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The journal of chinese language and literature

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수록범위 : 1권0호(1994)~70권0호(2020) |수록논문 수 : 1,074
중국어문학지
70권0호(2020년 03월) 수록논문
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KCI등재

1이황(李滉) 시가(詩歌)의 소식(蘇軾) 관련 용전(用典) 양상

저자 : 柳素眞 ( Liu So Jin )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 7-39 (33 pages)

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Yi Huang(李滉) quoted several phrases and words which had been used in Su Shi(蘇軾)'s works to his own poetry. And he also put some episodes which relate to Su Shi to his own poetry. This means that Yi Huang enjoyed reading Su Shi's works and he also admired Su Shi.
During the middle Chosun dynasty while Yi Huang was working, admiration for Su Shi fell into decline with the appearance of Korean neo-Confucianists. Not only Su Shi's thought and scholarship was harshly criticized, but his literature was also criticized.
Yi Huang was one of the most distinguished neo-Confucianist during the middle Chosun dynasty, even praised as 'Zhuzi of Chosun(海東朱子)', he nevertheless liked and learned Su Shi's works so much in such an atmosphere. It means that Yi Huang was a man of tolerance and Su Shi's influence was so great that it reached Korean neo-Confucianists, who were in a confrontational relationship with Su Shi in the academic field.

KCI등재

2장예모(張藝謀) 영화에 나타난 '음양(陰陽)' 사유와 문화원형 ― <영(影)(2018)>의 서사구조를 중심으로

저자 : 劉倩 ( Liu Qian ) , 文炫善 ( Moon Hyoun-sun )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 41-76 (36 pages)

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The fifth-generation director Zhang Yi-Mou(張藝謀)'s film  shows the full-scale visual reproduction of traditional cultural elements that have continued since 2000. This mythical narrative, whose traces of a certain historical period have been erased, reveals the traditional thinking of China's unique Yin-Yang(陰陽) through the narrative structure of people and events.
In the film , the relative confrontation between Yin and Yang is embodied through the human relationship surrounding the commander of Pei(沛國都督). To restore his lost territory and self-esteem, Zi-Yu uses a surrogate named Jing-Zhou(境州) as his official ego. But the surrogate gradually takes the stage of self-completion as an independent personality. In this process, the wife of the commander of Pei(都督夫人) admits to Jing-Zhou, which allows his position as an equal spouse. In response to her call, he kills Zi-Yu, the original owner of his personality. Goes a step further, he removes even the king of the Pei(沛國君主). His self-completion can be said to be a process in which a person's shadow personality starts from the unconscious that can be called the realm of Yin, and emerges as a persona, the realm of Yang.
In the film, a person is closely related to the dimension of the historical and cultural community to which the individual belongs. It also shows the traditional Chinese thinking that the microcosm as human beings reflects the macrocosm. Jing-Zhou starts from the shadow inside a person and progresses to the position of the king of Pei, which can be called the persona of the community. He does not have a father, but knows how to serve his mother, has a low status and a name, but has a healthy mind and body, and possesses cultural and martial arts talents. He transforms into an independent person with a clear vision and orientation. Through the cultural symbols and cultural principles of YinYang, the film < Shadow > attempts to visually embody the constant change of the rise and growth of China, a historical and cultural community.

KCI등재

3한어병음자모 “ong”의 음가 재고

저자 : 沈小喜 ( Shim Sohee )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 77-100 (24 pages)

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The sound of /ong/ and /ung/ is not distinguished in standard Chinese phonetic system. But it is totally different from that of Korean. When Korean learn Chinese, they are confused with Chinese phonetic alphabets. Specially designated and learning practice should be emphasized in Chinese phonetic alphabets for Koreans. Otherwise it will be difficult for them to understand the correct pronunciation. Because they recognize the sound of the Chinese phonetic alphabets as that of English alphabet.

KCI등재

4중국어 연접 표지의 변천에 관한 유형론적 연구

저자 : 洪蓮玉 ( Hong Yeonok )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 101-123 (23 pages)

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This paper analyzes the meaning of changes in conjunctive marker types of the coordinative conjunction from a typological perspective based on previous diachronic and comparative research. In particular, this paper analyzes the changes from the perspective of the origin, number, types according to syntactic level, often used in Ancient Chinese and Modern Chinese.
According to the results of an analysis from the perspective of the origin of the coordinative conjunction marker access signs, the most the coordinative conjunction marker underwent was a grammaticalization path through which comitative verbs grammaticalized into coordinative conjunction markers via the intermediate stage of comitative adposition.
There were also cases where coordinative conjunction markers originated from personal pronouns and conjunctive adverbs with the denotation of 'add'. Meanwhile, there were differences in the types of coordinative conjunction markers and the number of coordinative conjunction markers used in modern Chinese depending on the parts of speech of the connecting target. There was no clear distinction between the coordinative conjunction markers used in the past in the Chinese language, which can be seen as a typological change in the coordinative conjunction markers of Ancient Chinese and Modern Chinese.
Finally, this paper pointed out that the Chinese language can be classified as a language that has both AND-Language characteristics and WITH-Language characteristics, such as English, in that the Chinese coordinative conjunction markers are used for both conjunctions and prepositions. However, the difference between English and Chinese is that English uses different vocabulary in terms of its coordinate strategy and comitative strategy, but the same vocabulary in the Chinese language is responsible for the linking function of both coordinate strategy and comitative strategy.

KCI등재

5試論“x蜜”詞類現象

저자 : 岳菲菲 ( Yue Fei-fei ) , 朴興洙 ( Park Heung-soo )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 125-142 (18 pages)

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Language is a constantly developing and changing system, and vocabulary plays an important role in this system. In recent years, with the emergence of new vocabulary, it has bringed infinite vitality to the language system. Especially for those new words composed of quasi-affixes, many scholars have shown strong research interest in it, and lots of achievements have been obtained. Among the many research results, we have learned that the word family of 'X蜜', known only by the word 'bosom friend(闺蜜)', but has a certain research value. At present, in the existing research results, we find that the analysis of '蜜' is incomplete. The existing papers mainly take the word 'bosom friend(闺蜜)' as the research object, and introduce to us the origin and composition of the word 'bosom friend(闺蜜)'. Few papers have systematically analyzed the semantic development of '蜜' and the semantic analysis of 'X蜜' word family. And There is no exact statement as to whether '蜜' can be used as a quasi-affix or affix. Until now there has been no '蜜' 's prediction of future. Therefore, this paper will take '蜜' as the analysis object, mainly study the semantic development of '蜜' and the semantic analysis of 'X蜜'. In addition, from the perspective of quasi-affixes, this paper also analyzes the tendency of quasi-affix '蜜' and predicts the development of the quasi-affix '蜜'.

KCI등재

6河北青縣方言熟語及其所反映的地域文化

저자 : 張宏偉 ( Zhang Hong Wei ) , 牟廷烈 ( Mo Jeong Yeol )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 143-170 (28 pages)

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Due to the unique location and historical reasons, Hebei dialects have special relations with Mandarin, Beijing dialect, Tianjin dialect and Jin dialect. Many dialects in Hebei dialect have significant transitional characteristics, which make the study of Hebei dialect unique and necessary. Idiom research is an important part of dialect research. The Qingxian dialect in Hebei Province has not attracted enough attention from the dialectologists for a long time and the induction and collation of the idioms is also very insufficient. So it becomes a very necessary subject to summarize and arrange the idioms in Qingxian dialect and analyze the regional culture reflected in them. This paper mainly records and arranges the idioms of Qingxian dialect, and on this basis analyzes the regional culture reflected by these idioms. Local people in Qingxian have created rich idioms in production, and social life, which vividly reflect the production and life scenes of local residents.

KCI등재

7수사격(修辭格) 친탁(襯托)에 대한 연구

저자 : 李昇薰 ( Lee Seunghoon )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 171-195 (25 pages)

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Foil is derived from the technique of Chinese painting, which is a kind of indirect description through the background, not the direct description of the object. However, in the expression through language, the method of representation of foil is different from painting. Literature is characterized by the indirect substitution of human thoughts and emotions. The basic problem of literature that seeks expression through indirect way or substitution is not different from the goal pursued by foil. Chinese classical poems have the advantage of revealing situations and emotions through juxtaposition of common nouns. This is possible because of the active use of the technique called foil. The ability to create new meanings through juxtaposition only by arranging things that are less related to each other comes from the grammatical and lexical characteristics of Chinese. However, the specific and lively situation can be expressed even through the verses listed only by names with no specificity, because the juxtaposition method was used through foil.
Foil is a kind of metaphor in that it is replaced by something other than yourself. While metaphor is limited to the condition of similarity, foil expands the scope of expression in that there is no restriction on what can be juxtaposed. metaphor is based on memory. The foil consists of a one-time analogy that induces comparisons by juxtaposing objects or events in the same space without using memory. By focusing on unfamiliar objects through this one-time analogy, we experience more 'unfamiliar' experiences with more effort than common and familiar analogies. Through this cognitive process, we experience a process of feeling new things.
Like this, Foil is not limited to simple literary rhetoric style, but it can be used as a means of expanding various perceptions of Chinese poetry, overcoming the limitations of language expression, and expanding our awareness through the strange experience of juxtaposition with new and strangers.

KCI등재

8교육용 기초 한자에 대한 검토와 제안

저자 : 文英喜 ( Moon Young Hee ) , 文準彗 ( Moon Joon Hye ) , 朴智英 ( Park Jee Young )

발행기관 : 중국어문학회 간행물 : 중국어문학지 70권 0호 발행 연도 : 2020 페이지 : pp. 197-220 (24 pages)

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The purpose of this paper is to identify the Chinese character used in Sino-Korean words, and to present the most useful Chinese characters in a list as a basic data for learning Chinese characters.
According to Vocabulary for Korean Language Education by Grade(2003), the total number of Sino-Korean words that students acquire until middle school reaches to 21,860 and 2,792 Chinese characters has been used. We contained most of the Chinese characters in a list excluding the unfrequently used ones. The list is composed of 2,309 Chinese characters in total and it is divided into four grades. This is about 500 characters more than the 1,800 basic Chinese characters for teaching established by the current Ministry of Education, but it can be effectively used for both Korean language and Chinese characters education as those characters are often used in Sino-Korean words.

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