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1한글편지에 반영된 왕실 여성의 정치 참여와 욕망 - 순원왕후와 명성황후를 중심으로 -

저자 : 노경자 ( Noh Kyong-ja )

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 5-35 (31 pages)

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The Hangul letter of the royal-family women had both a private nature of conveying daily greetings and news, and a public nature of exchanging views with male politicians on issues of royal and mediation. This study looked at the political participation and desire of royal family women during the Joseon Dynasty in relation to the time and public records on historical facts. The known Hangul letters of the Joseon Dynasty have connoted the difference of view point between royal women who appeared in public records and Hangul letters. As royal family women, they fulfilled their obligations and responsibilities while also working at the center of politics according to the times and social situations. The queen, who came to participate in politics, exchanged opinions with male politicians through letters on matters related to the royal court, and sometimes expressed her personal feelings such as psychological burden over political participation.
The letters showed that the royal-family women were gradually revealing their political desires as they gained power through political participation. After the first Sooryeomcheongjeong, Queen Soonwon suffered in the humiliation of her family being persecuted, and neglected at the time when the foundation which supports her collapsed. However, the center of power was once again devolved on the Andong Kim family as King Heonjong suddenly passed away which brought about Sooryeomcheongjeong by Queen Soonwon again. Since then, Queen Soonwon boldly revealed her aspiration to protect herself and her family without being disturbed by any authority as the eldest of the royal family. Although she was aware of the negative views surrounding him even after the cheolryhum, she participated in politics to help Cheoljong who entered in a family register as her son. On the other hand, Empress Myeongseong had a strong obsession with her own safety and security. She united her support-based forces to satisfy her desire for power, and directly intervened in the politics of Gojong. She played a role as an internal assistant by intervening in personnel affairs under the approval of King Gojong. Since the 1890s, she actively used her political power by promoting personnel management rather than recommending personnel appointments to King Gojong. It illustrates that her ambition for power had gradually expanded due to the intense obsession and desire for safety which had got linked to political participation.
There have not been sufficient discussions about the politics of the royal court women, and even the existing discussions are mostly stemmed from narrow prospective. Queen Soonwon and Empress Myeongseong lived era that they directly involved in politics, and wrote their sincere voice and feelings in the Hangul letters. Therefore, the research by looking at Korean letters and public records together would surely be of a great help when it comes to studying the political history of women during the Joseon Dynasty.

2한국어 문장 종결 억양에 관한 연구

저자 : 이쌍

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 37-72 (36 pages)

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本文主要針對韓語文章終結語調進行研究, 運用實驗音聲學方法對韓語敘述句, 疑問句, 命令句, 祈使句, 感歎句的終結語調的音長, 音域變化範圍, 傾斜度以及語調類型四個方面進行分析, 通過對實驗結果的統計檢驗和理論分析來得出韓語各類型文章終結語調方面的異同。
語調不僅承載著說話人的語言信息, 也承載著說話人的態度, 情感, 以及說話人的弦外之音言外之意, 並且通過語調可以判斷出說話人的個性特征, 語調在交流溝通中有著極其重要的作用。在日常對話中韓國人使用最頻繁的“해체”在陳述句, 疑問句, 命令句, 祈使句, 感歎句中都由“-아/어/여”結尾, 那麼“해체”在不同的文型中是否有差異, 對此本文通過對六位標準韓語母語說話者的語音進行分析, 對各文型韓語文章終結語調的特征進行了系統性的考察。
本文對韓語的敘述句, 疑問句, 命令句, 祈使句, 感歎句的語調進行客觀可視化的對比分析, 擺脫傳統的依靠聽覺判斷的對比分析方法, 藉助語音分析軟件Praat對語調的特征進行數值化轉換, 對語調數值進行對比, 并通過統計檢驗和理論分析對韓語進行具體細緻的系統化對比分析, 考察韓語各文型在終結語調方面的異同。
本文的研究課題與韓語教學息息相關, 對韓語語調的正規化制定有一定的貢獻。本文的局限性在于此研究成果是基於六位母語發音人的朗讀語音進行的, 在研究結果普遍化方面具有局限性, 在此課題今後的研究中, 将會針對更多的發音人的日常生活言語語料進行實驗, 更加系统全面的深入分析韩语語調的特征。

3어휘주의에 기초한 'X하다'의 형태·통사적 구성 연구

저자 : 정대식 ( Jeong Dae-sik )

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 73-111 (39 pages)

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This thesis has examined the morphologic·syntactic configuration of the Korean term, 'ha-da', using the HPSG(head-driven phrase structure grammar) method, which is the latest theory of lexicalism grammar. The HPSG is an constraint-based grammar and is practiced based on grammatical information for each lexical entry. Lexical entries correspond directly to a word in sentences. The word then has grammatical information that combines grammatical information for stem with grammatical information for inflectional affix, and unlike languages such as English where inflectional forms are limited to a few forms, there are various inflectional forms in the Korean language. In addition, each inflectional affix that forms such inflectional form appears to have a variety of syntactic information. Therefore, 'morphological unit' was established as a model suitable for grammatical information technology of the Korean inflectional affix.
Prior to looking into the term 'ha-da', a survey of lexicalism grammar was carried out, which was applied in two principles: head feature principle(HFP) and subcategorization principle. The HFP is the principle of sharing the head information between the phrase and the head daughter that forms the phrase, while the subcategorization principle is the principle of integrating the argument specified in the subcategorization information of the head with the corresponding argument. In addition, the 'integrated rule of morphology' was established to separately explain the integration principle of stems and inflectional affixes in accordance with the linguistic characteristics of the Korean language. The application of the lexicalism grammar was examined, in general, to the Korean term through these principles.
Based on this theoretical foundation, the morphological configuration of 'ha-da' was examined, and the single word 'ha-da' could be categorized into the following four types: the independent verb 'ha-da', the independent adjective 'ha-da', the dependent verb 'ha-da', and the dependent adjective 'ha-da'. The compound word 'X-ha-da' was also categorized into four types, including the independent verb 'X-ha-da', the independent adjective 'X-ha-da', the dependent verb 'X-ha-da', and the dependent adjective 'X-ha-da'.
The syntactic configuration of the phrase formed by 'ha-da' as the head was then examined, where the independent verb 'ha-da' was used as a transitive verb and a ditransitive verb. However, the transitive verb 'ha-da' and the ditransitive verb 'ha-da' were different in meaning even though they seemed to have same characteristics in terms of the morphologic·syntactic configuration, so they were divided into a heavy verb 'ha-da' and a light verb 'ha-da'. As well, there was a case where the light verb 'ha-da' was used with a dative noun, in which case the additional complement was taken to separate them. Moreover, while the independent adjective 'ha-da' was a predicate with one complement, it exhibited a characteristic that only allowed the 'auxiliary particle/semantic marker' to the complement.
The independent verb 'X-ha-da' was used as a transitive verb and an intransitive verb, and the complement, in case it was used as a transitive verb, was described as an 'optional complement'. 'X-ha-da', which was used as a dative verb, was separated into the different kind of 'X-ha-da' from the above-mentioned 'X-ha-da'. On the other hand, the independent adjective 'X-ha-da' was used only as an intransitive verb.
The dependent verb 'ha-da' took NP or S as a complement, and it was usually combined with adverbial dependent nouns, such as 'chuk'(척), when it took NP as a complement. If the subject existed in the phrase where the antecedent term served as a head, S was taken as a complement; however, if the subject did not exist in the phrase where the antecedent term served as a head, VP/AP was taken.
The dependent adjective 'ha-da' took NP or S as a complement, but in case NP was taken, it was combined with the adverbial dependent nouns, such as 'did'(듯). Moreover, S is taken as a complement in case the antecedent term was the adjective, such as the phrase 'ki-nin-ha-da'(기는 하다).
Finally, the dependent verb 'X-ha-da' took VP as a complement and the dependent adjective 'X-ha-da' took AP, typically with negative terms such as 'an-ta'(않다).

4한국어 '-주다'와 중국어 '給'의 대조 연구

저자 : 진방

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 113-136 (24 pages)

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本论文首先将韩语中'-주다'结构分成两种类型进行分析, 并结合'给'的三种基本结构进行了对照分析, 从而以发现'-주다'和'给'的对应关系如何表现为目的进行研究。在本论文中, 将'-주다'的两种结构类型以列举例文的方法进行分析, 同时, 对于'给'的三种基本句型也是通过举例的方式进行分析。在分析的同时, 对于在这两种语言结构中, 能够自由出现的动词进行统辞以及意义方面的对照研究。从而对韩语'-주다', 以及汉语'给'的结构分析进行对照研究。
首先, 第一章的绪论本分, 对于本文的研究目的进行了简单的叙述, 在一系列先行研究的基础上对本文的研究内容和研究的方法进行了具体的叙述。
在第二章的内容中, 首先对于韩语补助动词'-주다'的语法范畴展开论述。已知的先行研究主要涉及了'-주다'的统辞, 形态, 话用论等方面。而本文主要参照了류시종(1995), 전용길(2003), 박소영․김도훈(2017)과 김도훈(2018)等的研究, 通过具体的例句对'-주다'的两种类型进行分析。
在第三章中, 会以相同的方法对与韩语'-주다'所对应的汉语'给'的语法范畴进行论述。之后同样以具体例句分析为方法对'给'的三种基本类型进行研究。同时对于各句型中出现的'给'的词性问题进行举例研究。
第四章中会对于第二章研究的'-주다'以及第三章的'给'进行对照研究。首先韩语'-주다'的两种类型所能对应的汉语'给'的类型为主进行分析, 接着以汉语'给'为中心, 对于'给'的基本结构所能对应的韩语'-주다'的句型进行分析。此处主要对于'-주다'和'给'的对应关系进行一定的研究分析。
最后, 对于以上的内容进行总结分析, 并推导出结论。

5강준흠(姜浚欽)의 『연행록(燕行錄)』 연구

저자 : 동건명 ( Dong Geon-myung )

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 137-155 (19 pages)

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This paper focuses on Kang Joon-heum(1768~1833)'s “Yeonhaengrok” of recorded in the early 19th century. Kang Joon-heum's “Yeonhaengrok” is an unknown Sahaengrok. This article examines the creative background, narrative pattern, characteristics of contents, and historical significance of the “Yeonhaengrok”.
First, the creative background of the “Yeonhaengrok”. Kang Joon-heum's “Yeonhaengrok” was formed by external factors such as Joseon's relationship to China and the dispatch of historical events, and internal factors such as Kang Jun-heum's participation in Gobusa and willingness to preserve the meandering experience.
Second, the narrative form of “Yeonhaengrok”. Kang Jun-heum's “Yeonhaengrok” is a sahaengrok that contains 104 poems under 80 titles in various forms. Unlike the diary, “Yeonhaengrok” usually consist only of poetry, which is difficult to route of mission. However, Kang Joon-heum's “Yeonhaengrok” is characterized by the routr of the mission.
Third, the characteristics of the contents of “Yeonhaengrok”. Kang Joon-Hum's “Yeonhaengrok” contains the rituals of accepting the Ming Dynasty and rejecting the Qing Dynasty; It included an intensive introduction.
Fourth, the significance of “Yeonhaengrok” in the history of sahaengliterature. Kang Joon-heum's “Yeonhaengrok” did not stop at meandering experiences. This is because his son, Kang Si-young, succeeded his father, leaving behind “Yuheon Sokrok” and “Yuheon Samrock”. As a result, a series of “Yuheon Rok” was born.

6가정소설 『옥난빙』 연구 - 축첩에 대한 남성인물의 인식을 중심으로 -

저자 : 이성식 ( Lee Sungsik )

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 157-197 (41 pages)

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In polygamous couples where a man lives in a family with several women in a family, there is a conflict with jealousy and a rivalry between several women against a husband. The love-competition type (jaengchonghyeong) a domestic novels on the subject to this problem mainly deal with the conflict between a women and women who have a marital relationship with a man in the home. The narrative deals with the tragedy of the home brought by the contradictory form of some polygamy or concubinage(chugcheobje). 
Chosun banned polygamy in the 13th year of king Taejong low. However, In Chosun Dynasty's society, the concubine system of polygamy was widely spread. The one's wife and concubine-system(cheocheobje) lasted in the flowering time(gaehwagi). As a result, women have become the objects of male heirs and indiviulal sexual needs. The concubinesystem( cheocheobje), which was common to Chosun's sadaebu society, caused internal and external problems at home and abroad. The novels naturally contain much of the theme of confusion and conflict between women among family members. 
The domestic-novel , which was created based on the contradictory problem of polygamy, is the main narrative about fighting affection between concubine and securing rights. The domestic fiction is a novel that deals realistically with the contradiction of the partriarchy brought by Chosun's feudal dynasty. This study to conflict of the type of disputing love among the domestic-novel in which a concubine and a wife confront a conflict due to economic and psychological factors. The Concubinage (chugcheobje) between a wife and concubines by confinement lead to misery in the home. Thus, the conflict between a wife and concubine in dissension is a problem for the family and society. Conflict between a wife and concubines stems from a love quarrl with a man. 
 contains male consciousness that changes the situation of general consciousness of Chosun society after the 18th century, centering on the conflict consciousness between wife and concubine in dissension. 
 raised the problem caused by the conflict between wife and concubine through the consciousness of the male figure, and raised the contradictory problem of the concubinage(chugcheobje). Therefore, the issue of confrontation between wife and concubine and the status of identity, between wife and concubine was highlighted through the consciousness and attitude of male character through the consciousness of the male in the work, which demanded criticism and change. 
 highlighted the contradictions of the patriarchal concubinage (chugcheobje) of Chosun's male-centered society through the portrayal of the works in conflict between wife and concubine. In addition, the artist criticized the social structure of discrimination legitimate and illegitimate, which is a contradictory problem in the concubinage (chugcheobje), through the image of male figures. It also aimed to make the marriage system monogamous. 
 can be seen as suffering and unhappiness in himself and his family by accepting the concubinage(chugcheobje) through the consciousness and attitude of the male person without any problem. On the contrary, by criticizing and rejecting the concubinage(chugcheobje) to the end, defending the family and pursuing monogamy, the artist's thematic consciousness is revealed in the conscious contrast of male characters who solve and recover from the problems caused by the conflict between wives and concubines. 
This study analyzed the narrative structure of the 18th-century Chosun of love-competition type (JaengChonghyeong) a domestic novel  and the problem-consciousness of the event development according to the conflict between the wife and the concubine and concubine system thought by the male figures. Through the consciousness of male a character who appears in the work, I studied author's consciousness and novel-historical significance.

7<무자서행록>에 나타난 중국 체험과 서술태도

저자 : 장팡 ( Jiang Fang )

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 199-220 (22 pages)

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This paper reveals the Chinese experience and narrative attitude embodied in the 19th-century actress Kim No-sang (金老商, 1787~?). Except for the introduction and conclusion, the study was divided into three chapters. The contents of each chapter are summarized as follows.
In Chapter 2, I examined the composition of the work focusing on the artist's hard-historic tendencies and journeys. By combining various researcher's arguments, he confirmed that Kim No-Sang was Kim Ji-soo, a close character of the hardened tribe, and half-party status at the time of meandering. The journey is divided into domestic and foreign journeys. In the case of domestic journeys, they focused mainly on historical facts. Since then, he has shown the process of acquiring new knowledge through the reality of China on the journey of China. Entering the destination, Yeongyeong, they are immersed in the cultural splendor of Yeongyeong and show a detailed description. On the way back, the old struggles were expressed, expressing joy and longing for the family. Finally, I could see that I was doing my own duty.
In Chapter 3, I reviewed the author's experiences of Hwanhee, Changhee, Balingood and Yurachang. Previously, Yonhee's concept was “to enjoy.” Therefore, the word yeonhee can be seen as enjoyable. In addition, 幻術, 幻戱 means 'to change', and it means to change into different shapes, properties, and characteristics. Chang-hee also says that the reason why the artist stopped watching was because of a language that does not work. The detailed description of the Qing Dynasty 'valingood' was sufficient to reveal cultural differences. The author also narrated the core source of Qing dynasty culture, namely the daily life and extraordinary life of glass windows.
In the last chapter, we will examine the narrative attitude of . The narrative attitude is divided into positive narratives of cultural differences, critical narratives of foreign characters and customs, objective narratives of history, and in-depth reporter narratives. First of all, the positive description of cultural differences will examine Qing's developed economy, emperor and Asian. Next, critical descriptions of foreign characters and customs will be divided into foreign characters and customs. He also studied objective and in-depth reporting on history.
By examining the contents of the 19th-century love song Lyrics of the Unauthorized, it shows the freedom of self-resulting in it, showing that its literary charm is fully shown. Above all, I think the record is shining in that it has the effect of delivering information and interest to people who have never been to Yeongyeong.

8명사구 구조에 대한 한중 대조연구

저자 : 다이위쉬안

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 221-247 (27 pages)

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名词短语是修饰语和中心语结合在文章中和名词担任同样角色的一种文法构造, 这种文法构造不论是在韩语还是在中文里都担任了很重要的角色。韩语的名词短语的修饰成分一般是由'冠形词, 单独名词, 名词+의, 动词+冠形词型词缀, 形容词+冠形词型词缀, 名词短语'构成的。其中由'冠形词, 单独名词, 名词+의'构成的修饰语归类为单词形式的修饰语,'动词+冠形词型词缀, 形容词+冠形词型词缀'形成的修饰语为短句形式的修饰语, '名词短语'则为短语形式的修饰语。这些修饰成分可以单独出现修饰短语中心语, 同时也可以递加使用共同修饰一个中心语, 这样的修饰成分在我们的日常生活中是十分常见的。修饰语和被修饰的名词性成分结合形成一个完整的名词短语。被修饰成分成为这个短语的核心成分。
中文与之对应的的短语结构一般被称为'偏正结构', 偏正结构由修饰语和中心语构成。修饰语是短语结构中起到对非修饰语修饰的作用, 中文的修饰语一般分为两类, 即通常与'的'字结合修饰名词的定语和与'地'结合修饰动词的状语,'的'与'地'分别为定语和状语的标志。本论文旨在研究名词性短语所以对状语不做过多赘述。定语在与韩国的冠形语概念相同所以本文也称定语为冠形语。本文以此为研究对象通过对韩语的名词短语与中文的'定中偏正结构'的对比研究发现两者的共同点与差异点。
本文绪论之后二三两章分别以韩中两国名词短语的现存研究为基准分析了名词短语修饰语和中心语的分布与特征。首先根据形态把单独形式的修饰语分为'单词, 短语, 短句', 再分别考察多个修饰语结合形成的多项修饰结构。
4章将韩语与中文的名词短语根据上述分析进行对比, 通过对单独形式的名词短语修饰语, 复合形式名词短语修饰语与名词短语中心语这三方面的对比发现表面上
完全无联系的韩语和中文实际上存在着一定的关联性。通过这样的对比研究希望对学习韩语的中国学者和学习中文的韩国学者提供帮助。

9한국어 종결어미와 중국어 어기조사의 대조 연구

저자 : 동이칭

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 249-288 (40 pages)

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一段文章的完成不仅需要实词来表达对象, 动作, 或是状态, 也需要虚词来表示文章成分之间的关系。韩语中通过助词和词尾, 中文中则通过虚词来表达。本文将韩语的终结词尾与中文虚词中的语气助词作为研究对象, 通过对比这两种语言成分来探究韩语与中文语法成分体系的共同点和不同点。
首先韩语终结词尾和中文语气助词的依附性都很强。他们必须依附在实词上才能进入文章。单独的一个词尾或是助词并不能表达任何意义。所以他们本质上都可以看作为语法成分的语音表现。
韩语的终结词尾可以分为由单独一个词素构成的词尾, 和由两个以上的词素通过融合结合成的词尾。所以本文将中文的助词也以与此类似的方式, 分为单独一个词素构成的助词, 以及两个以上的助词共现的情况。然后通过这种分类方式将两种不同语言的语法形式的功能进行了对比。
通过对比我们可以发现, 这两种语法形式有着很复杂的对应关系。词法方面类似的形态, 在句法方面存在差异;在句法方面类似的形态, 在词法方面又不一样。比如韩语的复合型词尾构成的方式与中文的复合型助词类似, 但是功能和意义却大相径庭。
由于中文是孤立语系, 不具备像韩语词尾那样的曲折形态素, 所以中文母语者学习韩语时常常对此感到困难。而前人的研究通常是将某一种, 或是某一类形态进行对比, 并没有整体的对韩语和中文的语法形式进行过对比。所以本文以此为目的, 将这一类语法形态进行整体的整理和对比, 希望能够对学习韩语的人有所帮助, 为研究韩语的学者提供新的研究方向。

10한국어 '-어 가다/오다'와 중국어 '去/來'의 대조 연구

저자 : 이우자

발행기관 : 문창어문학회 간행물 : 문창어문논집 56권 0호 발행 연도 : 2019 페이지 : pp. 289-312 (24 pages)

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韩语中''가다和'오다'的意义不只是移动, 还包括移动的抽象意义, 时间的推移等。先行动词与'가다、오다'结合后形成的合成动词受到词根的影响会形成不同的意义。韩语'V-어 가다/오다'的研究中, 大多数研究都在意义论的层面上进行。本论文会通过设定合成动词和辅助动词的分辨基准, 将韩语中的'V-어 가다/오다'分成合成动词和辅助动词两部分, 对韩语中的'V-어 가다/오다'和 中文中的'去/來'进行意义层面和统辞层面的对比研究。
第一章阐述了研究的目的和必要性, 并对先行研究根据研究的内容分类总结。第二章阐述了合成动词与辅助动词的分辨基准, 并且将合成动词与辅助动词的统辞层面的特征进行了研究。
第三章将韩语合成动词'-어 가다/오다'和中文'去/来'的合成动词构成分别进行了意义层面和统辞层面的研究。并且将两个合成动词进行了比较, 发现了共同点和差异点。
第四章对字典上的辅助动词'-어 가다' 和 '-어 오다'的用法进行了整理, 并且对与韩语 '-어 가다' 和 '-어 오다'对应的中文中的副词, 叠语, 结果补语等进行了整理分析。
通过这样的研究, 不仅仅可以发现'-어 가다/오다'和中文的'去/来'的共同点和差异点, 本研究还可以作为韩语学习者在学习合成动词与辅助动词的学习中的参考资料。

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