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한국로렌스학회> D. H. 로렌스 연구

D. H. 로렌스 연구 update

D. H. Lawrence Studies

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수록정보
수록범위 : 1권0호(1991)~27권2호(2019) |수록논문 수 : 428
D. H. 로렌스 연구
27권2호(2019년 12월) 수록논문
최근 권호 논문
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KCI등재

1『홀로이드 부인의 과부되기』의 막간극: 상호 이해를 향한 희망과 좌절

저자 : 강경숙 ( Kyongsook Kang )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 2호 발행 연도 : 2019 페이지 : pp. 1-18 (18 pages)

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Lawrence presents the condition of a harmonious human relationship through the conflicts between an instinctive working-class miner and an intellectual middle-class woman in The Widowing of Mrs. Holroyd. To explore it, he introduces an interlude in the play. The interlude, in which two tavern women appear, serves a dramatic means for the recognition of difference between Holroyd and Mrs. Holroyd. Clara, representing Holroyd, invites Mrs. Holroyd to realize the value of instinct. Clara tries to have a sense of solidarity with Mrs. Holroyd in order to let her know her arrogance, but she ignores it. When the children appear in the interlude, there is a change in Holroyd's mind. He realizes that a compulsion of instinct can result in dissolution. He wants to apologize to his wife for his forcible ways, acknowledging her values. On the other side, Mrs. Holroyd doesn't recognize narrow-mindedness of her values and keeps her decency. During the interlude, both Holroyd and Mrs. Holroyd become a position of audiences, who perceive and then re-consolidate their separate identities. Mrs. Holroyd doesn't give up her established pattern of her life while frustrated Holroyd regresses to patriarchy, reasserting his mastery over her. The interlude schemed by Holroyd doesn't destroy the middle-class standard of Mrs. Holroyd. Finally, Holryd pays her out by self-destructive death. By means of the interlude, Lawrence dramatizes the fact that the mutual understanding arises from the recognition of difference between the two opposites.

KCI등재

2로렌스의 뉴멕시코 단편에 나타난 두 '모험' ― 「공주」와 「말을 타고 가버린 여자」를 중심으로

저자 : 강미숙 ( Misook Kang )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 2호 발행 연도 : 2019 페이지 : pp. 19-44 (26 pages)

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This article purports to trace the “adventures” of the heroines in “The Princess” and “The Woman Who Rode Away”, thereby exploring how the settler colonialism ―which replaces the original population of the colonized territory with a new society of settlers― has been developed in North America. Lawrence's fiction as well as essays written in New Mexico in the early 1920s shows his deeping awareness of the history concerning “Indians” (Native Americans) in terms of the future of democracy on this continent. The Princess's journey with Romero, the Spanish-Mexican guide, into the chaos of the Rockies, signifies witnessing the dire sites of colonization and her own impervious selfhood. The New Mexico setting, however, nearly peels away her sense of identity as a white woman with overgrown mental-consciousness, only to drive into catastrophe. Reversely, the lack, or suspension of the development of consciousness plays a pivotal part in the adventure of “the woman” in “The Woman Who Rode Away”. Whereas her allegorical adventure into the sacred Chilchui Indian tribe could draw even liberal readers, in its creative way, into an experience of otherness, the story itself proves that old culture itself cannot be the alternative to our modern civilization. The “adventures” of these two heroines, limited as they are, will help slough the old (Western) consciousness and open out a new area of consciousness for the new democracy in America.

KCI등재

3D. H. 로렌스의 '응시'와 '침묵'의 서사: 「흔들-목마의 승리자」를 중심으로

저자 : 김경미 ( Kyungmi Kim )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 2호 발행 연도 : 2019 페이지 : pp. 45-56 (12 pages)

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This article is intended to examine the rhetoric of gaze and silence focusing on “The Rocking-Horse Winner” of D. H. Lawrence. In recognition of the gap between the signifier and the signified, Lawrence always tries to devise a new way of understanding and a new rhetoric for the future novel. In this respect, “The Rocking-Horse Winner” is a good example of showing Lawrence's own aesthetics and rhetoric. Through the repetition of characters' gaze transformation and a silence writing, a symbolic or metaphysical meaning becomes “a mere puzzling noise”, and then the novel is made to exist beyond any given illumination. Especially, the gaze and silence by Paul visualizes the characteristics of the Lawrence's rhetoric in the novel by transforming the gaze scheme with the position of 'looking at' or 'being looked at'. Moreover, the silence writing of Paul leads to de-centering the textuality in the result of a non-linearity and abrupt rupture. In this way, Lawrence avoids being reduced to an old order, and then creates a new way of writing.

KCI등재

4로렌스와 스피노자: 접점들과 분기점들

저자 : 김성호 ( Sungho Kim )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 2호 발행 연도 : 2019 페이지 : pp. 57-74 (18 pages)

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Spinoza's anti-Cartesian and monistic viewpoint anticipates, in some important ways, Lawrence's thoughts on life and art. Their shared emphasis on impersonal and differential power is remarkable, as is the affinity between their insights into the embodied and affective nature of beings and their relationships. Lawrence, however, draws us into problematics that significantly are not addressed by Spinoza. They include: being as an achievement of living beings; the affective quality of truth; and the distinction of feeling and emotion, which is analogous if not identical to that of affect and emotion highlighted by Massumi). A historical perspective is called for when considering this difference. Lawrence's discourse on feeling implies a critique of sentimentalism, while the philosopher of the 17th century was not in a position to reflect on feeling as 'the carrier of truth'.

KCI등재

5'앎'의 윤리적 가능성―D. H. 로렌스와 E. 레비나스

저자 : 오은영 ( Eunyoung Oh )

발행기관 : 한국로렌스학회 간행물 : D. H. 로렌스 연구 27권 2호 발행 연도 : 2019 페이지 : pp. 75-95 (21 pages)

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As clearly shown in the way that Matthew Arnold conceptualizes the meaning of culture, knowledge in the West has strongly associated with light and truth in opposition to darkness and ignorance. It has always been considered as essential, righteous, and good for humans. But surprisingly Emmanuel Levinas argues that knowledge can not escape from the self and thus it does not put us truly in communion with the other. Unless we are aware of the possible violence of knowledge, we are not able to have an ethical relationship with the other. This paper tries to think Lawrence's sense of knowledge presented in his “leadership” novel The Plumed Serpent by comparing it with Levinas's thought. Darkness evoking the Mexican other in this novel is quite ambivalent; it makes possible Kate's new relationship with the unknown whereas it becomes entangled in phallic mystery of Cipriano in the later part of the novel. The phallic mystery supported by the voice of the narrator/author occludes the spirit of Quetzalcoatl which leads to “something transcendent.” In spite of it, Lawrence's sense of knowledge opens up for an ethical possibility in that real thought is, he argues, bound up with a bodily experience as well as the world of the unknown.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

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