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Journal of Chinese Studies

  • : 고려대학교 중국학연구소
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수록범위 : 1권0호(1984)~64권0호(2019) |수록논문 수 : 772
중국학논총
64권0호(2019년 06월) 수록논문
최근 권호 논문
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KCI등재

1상고중국어 부사의 주관량

저자 : 尹淳一 ( Yoon Soonil )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 1-28 (28 pages)

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The purpose of this study is to examine the subject quantity semantic function represented by the adverb of Ancient Chinese language. First, the examples of adverbs representing subject quantity were laid out. Second, the ancient Chinese adverbs, which represent a large subjective quantity include '始', '乃', '已', '猶', '將', '且', '幾'. Among them, '始', '乃', '已' and '猶' are neutral types and '將', '且', '幾' is shortfall types. Third, the ancient Chinese adverbs, which represent a small subjective quantity include '唯/惟/維', '獨', '止', '僅', '徒', '特', '直', '祇/祗' and '乃', all of which are neutral types.

KCI등재

2중국 유일의 여황제 武則天의 詩歌 연구 ― 권력의 찬탈과 권위의 도전 사이에서

저자 : 盧垠靜 ( Rho Eunjung )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 29-56 (28 pages)

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In china, there were largest number of emperors in history. About 494 people have been named emperor in China, ranging from Qin Shi Huangdi to Emperor Puyi. Among them, Wu Zetian of Tang Dynasty is the only woman who became emperor. At the age of 14, Wu Zetian entered the palace as a royal concubine and ascended to the throne of the emperor. This was not the result of a opportunity that came by chance, but the result of a systematic step-up. In ancient China, where Confucian morality dominated, women's status was very low and women's rights did not exist at all. So she had to break through a huge wall to become an emperor. In a male-dominated society, women's entry into society was completely impossible. But Wu Zetian absolutely broke the wall. She built her own world by confronting, overpowering, persuading men and cooperating with them in an era when only strong men changed the world as a hero. Wu Zetian challenged the masculine authority of the theocratic policy with 48 numbers of jiaomiao songs. Through Taizhong, Gaozhong, and the reign of Wu Zhou, she gave full pay to her political prowess, Wu Zetian wrote her success in poetry and ordered her ministers to write a poem in answer to her poetry. In her poems, Wu Zetian announced “The Emperor is not someone else, but me.”

KCI등재

3≪서역행정기(西域行程記)≫와 명초(明初)의 서역(西域)

저자 : 송정화 ( Song Junghwa )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 57-98 (42 pages)

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Xiyuxingchengji is the travel journal of Chen Cheng who visited the West from the 11th to the 12th year of Emperor Yongle of the Ming Dynasty(1413~1414) and presented his journal to the emperor. It records the travel schedule of the delegations for 2 years by date, events, and itinerary. Emperor Hongwu of the Ming Dynasty aimed at driving out the power ofMongolian and building a powerful empire of the Hun. Emperor Yongle dreamed of the world where the foreign invaders of all directions brought tribute to China. Therefore he expanded the national territories and sent Zhenghe to Southeast Asia to announce the power and grace of the Emperor. However Ming could not rule the West. The West was ruled by the Timur Empire with a powerful army and the legacy of Islams. The Timur Empire conquered the entire Central Asia and even India and Europe. Therefore Ming needed to maintain amicable relationships with Timur Empire for its own substantiality. Xiyuxingchengji is the record of Chen Cheng who was the envoy of Ming to travel to the West despite the hardships. This study discussed Xiyuxingchengji to analyze the relations between Ming and the West at that time. Also, Ming at that time did not receive tributes from the West.

KCI등재

4≪공자성적도≫의 제작 방향과 시각 표현 연구

저자 : 서성 ( Seo Sung )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 99-126 (28 pages)

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≪The Painting of the Sacred Footprints of Confucius≫(孔子聖蹟圖), mainly produced by Confucius(孔子) descendants and cultural elite to honor Ruism(儒家), was distributed quite well in response to the social demands of Ming-Qingdynasty. The character of the image is naturally different from the other person's “narrative illustration”(故事畵) it is a “saint” called “Confucius” and must reflect a cultural great man. This paper was created in an attempt to grasp the basic character of the shapes, characters and meanings contained in ≪The Painting of the Sacred Footprints of Confucius≫ from the two aspects of production direction and visual expression.
The figure of carrier-centered Confucius formed in the early Zhengtong version(正統本) is covered with sanctification in the Hongzhi version(弘治本). A socially sympathetic image is complete, and the 100-wide Wanli version(萬曆本) has more images, highlighting morality. This Confucius image was established, and these two versions were repeated and produced.
In making Confucius a revelation, emphasis was placed on ritualism to match the saints, and emphasis was placed on recordability by strengthening the character elements. Also, the space perceived in the figure was given unaltered invariant authority and phase by relatively simple processing. Elements such as a stable composition developed by traditional figures, square arrangement, solemn atmosphere, etc. showed a suitable effect here. And although some people's postures look slow and dull, and the composition looks rigid and simple, the image shows the authority of the saints, Confucius, and can be used to express “Mild, Gentle, Sincere, and Broadminded”(溫柔敦厚) that is emphasized by Ruism.

KCI등재

5명대(明代) 운남(雲南) 목씨(木氏) 토사(土司)에 대한 시론(試論)

저자 : 金芝鮮 ( Kim Jiseon )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 127-152 (26 pages)

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Yunnan, an area which was farthest from Central Plains, had an independent culture and history. Nevertheless, its procedure of attribution to imperial court was done smoothly. While some areas such as Sichuan violently resisted imperial court, Yunnan pledged allegiance to imperial court and embraced Central Plains culture actively. Tusi of border became sinicized while accepting Confucianism. With admiration for Central Plains culture, they wrote Chinese Poetry like Han literati, and they enjoyed Central Plains Art.
Among tusi of border, Mu tusi of Yunnan were excellent in cultural literacy and had an outstanding sense of loyalty. Mu tusi put efforts into family education for generations, and strived to make an environment for theirdescendants to learn Confucianism and Central Plains culture. As a result, many outstanding literary people like Mu gong and Mu zeng appeared, and they wrote numerous literary works through the cultural exchanges with Han literati. Although Mu tusi were non-Han people, they received a positive evaluation from Han literati because they were excellent in loyalty and actively accepted Central Plains culture. The positive evaluation of Mu tusi has continued until recently, and a television drama was produced. This is a cultural strategy to highlight One China.

KCI등재

6월극(越劇) ≪춘향전(春香傳)≫의 서사적 변모양상

저자 : 이지은 ( Yi Jieun )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 153-175 (23 pages)

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Chunhuangjeon expressed life and love in a lively and moving way, It has been transformed into various forms by numerous virsions. In China, it was converted into yueju(越劇) Chunxiangzhuan in 1954. The purpose to deal with this issue is in order to examine the transformation by comparing it with other editions. Chunhuangjeon conveys a number of semantic elements, and what appears in common can be condensed into the pursuit of love and chastity, identity conflict and resolution, and government-civilian conflict and resolution. These semantics are so closely intertwined that it is impossible to define a particular scene separately, and can be properly identified in the narrative context of the work. Looking at the changing patterns of these semantics is an important indicator of the value of the edition. The purpose of this paper is to look at the transformation patterns of these semantics, to reveal what the orientation of these transformations is, and to deduce the causes of the transformation.

KCI등재

7영화 ≪색|계≫의 공간성 연구

저자 : 손주연 ( Son Juyeon )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 177-196 (20 pages)

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The movie Lust|Caution, which was first screened in 2007 by director Li An, opened up many controversies on the day of its release. First, the main plot that the spy who was about to assassinate the head of the pro-Japanese government was in love with him, was more than enough to buy anger from the nationalists. Not only that, the film depicted their relationship with sexuality and thus sexualism also became the center of the controversy. For this reason, it was difficult to discuss the movie outside these two frames: nationalist view and sexuality.
However, Lust|Caution requires a deeper level of analysis. Lust|Caution not only depicted the emotions of the characters delicately portrayed by the author Zhang Ai Ling in the original novel brilliantly, but also reenacted the city Shanghai in the 1940s thoroughly; this brought authenticity to the space within the film. In this context, this paper focuses on the spatiality within the movie Lust|Caution, and how the space affects the emotion and identity of the people in the film. In particular, this paper explores the meaning of the physical space of Shanghai in the film through comparing with the original novel. The goal of this study is to study how the spatiality (which includes both the notion of abstract space such as a space of a person's psychological mind, and physical space such as various places in the city Shanghai) of the film contributes to depicting the power relation and the tense emotional tension between the characters.

KCI등재

8“修昔底德陷穽” vs. “金德伯格陷穽”

저자 : 安仁海 ( Ahn Yinhay )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 197-216 (20 pages)

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As strong leadership has emerged both in Korean Peninsula and surrounding countries, the Northeast Asia region faces a situation where cooperative factors and conflicts coexist and overlap, presenting both opportunities and challenges.
Regarding structural changes in Northeast Asia, two possible scenarios stand out. Graham Allison has popularized the phrase “Thucydides's Trap” to explain the likelihood of conflict between a rising power and a ruling one. Over the past 500 years, in twelve of sixteen cases identified by Allison, the result of such a dynamic has been a major war. In light of recent developments in international relations (IR), China as the rising power and the United States as the hegemon is a likely additional scenario according to the metrics of Allison's “Thucydides's Trap” framework. “Kindleberger's Trap”, another plausible IR approach applicable to China and the U. S., argues that the rising power may not be as strong as the current ruling power fears. Thus, this study analyzes the uncertain situation of Northeast Asian region where newly·established leadership and extant hegemonic power coexist. Further, it seeks to frame this analysis within the parameters of China's “One Belt One Road” economic strategy and the United States' Indo·Pacific “pivot” strategy, providing direction and insight for South Korea's foreign diplomacy and security strategy.

KCI등재

9초과리익모형(超過利益模型)을 이용(利用)한 중국기업(中國企業)의 시장배수(市場倍數) 분석(分析)

저자 : 李光宰 ( Lee Kwangjae )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 217-237 (21 pages)

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This paper has empirically evaluated the chinese stock bubble during 2010∼ 2015, measuring the fundamental value (V) and PVR (price to value ratio) of listed firms on three chinese stock exchanges in Hong Kong, Shanghai and Shenzhen with residual income valuation model suggested by Feltham and Ohlson (1995). Along with the analysis of popular market multiples in investment practice such as PBR (price to book value ratio) and PER (price to earnings ratio), the difference of PVR distributions among those three stockexchanges will tell us whether the stock bubble exists in mainland China, and how serious it is now. The empirical findings are as below. Firstly, the average V of Hong Kong is 52.9% and 632.4% bigger than those of Shanghai and Shenzhen, whereas their PVR's are much higher than Hong Kong's by 16.8 and 15.1 times, respectively. This implies that very serious stock bubbles exist in mainland China, and the chinese stock on average is over-valued by 15∼16 times than Hong Kong's. Secondly, the average PBR and PER of Shanghai are 4.86 and 4.477 times higher, and Shenzhen's are also 4.55 and 4.484 times higher than Hong Kong's, which still confirms the existence of serious stock bubble in mainland China. Finally, between two stock exchanges in mainland, Shenzhen stocks have been more bubbled than Shanghai stocks, especially in recent years of my test, during 2013∼2015, with an apparent increasing trend. My findings support the warnings from global consulting firms including Mckinsey that the stock and real estate bubbles in China could trigger a disastrous world financial crisis, and they may not be just over-spoken.

KCI등재

10이백(李白)<증(贈)>시(詩) 역해(譯解) 및 고찰(考察)(5) ― (제22수에서 제26수까지)

저자 : 趙得昌 ( Cho Deukchang ) , 趙成千 ( Cho Sungchun )

발행기관 : 고려대학교 중국학연구소 간행물 : 중국학논총 64권 0호 발행 연도 : 2019 페이지 : pp. 239-263 (25 pages)

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This paper translates and contemplates the five poems of Li Bai(李白). The first poem tells about the person who recognized and appreciated him as the one to save the world, and showed a strong desire of Li Bai for recommendation for public office and possible accomplishment. The second poem reveals his misfortune despite possessing extraordinary talent through describing the triumph and dejection of General Guo(郭將軍). The third poem, in the first half, depicts how he was in despair before entering the court and, towards the middle, how he escorted the emperor to the Hot Spring Palace(溫泉宮) after joining the court. In the latter half, it expresses that the only person that truly had a mutual understanding with him and agreed with his way was hermit Yang(楊山人). The fourth poem reveals his triumphant feeling earnestly, alluding himself to Yang Xiong(揚雄), to show that, like him, Li Bai himself was also praised and rewarded by composing poems dedicated to the emperor. The fifth poem praises the great magnanimity and noble personality of Pei Shisi, while expressing Li Bai's own feelings of regret that Pei Shisi(裴十四) wanders about aimlessly like a drifting cloud as the world does not recognize his value.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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