간행물

중동연구 update

The journal of the institute of the middle east study

  • : 한국외국어대학교 중동연구소
  • : 사회과학분야  >  인문지리
  • : KCI등재
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  • : 연속간행물
  • : 연3회
  • : 1225-570x
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  • : 연구논총(~1991) → 중동연구(1991~)

수록정보
수록범위 : 1권0호(1981)~38권3호(2020) |수록논문 수 : 668
중동연구
38권3호(2020년 02월) 수록논문
최근 권호 논문
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KCI등재

1탈냉전 이후, 모로코 여성사회단체의 사회적 공간 재구성과 의미

저자 : 이한규 ( Lee Han-kyu )

발행기관 : 한국외국어대학교 중동연구소 간행물 : 중동연구 38권 3호 발행 연도 : 2020 페이지 : pp. 1-38 (38 pages)

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This study examined the activities of Moroccan women's social group in the aspect of space issue and public sentiment, focusing on the period from 1998 when the revision of Moroccan Moudawana(Family law) was fully started, to 2011 in the period of constitutional amendment. This study was originated from an idea in which a space should be understood not as a 'fixed reality', but as a changing property. However, as the political and social public space of Morocco has been a place occupied by men, it would be necessary to preferentially break up or recompose this space for the issues like women's rights and equality because the public space is connected to power. For this reason, this study examined how the women's issues were developed in the political circles from Hassan Ⅱ's 'Action Plan' showing the full-range of women's issues to the constitutional amendment of Mohammed Ⅵ. This study focusing on literature and data provided such an important example for understanding the spatiality shown in the process of political/social agreement or competition between government & national assembly as public space and women as a subject of private space.
Even though it has been less than ten years since the women's social movement of Morocco was fully started, they legally and lawfully came forward as new social doers, and those new social doers concretely and efficiently showed their own abilities for the political/social development and the progress of democratization. In other words, the Moroccan women's social group is more important as it is in the process of forming 'the third space' that produces necessary goods in society. However, just as the influences of the regime collapse of countries around Morocco have been shown in the careful reformative politics of Mohammed Ⅵ, the expansion of political/social public space of Moroccan women's social group is highly possible to be carried out carefully in the cooperation with political forces for a while.

KCI등재

2이란의 인명(人名) 한글표기에 대한 고찰

저자 : 곽새라 ( Kwak Saera )

발행기관 : 한국외국어대학교 중동연구소 간행물 : 중동연구 38권 3호 발행 연도 : 2020 페이지 : pp. 39-60 (22 pages)

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The paper analyzes the Korean orthography for Iranian names, which appeared in major three newspapers published from 3rd Jan., to 11th Jan., 2020. While arguing the current orthographic matters in both Korean and English news, this paper suggested the reasonable Korean orthography for Iranian names in accordance with the loanword orthography suggested National Institute of Korean Language.
The current loanword orthography sets the basic principle of phonetic notation, which follows the native pronunciation. Therefore, it is necessary and essential to check and understand the phonetic features of the source language, rather than simply accepting orthography in English newspapers.
Considering that Korean vowel system is similar to Persian one, this paper suggested more accurate orthography for vowels, which is difficult for English to be accurate. Moreover, regarding consonants, the orghography is suggested in a manner that the original pronunciations of source language are well-preserved, while following the existing practice.

KCI등재

3아랍어 문장의 이동규칙에 대한 한계교점 연구

저자 : 최진영 ( Choi Jin-young )

발행기관 : 한국외국어대학교 중동연구소 간행물 : 중동연구 38권 3호 발행 연도 : 2020 페이지 : pp. 61-78 (18 pages)

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The aim of this paper is to specify the bounding nodes in Arabic sentence, which is considered as one of the most important local constraints, through the analysis of Wh-movement. The concept of bounding nodes is related to subjacency condition. Subjacency condition is a general constraint on movement rules based on the concept of distances: 'Movement rules cannot be applied across more than two bounding nodes at a time.' The bounding nodes represent a kind of boundary in which a component can skip when applying the movement rule, and restrict ungrammatical movements.
The bounding nodes exist in all languages, but differ from language to language. In English, NP, IP, CP, are bounding nodes, while in Arabic, NP, PP, IP, CP are bounding nodes. It should be noted that CP usually acts as a bounding node, but CP in Arabic does not act as a bounding node when the raising verbs come up, and in English, it does not act as a bounding node when verbs such as think, say, consider, suppose etc are used. In this case, wh- movement is permitted. In other word, wh-movement is accepted to move from a source place in IP to a destination place, that is C(complementizer) in the beginning of the sentence over two bounding nodes. The limitation of CP is depend on the syntactical information of the verb, which reflects the universality of languages. Subjacency condition was proposed as a general constraint on the transformation rule in universal grammar, which can be regarded as the most effective constraint that restricts the generation of ungrammatical sentences through free movement.

KCI등재

4투르크민족 명창의 미학적 전통과 알타이 설화 “최르최크” 연구

저자 : 오은경 ( Oh Eunkyung )

발행기관 : 한국외국어대학교 중동연구소 간행물 : 중동연구 38권 3호 발행 연도 : 2020 페이지 : pp. 79-111 (33 pages)

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In this article, we have examined the characteristics of the most popular narrative tradition of the Altai Turks and their relationship with other genres. One of the most important characteristics is that it has musicality, and it is expressed with various performance models according to musical melody. Comparing to the structure of the song in "Choirchoik(Чöрчöк)", it is similar to the various peoples living in the Altai region, similar to the musical scales of the Touba, Altai-Kizus, Celkan and Kumanjin provinces. The chord functions have absolutely different characteristics and have the specificities of the dialectic traditions of each Altai narrative. In the introduction, however, there is a pair of four-period rhyme formulas, which remain constant regardless of dialect or regional differences, which can be seen as the most structured music form.
The song was used in the same sense as magic and purification to bring wishes and hopes into practice of peoples, and it was given magical meaning not only during dangerous winter season, but also mainly at sacrifices and funeral rituals.
It is Surazakov who has focused on the interrelationship between "Choirchoik(чöрчöк)" and the origin of heroic epic. His view differs from Potanine and Zurmunsky. They saw that Altai's epic occurred in the genre of "Choirchoik(чöрчöк)", but Surazakov said that the interplay between these two genres was due to the mixing of the elements of the epic in the heroic epic. He saw the song appearing in the story as a result of the development of story, when a protagonist or another person encouraged to act, or conveyed something.
The "Choirchoik" tradition, which can be seen as a tradition of the Altai Turks, is a very important data in identifying the relationship with the heroic epic, even though many researchers have not paid attention to it.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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