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수록정보
수록범위 : 1권0호(1994)~45권0호(2020) |수록논문 수 : 539
한국사진학회지 AURA
45권0호(2020년 08월) 수록논문
최근 권호 논문
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KCI등재

1해방공간에서 민족주의 사진단체의 활동과 한계

저자 : 박주석 ( Park Juseok )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 45권 0호 발행 연도 : 2020 페이지 : pp. 1-13 (13 pages)

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In this thesis, I will examine the activity status of the  for the construction of the photographic society immediately after liberation, the trend of photographic works, and the process of differentiation into left and right. In addition, in the division of the left and right wing, we examined critically the activities and achievements of the , which promoted the banner of nationalist cultural construction of the right wing.1) The first society of photographers group constructed after liberation was the , formed in August 1945 by Park Pil-ho. Participation targets included art photographers, photo-journalists, portrait photographers, merchants of materials. The , organized by this group, appeared new photographers such as Kim Jinsoo, Lee Dongho , Jeong Dosun and Lee Myeong-dong, who led Korean photography as critics of realism photography. On March, 1946, photographers who have been active in art society since the Japanese colonial period were formed as the center and formed the . In terms of members, it could be said to be the successor of the . They consisted the scope of their activities to 'Art Photography' to clarify the organization's identity. The  hosted the 《National Photographic Arts Contest》, which produced national photography enthusiasm and expanded its base. This was a time when members of Korean society tried to restore independence in their own ways. Since the distress of the past 36 years originated from the fact that, above all, the sovereignty of the state was lost, efforts to restore Korean self-sufficiency at the time proceeded toward emphasizing pure ethnic characteristics. Korean photography was the same.

KCI등재

2한국 영화 <독전: Believer>에 나타난 크리스티앙메츠의 거대 통합체 이론 분석

저자 : 전승호 ( Jeon Seung Ho )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 45권 0호 발행 연도 : 2020 페이지 : pp. 14-23 (10 pages)

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Based on Christian Mets' theory of grand integration, the study attempts to thoroughly and in depth analyze the image and narrative structure of the film, < Believer>, in what it looks like. According to him, movies are a form of communication that is symbolized according to culture and customs, and every time they fail, they continue to try to explain images with rules of language. So this paper is too broad to deal with all the issues that Mets has been working on, so it tries to logically analyze the overall research trends and recent narrative films by substituting them for the theory of large integrals. Therefore, this paper first attempts to extract and analyze common and common elements from the differences between language and film language and the different concepts that are dissolved in the scene. It will then look at how Mets' giant integrator is specifically applied to images and how it serves as a bridge that links the appearance of new theories.

KCI등재

3검 프린트(Gum Bichromate Print)의 독성에 대한 대안적 프로세스: DAS를 이용한 4색 젤라틴 피그먼트의 적용

저자 : 최수정 ( Choi Soo-joung ) , 신성균 ( Sheen Sung-kyoon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 45권 0호 발행 연도 : 2020 페이지 : pp. 24-35 (12 pages)

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Many artists use Gum Print's pictorial attributes in their photographic works by hand. However, due to the hazards of the dichromate used in this process, special attention is required, and studies on alternative materials are needed. Therefore, we conducted an experiment to find the appropriate ratio required for the preparation of the photoresist using DAS, a low-toxic material that can replace bichromate, and compared it with the gumprint by printing a photographic work based on the obtained data. As a result of the experiment, it was possible to obtain a quality equal to or higher than that of the gum print in color reproduction, and reproduce a faster and more detailed image. It is hoped that the results of this study will be used to expand the possibilities of artistic expression of traditional color processes, and to allow artists to devote themselves to the creation of artworks free from the dangers of harmful substances.

KCI등재

4베트남 위령비에 대한 사진표현 연구

저자 : 정태환 ( Jung Tae-hwan ) , 임재문 ( Lim Jae-moon )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 45권 0호 발행 연도 : 2020 페이지 : pp. 36-51 (16 pages)

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During the Vietnam War, South Korea dispatched a large number of combat troops and the costs of entering in the war have become the basis for the modernization of the country. However, although it has been 45 years since the war ended, there has been still a lot of controversy surrounding the issue of the massacre of civilians by Korean soldiers at that time, and so far the both sides, the one who thinks we should make a sincere apology for it and the other who denies it, are standing face to face over this issue. Meanwhile, the local residents in damaged area have set up the memorial monuments to blame their assailants and console the souls of the victims at the massacre field after the war, and the existence of such the massacre memorials is becoming the important key for finding out the truth about the massacre these days. But, as the industrialization of Vietnam to lead to the changes in the local areas where the memorial monuments were located is progressing rapidly, the importance of the work of recording and preserving the memorials is growing bigger and bigger.
Therefore this study was carried out with the purpose of finding the value of photography as evidence for historical facts by taking the photographs of the memorial monuments established in the slaughter-area, and with hope that my work recording historical facts like this will be a stepping stone to prevent a war that may happen in the future. The limitations of this study were the tightness of schedule and the limitations of local shooting conditions, but most of all, it was not able to look inside the victims and lack of analysis of the veterans who fought in the war at that time, and I saved these parts as a next task to be solved in the future.

KCI등재

5사진, 이후의 사진시대와 다큐멘터리사진의 표현방식 변화 -'다큐멘터리 스타일(documentary style)'을 중심으로 -

저자 : 허용무 ( Heo Yong Moo )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 45권 0호 발행 연도 : 2020 페이지 : pp. 52-68 (17 pages)

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'Documentary style, which is said to have presented a new paradigm for modern art after the 1980s, effectively expresses the changing modern social culture and reality based on ontology about the reproduction of photographs and a developed digital technology.
A broad spectrum is displayed in its expression method and has thus become the mainstream in contemporary art. It can be viewed as its own style and strategy that appears broadly in the course of configuring the expressive forms of modern art using concept art and post-modernism as its background.

KCI등재

6시사다큐멘터리의 다큐영화 장르전환에 따른 재현 차이에 관한 연구: 영화 <삽질>을 중심으로

저자 : 이규정 ( Lee Gyu Jeong )

발행기관 : 한국사진학회 간행물 : 한국사진학회지 AURA 45권 0호 발행 연도 : 2020 페이지 : pp. 69-82 (14 pages)

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This study aims to grasp the various meanings of how the Representation is changed and what elements are appealing to the public as the TV current-affairs documentary is converted into a movie. In particular, we analyzed the characteristics of video Representation of the documentary film , in which the four major river-related programs produced as "Documentary" on TV were converted into "Documentary Movies". And despite the evaluation of a high-quality documentary film, the reason why the audience was turned away was confirmed through various analysis. As a result of the study, the discourse characteristics of the TV current-affairs documentary  and the film  showed similarities in many ways. For example, in the narration expression method, it was found that both works used a lot of interviews and data screens of the person concerned to emphasize objectivity and reality. It is also very similar that the argument structure was adopted to prove the content of speech. In addition, it was confirmed that there was no significant difference in the video expression method due to past data and interviews with related persons. Looking at the results of the analysis of the internal factors of the documentary film  according to genre conversion, it showed a narrative structure in which the similar cases were repeated in the story structure of the film, or the boredom in a format where the interview of the persons concerned lasted for a long time. Even in the video Representation, cinematic elements were not added, and by using more data screens than TV documentaries, it was hardly provided for the audience to see. Consequentially, the lack of cinematic success factors led to the film's failure. This film, however, succeeded in delivering the true message of the Four Major Rivers Project while guaranteeing realism and objectivity.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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