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The journal of chinese language and literature

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수록범위 : 1권0호(1994)~66권0호(2019) |수록논문 수 : 1,028
중국어문학지
66권0호(2019년 03월) 수록논문
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This thesis is regarding thoughts, images and desires complied in the idioms such as Late Blossom and Battles won by Insight. Late Blossom had been a proverb before the edition of Laozi(老子), and cited in Lushichunqiu(呂氏春秋) as great persons and wisdoms do not usually occur in an early stage and are much later generated. Late Blossom is cited as a metaphor of cultivation for truth in the text of Laozi(老子), which indicates great figures are not made in the whole context. Great thoughts are understood to be made over a long period because the concept of non-generation is too strange. In addition, great figures are characterized as late blossoms, while the words of 'qi(器)' are intertextualized with numerous literatures. Accordingly, the idiom of Late Blossom is established as a metaphor for a great figure out of the context of Laozi(老子). As for All Battles won by Insight, this is transformed from the phrase that if you know your enemy and yourself, you can't be fallen to the risk of lose the fights in Sunzibingfa(孫子兵法). However, All Battles won is not a best policy in Sunzibingfa(孫子兵法). This concept of all battles won has been regarded as a complete Victory by being understood based upon the intertexuality of literatures including Guanzu(管子), out of the context of Sunzibingfa(孫子兵法). All battles won meaning completevictories had been separately used from Insight of self and enemy and later, have emerged into an united phrase since the popular novel of Sanguoyanyi(三國演義). Folks' desires for winning all battles and their compelling experiences are reflected in this phrase. Therefore, Late Blossom and Battles won by Insight reflecting folk's shared desires and images would evolve in the future by relentless changes and selections.

KCI등재

2홍문연(鴻門宴)에 대한 서로 다른 기억의 공존 ― 교육콘텐츠로의 활용 가능성을 겸하여

저자 : 양중석 , 최석원

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 29-55 (27 pages)

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This paper confirmed through the records of Simaqian(司馬遷) and the Bangu(班固) that various eyes on a particular event called Hongmenyeon(鴻門宴), and reviewed the process of Hongmenyeon(鴻門宴) being reproduced with the currentized view in the new medium. In addition, in the field of classical education, we proposed establishing a time line for learners and storytelling about Hongmenyeon(鴻門宴) through the perspectives of individual characters. Through this, we wanted to give an example of this in establishing a curriculum focused on communication, creativity and learners.

KCI등재

3리백시(李白詩) <황학루송맹호연지광릉(黃鶴樓送孟浩然之廣陵)>연구 ― 시의 해석과 상상력의 문제

저자 : 서용준

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 57-78 (22 pages)

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Li Bai's quatrain, 'Yellow crane tower sending Meng Haoran leaving for Yang Zhou' is very famous farewell song of Chinese classical poetry. But even though it is famous to modern readers, this song has been difficult to properly understand it's literary quality. This is mostly because the expressions in the third and fourth lines of poetry were out of line with the general public's understanding. The poet said that Meng Haoran's boat had flown out of the sky, but people understood that this was anexaggerated metaphor for their common sense and that the content was just an emotional expression that said the ship had disappeared far away. This, however, was the result of not understanding that Li Bai used his imagination to modify the existing chinese poetic precedent. Li Bai cleverly used the precedent poetic quotation-the ship of immortal hermit, to make his farewell poem. The ship that had disappeared into the sky in his eyes was actually a ship of immortal hermit from that long literary tradition. Meng Haoran was the flying immortal himself who flew in that immortal ship. The ship of immortal hermit performed the friendly function of the poetry in traditional Chinese poetics. Li Bai displayed his outstanding poetic ability and was able to capture both feelings of sadness and hope in his poem, 'Yellow crane tower sending Meng Haoran leaving for Yang Zhou'. We need to pay more attention to his hyperbole and imaginary ability and their literary utility when reading Li Bai's poems.

KCI등재

4산곡과 민가 경계의 산물, 《황앵아(黃鶯兒)》 연구

저자 : 서연주

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 79-98 (20 pages)

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Huangying-er(黃鶯兒) is regarded as one of Feng Menglong's folk song books such as Guazhi-er(掛枝兒), Shange(山歌), and Jiazhutao(夾竹桃). Preceding researches criticized Huangying-er as 'a fly in the ointment', the overall study tended to be neglected. However, Huangying-er was found to have a special meaning in terms of Chinese classical literary genre. Thus, this study reviewed the significance of Huangying-er.
First, this article analysis the causes of the ambiguity of the genre classification of Huangying-er. This paper consider the fact that Chaoji (嘲妓) and Xinbianbaijipingpin(新編百妓評品) influencing Huangying-er are recognized as 'folk song' and 'sanqu', the fact that the civilianization process of < Haungying-er > melody as the reason.
Next, this paper analyze the features of Huangying-er as the product placed between the boundary of Sanqu(散曲) and folk song(民歌). First, many of the works of Huangying-er are mixed with the characteristics of sanqu and the folk song. In addition, Huangying-er is also distinguished from < Haungying-er > works which are included in the Fengmenglong's Guazhi-er and Shange. Huangying-er thus reveals a boundary attribute.
The signification of Huangying-er study we analyzed above, the analysis will be supplemented through research on relationship between Xinbianbaijipingpin and the culture of mockery toward female entertainers at the qinglou(靑樓). which will be presented later. This study hopes to contribute in multilateral understanding on Huangying-er of Feng Menglong.

KCI등재

5晚清科学小说中的国家想象

저자 : 吳淳邦 , 曹淑俐

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 99-124 (26 pages)

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At the beginning of the 20th century, China was invaded by eight countries because of the Boxer Incident, and Beijing was captured. The country faced a tragic situation of huge compensation. In such a conflicting situation between the modern civilization of the Western European powers and the traditional Chinese culture, China's traditional world view(天下主義) collapsed. At the same time, the reformist intellectuals represented by Liang Qichao(梁啓超) gradually realized that the reason for the decline of China's national power was the lack ofnational consciousness and national concept. Therefore, under the advocacy of Liang Qichao, the national consciousness from the West began to take shape. How to instill the national consciousness into the people has become an issue of concern to the intellectuals. At this time, the novel, a special literary genre, came into being and participated in the description of the understanding and imagination of the modern country, and played an important role in enlightening the people and disseminating the national consciousness. In the early 20th century, novelists with national consciousness narrated their imagination of the future state system, which is a concrete description of the state form. It also includes the novelists' criticism of the real state form and their fantasy of building the future state plan. Among the various types of fiction in the late Qing Dynasty, science fiction became popular and occupied an important position. It takes scientific knowledge as the material of fiction, and is a new type of fiction that combines the real society with the fantasy of the future world. Science fiction was first introduced into China for the purpose of disseminating scientific knowledge, but like political fiction, it has clear utilitarian significance, enlightens the people and brings the characteristics of patriotism to the people. Concern about the real society and imagination of the ideal world in the future are the narrative characteristics of science fiction at that time. The fantasy part of science fiction reflects the author's imagination of building a future country. In the fantasy world of late Qing fiction, not only state sovereignty and political system are complete and sound, but also science and technology are comparable to Western countries. In 1902, Liang Qichao advocated “young Chinese theory”(少年中國說) and began to build a new image of China in the future world. In this paper, the representative scientific novels of the late Qing Dynasty, such as “Xin Fa Luo Xian Sheng Tan”(《新法螺先生譚》), “Xin Shi Tou Ji”(《新石頭記》), “Shi Zi Hou”(《獅子吼》), “Dian Shi Jie”(《電世界》), “Xin Ji Yuan”(《新紀元》), etc., are taken as the research objects, and four chapters are used to analyze the criticism of the real society and the vision and fantasy of the future national image in the novel works, so as to complete the imaginary community, strengthen the national consciousness and finally finish. The narrative tendency and characteristics of science novelists in the late Qing Dynasty established by the nation-state.

KCI등재

6슝포시(熊佛西)의 농민연극실험(1932-1937)에 드러난 대화주의 연구

저자 : 장희재

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 125-145 (21 pages)

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本論文對1932年至1937年熊佛西在河北定縣進行的農民戲劇實驗中所包含的對話主義性質進行了探討。首先, 將熊佛西形成對話主義創作論的背景分為三個時期進行了探討:一、五四時期,熊佛西通過文明戲接觸了話劇, 與此同時受到了五四運動救國啟蒙思想的影響。這一時期, 他的社會認識大於藝術, 追求“為人生的藝術”。二、留美時期, 他在接觸西方文化的同時與一群戲劇人的交流的過程中, 與當時中國戲劇形成了客觀距離, 藝術指向轉換為“為藝術的藝術”。三、回國後發起“國劇運動”而失敗。通過這三個階段, 他辯證形成了對話主義的創作態度。其後, 本文探討定縣農民戲劇實驗的過程和成就。先通過劇本創作、劇場建設方面的分析, 對熊佛西為戲劇大眾化的設想以及效果進行了探討。接著, 通過表演中發生的一系列突發事件和農民的行為分析中得出對話主義創作方法的成就。熊佛西沒有把農民周邊化, 反而欣然接受了農民的多樣性和脫文學的語言, 並將農民成立了藝術主體、生活主體、政治主體。

KCI등재

7허우샤오셴 영화 속 가족과 국가 ― <희몽인생>, <비정성시>를 중심으로

저자 : 김양수

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 147-170 (24 pages)

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In this paper, I described the relationship between modern family and the Nation State during the colonial and war period through the films of Hou Hsiao-hsien, “The Puppetmaster” and “A City of Sadness”. Family is also the unit that forms the economic foundation of the state, but in wartime it is a unit of conscription, and under dictatorship it is also a unit of national control. In the history of East Asia in the 20th century, the country and its family were in a confrontational relationship.
Perhaps the reason why Hou Hsiao-hsien's films feature many families is because he likes to capture the images of ordinary Taiwanese in movies.
The two movies “A City of Sadness” and “The Puppetmaster” that cover the historical transformation of Taiwan are also works of a natural human life that is completely raw or unpainted. Li Tien-lu, the main character of “The Puppetmaster”, was a thoroughly peripheral human being. Even in colonial Taiwan, which was dominated by Japanese imperialism, he was a man who had been pushed out of the hierarchy of political and patriarchal powers, but he loved his family and fulfilled his responsibilities as a father.
“A City of Sadness” tells the story of a family destroyed by state violence, using sophisticated aesthetic devices. I considered photography and sound and family dinner as a metaphor, and analyzed its meaning. The last scene of the family dinner was very significant, which I saw as a message that in the end the ultimate winner of the fight against the state was the family.

KCI등재

8중국어 방언의 층위분석법 이론의 연구사

저자 : 안영희

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 171-187 (17 pages)

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传统的历史分析法在汉语方言的研究中具有它的局限性。因为汉语方言普遍存在文读与白读, 历史比较需要哪一种读法是一个难题。由此汉语方言研究学界提出了新的一种研究方法论, 即“层次分析法”。本文就此层次分析法理论的研究历史进行了整理和综述, 并且也提出了些笔者的观点。具体的在第二章介绍了汉语方言接触和层次分析理论的基本观点;第三章对方言学者之间对层次分析法理论建设中的不同观点进行了归纳和总结;第四章则简单介绍了笔者对其层次分析法的一些观点。
本文对层次分析法主要观点为, 第一、语言本体的语音变化不属于层次, 但受接触影响的本体变化应该属于层次;第二、语言接触的基本单位为词汇, 最小单位为音节, 其音位单位的层次现象是借用后受本体音变现象的结果;第三、借词也有自身的语音系统, 则需要用来进行层次分析。
历史层次分析理论尚未发展成熟, 目前仍为起步阶段, 还需进一步讨论和扩展。即需要结合少数民族语言和汉语言接触研究的领域, 并以类型学的角度去进行语言接触理论的建设。

KCI등재

9從“X婊”看“婊”的類詞綴化傾向

저자 : 朴興洙 , 辛勤

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 189-208 (20 pages)

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With the development of network and We Media, a large number of new terms have constantly emerged, among which, terms in the form of “X 婊” frequently appear in articles on the Internet and We Media. Originally, people used “綠茶婊” as a metaphor to describe those women deliberately approaching men for certain benefits. Later, terms such as “奶茶婊”, “咖啡婊” and “紅茶婊” were coined to refer to those two-faced women pretending to be innocent. Netizens have also begun to coin varied terms in the form of “X 婊” to describe undesirable women, gradually increasing the total number of such terms. This phenomenon has caught the author's attention. Therefore, based on relevant knowledge on philology and lexicology, this paper collects and sorts out terms in the form of “X 婊” on the Internet and We Media, and analyzes the phonetic and grammatical structural characteristics of “X” in “X 婊”. Then, it explores the meaning of “婊” and its semantic development process from the perspective of etymology, and analyzes the use of terms with the quasi-affix “婊” from three aspects of semantic, structural, and functional rules according to the criteria of quasi-affix. Finally, it delves into the cause of the emergence of such terms, thus finishing the analysis of the trend of using such terms.

KCI등재

10유의어 '본래(本來)', '원래(原來)'에 관한 인지적 분석

저자 : 이운재

발행기관 : 중국어문학회 간행물 : 중국어문학지 66권 0호 발행 연도 : 2019 페이지 : pp. 209-226 (18 pages)

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This is paper, a group of synonyms 'Benlai' and 'Yuanlai' as the research object, respectively, from the syntax, semantics and cognitive linguistics that describes and discusses, analyzing their simliarites and differences. This article is focused on synonyms 'Benlai' and 'Yuanlai' have their own meanings, while some have their own meanings. In theory, synonyms have the same meaning and can be replaced in context, and the more frequently used side becomes the basic meaning. In this sense, 'Benlai' is regarded as the basic meaning, and 'Yuanlai' is considered the basic meaning of change. When synonym 'Benlai' and 'Yuanlai' are used as adjectives, even if the same central noun aremodelled, 'Benlai' is used as modifier, as shown by differences in the meaning of the sentence, while 'Yuanlai' is used as modifier the central noun is characterized by change. This can also be seen 'Benlai' and 'Yuanlai' are used as adverbs. In a basic sense, extended 'Benlai' means that it should be logically done, which implies the subjective viewpoint of the speaker. 'Yuanlai' extends to subjectivity, which are much more powerful than the subjectivity of 'Benlai' and events led by the speaker are vividly expressed to express surprise and unexpected. Synonyms 'Benlai' and 'Yuanlai' have essentially 'past', but can be used respectively in permanent attributes or sentences aimed at change, which cause a difference in subjectivity from cognitive perspective.

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1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

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2미국의 비트코인 규제

(2006)홍길동41회 피인용

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