.' From its rise in the Song up to the late Ming, a great many neo-Confucian scholars of many intellectual persuasions emerged, and these thinkers advanced many different scholastic views.
In actuality these thinkers not only differed in their scholastic views - their approach to, and views on literature also varied on account of the influences of their respective academic and literary environments.Added to these were differences in their scholastic lineages, their position on scholarly controversies, their factional/school affiliations, as well as individual tastes/preferences. Hence while they all operated within the broader boundaries of neo-Confucianism, the attitude of each were both similar and different in some respects - it is only logical that this would be the case.However, in the author's view, studies on the literary thought of these neo-Confucian thinkers are often guilty of neglecting this diversity and of being too simplistic. Based on the findings of my research over the last few years, I would argue that there have been numerous occurrences of differences having emerged between the views expressed by a single individual on different occasions, let alone differences between thinkers, or between the neo-Confucian thinkers of different periods. As such, I feel that many studies on neo-Confucian literary theory could at best be described as studies on general trends, or partial accounts that do not completely accord with the textual evidence that is available.If we are to paint a more complete picture of the actual substance of these views we need an approach that builds on a close reading of the views expressed in individual texts. Because of the very large number of Song and Ming neo-Confucian thinkers, this would be a project that would extent well beyond the confines of what can be addressed in this article.
In line with this, the author has written on this topic on the basis of the following considerations:
1.Regardless of one's approach, it should not be a matter for debate that Zhu Xi can be regarded as a representative of Song neo-Confucianism as a whole. He was also the most active of all the Song neo-Confucian scholars in various areas of literary endeavor including literary composition, literary criticism. Because Zhu Xi not only composed a large compilation on Song neo-Confucianism, but also compiled a large anthology of Song neo-Confucian scholar's writings on literary theory, many of his ideas on literature pertain to the field of literary studies. This is different from the case of thinkers such as Zhou Dunyi and the Cheng brothers whose writings in literary criticism were not strictly from a literary studies viewpoint, but were rather criticisms on literature from the viewpoint of neo-Confucian learning.
2.The middle Ming period featured a turning point for Ming neo-Confucianism - in the early Ming Cheng-Zhu neo-Confucianism was the mainstream, however after the middle Ming, while Cheng-Zhu neo-Confucian continued to be transmitted, developments focused on Wang Yangming's School of Mind. Chen Xianzhang was a figure that was active in this turning period.His role in effecting the transformation of Ming neo-Confucianism, and his contribution to Song-Ming neo-Confucianism more generally, has been widely acknowledged by classical and modern scholars alike.
3.Although no one can compare with Zhu Xi's status as the most important contributor to neo-Confucianism, Chen Xianzhang's contribution cannot be neglected.It should also be noted that while Zhu Xi was a prolific composer of poems and songs at a scale that, among neo-Confucians, comes second only to Shao Yong, Chen often liked to discuss poetics in poetic form, and the poems and songs that he composed were no less in volume than those of Zhu. As is now generally understood, Song-Ming neo-Confucians were, with few exceptions, aspiring to strive to 'become sages,' so most were not interested in talking about poetry and prose. Like Zhu Xi, Chen Xianzhang liked to compose poetry and also liked to discuss poetry and prose - this makes him rare and valuable among neo Confucian thinkers.
In view of the above, the author aims to focus on the two neo-Confucian scholars Zhu Xi and Chen Xianzhang, and through a comparison of their views on literature, proceed to investigate issues such as the causes/reasons that led them to ascribe to these views. The author holds that adopting this approach will enable us to more effectively observe a trajectory in the development and evolution of the views on literary theory of Song-Ming neo-Confucians.

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8伊藤東涯的文章學 ―古義學派的古文理論及其中國溯源

저자 : 장도 ( Zhang Tao )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 169-187 (19 pages)

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Yitengdongya is the great Confucian in the middle of the Edo period in Japan. He followed his father's enthusiasm for the article, not only wrote "Zuowenzhenjie", but also wrote "Caoguzijue" in Japanese. This book is the masterpiece of the author's later years. There are many articles on the theory of the article, which are based on the Yuanming text and have been transformed. This thesis takes Dongya as the research focus, and combines other essays and remarks of the ancient Yi School to examine the relationship between their essay theory and Chinese literary essay "Wenzhangouye", "Wenzhangyiguan", "Wenshi", and Edo. The position and influence of the theory of essays in the history of Japanese essays.

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9新舊之間:黃侃『文心雕龍札記』的思想結構與民國學術

저자 : 성위 ( Cheng Wei )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 187-206 (20 pages)

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Huang Kan's "Wen Xin Diao Long Zai Ji" proposed: The article is based on the way of nature. This is the basic ideological structure. In the grammar (grammar) and other local issues, the "Notes" reveals the meaning of the debate on the new cultural movement. However, on the core issue of the relationship between words and texts, it fails to organize effective resistance, and it will take several years to make up for it. These views of Huang's most influential people in the Republic of China, when pushing the natural way as the core pillar, have formed new mainstream insights and influences today. This theory has an anti-Confucian color, so it is popular for a moment, just because the new cultural movement on the opposite side has prepared for it. The tortuous trajectory of the "Notes" spread from one side shows the complex dynamics of the intellectual world of the Republic of China.

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10淺析「正史」中的女性復仇案

저자 : 주문량 ( Zhu Wenliang ) , 고광민 ( Ko Kwangmin )

발행기관 : 한국중국산문학회 간행물 : 중국산문연구집간 8권 0호 발행 연도 : 2018 페이지 : pp. 206-234 (29 pages)

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In Confucian traditional culture, most of the revengers were male. Due to several factors, such as gender, social status and family roles, Female revenge was not mainstream. Base on the female revenge cases in official historical records, the revenge motives, revenge objects, revenge modes, and official attitudes were analysed in this paper.
The paper also pointed out: although the motives of revenge were different, but the most revenges were for relative and for female themselves under the insults, that were seen as legitimate revenge motives. In some particular cases, the revenge objects were also extended to the children of enemies, this was with obvious anti-traditional and anti-cultural significances. In the revenge modes of ancient female, on the one hand, revenge was dependent on the national laws and on the other hand, was personal revenge. The most special revenge modes were turned into ghost spirit and self-destruction. Revenge behavior was a reflection of the confucian traditional culture and affected by the laws at that time, the official in ancient china had positive attitudes toward female revenge, and had more tolerant attitudes toward female avengers.

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