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Journal of Chinese Studies

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수록정보
수록범위 : 1권0호(1984)~65권0호(2019) |수록논문 수 : 781
중국학논총
65권0호(2019년 09월) 수록논문
최근 권호 논문
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1盟書材料所見的巫術活動小考

저자 : 趙容俊 ( Cho Yongjun )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 1-18 (18 pages)

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This paper mainly discusses the shamanistic activities of the shamans in the covenant attestations (盟書材料) of the Three Jin Dynasty (三晉) by using the records of the materials, and verifying each other with the traditional documents, unearthed documents and archaeological reports.
Although the function of the shamans is to transport ghosts and gods, it has no supernatural power, but the ancients believed that the shamans could accomplish many things by the power of the ghosts and gods. The main types of activities of ancient shamans can be divided into nine categories: communicating with ghosts, medical activities, protective activities, farming and hunting activities, seeking offspring activities, architectural activities, funeral activities, imprecation and agony activities, and ordeal activities.
This article mainly focuses on the shamans and divination activities, and the oath of curse and vows activities seen in the materials of the Three Jin covenant attestations (三晉盟書材料), and makes an investigation and discussion on the shamanistic activities of the shamans seen in the Three Jin covenant attestations (三晉盟書材料).

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2묵자사상(墨子思想)에 나타난 합리적 이익 추구와 배려의 양립 가능성

저자 : 崔普京 ( Choi Bokyung )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 19-42 (24 pages)

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The aim of this paper is to be compatible altruistic behavior and self-interest on the Mozi. In general, the former and the latter have been distinguished as moral and immoral. However he combined altruistic behavior with self-interest.
Mozi suggested to reconcile the self-interest and care(愛). First, he broke up the concept of confrontation: Li(利) and Yi(義). Specially, Mozi tried to exclude selfish-desire and selfishness. Second, he suggested reasonable self-interest. Third, reasonable self-interest and love are no longer distinct on Mozi. He emphasized Ruo(若) to realize Jianai(兼愛), just like “See other people's states as one's own state”. Since Jianai(兼愛) includes inclusive love, it is effective to exclude selfishness.
In Mohism, Jianai(兼愛) had always been argued in balance with Jiaoxiangli (交相利). However, if Jianai(兼愛) and Jiaoxiangli(交相利) are recognised equal, each theoretical feature may be overlooked. In meaning between Jian(兼) and Jiao(交) should be clearly recognized and distinguished. The former was proposed to emphasize the meaning of love or care, the latter implied the rationality of self-interest. In this respect, Mozi's Jianai(兼愛) and Jiaoxiangli (交相利) is the theoretical premise of compatibility: self-interest and love.

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3'X연(然)'의 문법화와 어휘화 연구 ― 변천 기제를 중심으로

저자 : 고은미 ( Ko Eunmi )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 43-70 (28 pages)

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This paper attempts to study the X-RAN structure that has produced a number of compound words in modern Chinese from the diachronic perspective of Grammaticalization and Lexicalization.
After the RAN's grammaticalization has been achieved, the process of lexicalized into adjectives, onomatopoeia, adverbs, conjunction was examined through the language change mechanism.
In the Zhanguo Period, the RAN was already used as a demonstrative pronoun, its usage expands to everyday life, language users have come to a stage where they know the meaning of the deixis and don't have to mention it, the original meaning of deixis of RAN was bleached and neglected.
Among the pronoun, especially the predicative demonstrative pronoun only presents things, actions and shapes, therefore it has generation, abstraction and instability, these points made its semantic change possible.
In ancient Chinese, the RAN was already used as a suffix of the adjective and later X-RAN was also used as a suffix of the onomatopoeia through the mechanism of analogy, the onomatopoeia which was used alone has function that indicated sound with the RAN attached. Because of the syntactic feature of the predicative demonstrative pronoun, the RAN and the adverbs of the follow were reanalyzed into a single word, adverb. The suffix of conjunction X-RAN is the result of the lexicalization, it went through the mechanism of reanalysis and absorption in the complex sentence.

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4당대(唐代) 시인(詩人)의 물후의식(物候意識)과 그 시적(詩的) 표현(表現) 연구(硏究)

저자 : 姜熙安 ( Kang Heeahn )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 71-91 (21 pages)

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This paper confirms that the Tang Dynasty poet related natural seasons to a natural system in relation to the circulation of the season, and named it “the Phenological phenomenon consciousness”(物候意識). We described the background and examined “the Phenological phenomenon consciousness” reflected in the poem. The poet's gaze on nature is far more profound and diverse, but the Phenological phenomenon consciousness can be one viewpoint that recognizes nature in one orderly circulation. Phenological phenomenon consciousness gradually developed after the 24 solar terms(二十四節氣) and the 72 pentad(七十二候) it began to form systematically at Yueling(月令: climate and phenology in a lunar month). The poet judged the time of the year and the season through the position of the stars in the night sky, the weather such as wind, dew and lightning, the activity of animals and the current state of plants. The poet was able to express various emotions more appropriately, base on phenological phenomenon(物候).
The trial Poetry(試帖詩) in the Tang dynasty imperial examination(科擧考試), related to the phenological phenomena is seen in many titles, The knowledge of Phenological phenomena seems to be universal culture of people. Wenyuan Yinghua(文苑英華) is a partial selection, and there may be more cases in which there are phenological phenomenon-related content across the existing Trial Poetry. Even as a poet, phenological phenomenon frequently appears in the poem. Speaking of the Beginning of Summer(立夏), they associate the mole cricket with a cry(螻蟈鳴), and when the mole cricket cried, they associated the Beginning of Summer. Then, earthworms came out of the ground(蚯蚓出), and it was associated with rattmelon coming out (王瓜生). Understanding these groups of phenomena into one bundle made the expression and citation smoother. The Tang Dynasty poets believed in Phenological phenomenon in response to such seasons relatively thoroughly. If “Cool winds are coming”(凉風至) in the Beginning of Autumn(立秋), they believe that the cool winds will be blowing in which the heat from the day will subside. With such “projected Phenological phenomenon consciousness” you can know how deep their Phenological phenomenon consciousness is.

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5≪소아(小雅)≫ 시간(詩刊)의 작품 특징

저자 : 이경하 ( Lee Kyungha )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 93-121 (29 pages)

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“Xiaoya” is a major poetry magazine that influenced the development of modern poetry in the 1930s. Total 186 creative poems, 15 translation poems, and 2 essays on poems have been published. In this paper, the expression of the true feelings of young youths is examined in three themes: (1) 'Love and farewell of the youth', (2) 'desire to escape from reality' through 'drifter' and 'dream', and (3) 'sense of wasteland' which young poets felt in times of despair and death.
First, as the young poets were prominent, the works that sang the joy of love and the sadness of farewell are often noticeable in this magazine. The editor, Wu Benxing, has published 48 creative poems and two translation poems, so the poems of Wu Benxing on the theme of love and farewell can be easily found in “Xiaoya”. Second, it is easy to see works that used the motifs of “drifter” and “dream” as a way of escape from painful reality. Poets expressed theirs willingness to escape from reality and their hidden desires for reality through the images of 'drifters' and 'dream'. Third, many works reflecting the 'sense of wasteland' under the influence of T. S. Eliot are also found. The 'sense of wasteland' here refers to “a modern concern for the tragic fate of all human beings and a critical consciousness of a real society filled with extreme absurdity or darkness”. And, 'sense of wasteland' also appeared as a variation of 'death' in a desperate age.
The editor, Wu Benxing, struggled to publish a magazine because of the censorship of the newspaper's newspaper censorship, but he did not end his strong love for publication. But “Xiaoya”, which was planned to be published the seventh “Special Edition” at that times, eventually disappeared into history due to the Sino-Japanese War. Poets in “Xiaoya” mostly portrayed the true inner world in implicit terms, however, they did rarely publish direct satire or criticism of reality. Therefore, through this analysis, we can examine the political tendencies and literary characteristics of 'modern poetry' poets in the 1930s before the Sino-Japanese War occurred. This can be considered as the significance of this paper.

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6중국 영화 산업의 폭발적 성장 시기(2010~2015년)에 관한 고찰 ― 2002년 이후, 중국 영화 산업화 개혁의 성과와 과제 2

저자 : 유경철 ( Yu Kyungchul )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 123-157 (35 pages)

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The Chinese film industry that not only was settled down as an industry but also achieved a huge growth in 2002-2009, was explosively growing from 2010 to 2015. During this period, the number of Chinese films produced was ranked at the 3rd place in the world following the United States and India while its box office revenue was ranked at the 2nd place in the world following the North American market. The number of theater and screen in China was ranked at the 1st place in the world. On top of such external performances, there were positive changes in the Chinese film industry during this period as follows. First, the diversity of Chinese commercial entertainment films was secured while the qualitative level was improved. Many films in diverse genres such as youth film, fantasy film, and horror film were newly highlighted in this period. On top of diverse appearances of new films called Dadianying Film, Net Born Generation Film, and IP Film, the films fully reflecting the local conditions and sentiment of China did very well at the box office. Second, the radius of Chinese film market was expanded. Getting out of the existing condition in which the film theaters were mainly concentrated on the first-line cities, the theaters and screens were spread to the second/third-line cities and even lower regions. And the age of filmgoers was also largely reduced. The diversification and qualitative improvement of commercial films, and the expanded radius of film market have greatly contributed to the expansion of Chinese film industry scale. Third, the internet companies entered the Chinese films industry. Especially, such companies like Baidu, Alibaba, and Tencent called BAT, started concentrating on the investment in the film industry after entering the film production area. Out of many businesses carried forward by the film industry, especially, the operation of the film ticket booking platform is good enough to grab attention. By dominating the ticket booking platform business, such internet companies would be able to gradually expand their influences on the film industry.
Based on the growth of this period, the Chinese film industry closely approached the Hollywood film industry of the United States which has been regarded as a 'film power'. Still, there is a distance between them. More than 80% of the revenue of Chinese film industry is from the box office revenue within China, and the film censorship and screening is working as an obstacle to the development of Chinese film industry. Since 2016, the Chinese film industry has entered the new normal period. Even after 2016, the growth of the Chinese film industry is continued. It would be needed to take more time to see if the Chinese film industry could be continuously developing after overcoming many problems like the politics, economy, and diplomacy.

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7이백(李白)<증(贈)>시(詩) 역해(譯解) 및 고찰(考察)(6) ― (제27수에서 제29수까지)

저자 : 趙成千 ( Cho Sungchun ) , 趙得昌 ( Cho Deukchang )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 159-176 (18 pages)

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This study is a set of annotations and translations in a consecutive order on poem 27 to 29, from the 8th volume 'Presented Poems(贈)' of Libai(李白)'s ≪a collection of Litaibo(李太白)'s works≫. If translation comments of Li Bai's 'Presented Poems(贈)' have a progress, it will be one of most important material for research on Li Bai.
The first poem was given to his close friend Cui Chengfu(崔成甫). In the poem, Li Bai was thankful to Cui Chengfu for his warm welcomes several times, hoped that he would recommend him again, expecting to be called by the Emperor just like Sima Xiangru(司馬相如). The second poem expresses that Li Yong(李邕), even though he was young, should not be undervalued while LiBai likened himself to Giant Roc(大鵬). The third poem was written in praise of General Geshu Han(哥舒翰) by the poet. The first half of this poem describes General Geshu Han that is very close to his real appearance. In the last half, Wei Qing(衛靑) and Bai Qi(白起), who are historical figures, were, however, talked down in an attempt to highly appreciate General Geshu Han. It is believed that Li Bai intended to gain recognition from General Geshu Han.

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8≪석가여래십지수행기(釋迦如來十地修行記)≫의 역주(譯註)(2)

저자 : 尹淳一 ( Yoon Soonil ) , 朴元基 ( Park Wonki ) , 韓雲珍 ( Han Oonjin )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 177-209 (33 pages)

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This work is a translation and annotation of Seokgayeoraesipjisuhaenggi(釋迦如來十地修行記). Seokgayeoraesipjisuhaenggi is a collection of Buddhist novels first written by a man named Sosilsanin(少室山人) in 1382. It is about Śakyamuni(釋迦牟尼)'s past life and life story.
First, we compiled the main story of each bhumi(地) and described other literary works that are highly relevant in story. Next, we translated , , ,  and added many informative annotations.  is the story of king Dana[Surupa](布施國王[妙色王]),  is the story of crown prince Mahāsattva-kumāra-rāja(摩訶薩埵太子),  is the story of monk Kṣāntivādin ṛṣi(忍辱仙人),  is the story of crown prince kalyāṇamitra(善友太子).
It has important significance to study the history of Chinese literature and Chinese language, in that it was an early form of Bianwen(變文) written in early modern Chinese.

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9북경대 소장 ≪홍담헌척독(洪湛軒尺牘)≫ 원문(原文) 및 교역(校譯)(Ⅰ)

저자 : 姜贊洙 ( Kang Chansoo )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 65권 0호 발행 연도 : 2019 페이지 : pp. 211-237 (27 pages)

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HongDamHeon Cheokdok(≪洪湛軒尺牘≫), kept in the Rare Books Collection Division of Peking University library, is a collection of letters and poems sent by Hong Daeyong(洪大容), a scholar of the Chosun Dynasty, to three scholars of the Qing Dynasty, Yan Cheng(嚴誠), Lu Fei(陸飛) and Pan Tingjun(潘庭筠) between 1766 and 1767. The collection is in Luo Yizhi(羅以智)'s Ilha Jegeum Habjip(≪日下題襟合集≫).
Through a meticulous translation of these letters collected in HongDamHeon Cheokdok, I found that there were several of his letters that were not in the Korean ancient literary books. My finding is original and different as it will be an important literature material for supplementing or correcting Hong Daeyong's literary works in the future researches.
As HongDamHeon Cheokdok has a lot of volumes, it is difficult to introduce them at once. I, therefore, present only his nine letters out of thirty letters in this paper.
On the basis of this paper, I hope to facilitate further researches that can discover not only the missing contents of Hong Daeyong's anthology, but several unknown stories of the Qing Dynasty's three scholars.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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