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신영어영문학회> 신영어영문학 (구 영남저널)

신영어영문학 (구 영남저널)

THE NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE

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수록정보
수록범위 : 8권0호(1997)~43권0호(2009) |수록논문 수 : 464
신영어영문학 (구 영남저널)
43권0호(2009년 08월) 수록논문
최근 권호 논문
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KCI등재

1오든의 시에 나타난 "상식"의 정치적 의미

저자 : 권현주 ( Hyun Joo Kwon )

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 1-17 (17 pages)

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W. H. Auden and Antonio Gramsci set much value on common sense in that ordinary people`s culture should play a vital role in leading the history. Auden criticized Plato and Descartes for lacking common sense based on body wisdom and concrete consideration of their social consequences. As a model for an ideal society, Auden proposed orchestration, a musical form, in which each individual expressed his or her own voice spontaneously and harmoniously without oppressing others` voice or being oppressed by that of others. This viewpoint can be connected to Gramsci`s concept of the organic intellectuals. Every individual had the potential to be an intellectual as a subject.

KCI등재

2Visual Beckett

저자 : Jung Soo Kim

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 19-32 (14 pages)

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In this paper, I discussed visual aspects of Beckett in various manifestations. First, Beckett`s stage is strongly visual-oriented. He presents shocking visual elements on stage, and in his directing of his own plays, Beckett showed equally high degree of control over visual details. Secondly, his stage approaches the look of paintings he admired, and he took inspirations from paintings and other visually interesting views. Beckett also created works purely composed of images without an addition of the verbal language. Finally, his interest in the visual and sight leads to his understanding that watching and living are interconnected to such a degree that in his plays sight equals life. In all of these aspects, visual Beckett is at the center of his works.

KCI등재

3『제인 에어』의 양면적인 서술

저자 : 김진옥 ( Jin Ok Kim )

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 33-54 (22 pages)

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This article examines the narrator`s ambivalent attitudes of both self-expression and self-evasiveness. As a first person narrator Jane directly and boldly expresses her own idea and thoughts: here the readers completely identified themselves with poor young Jane: we are allowed to see all only through her eyes. There is also a different attitude of the narrator who is unreliable and inconsistent to the reader`s eye. As Jane matures, she becomes self analytic, reticent and even delusive. Thirty year old Jane argues that she is telling "the plain truth", yet she intentionally withholds information and is inconsistent in her judgement of other characters. The narrator`s ambivalent attitudes of both self-expression and self-evasiveness represent conflicts which the author Bronte experienced between a patriarchal social structure and her inner mind as a creative writer.

KCI등재

4스토파드의 『사랑의 발명』: 과거 재현과 현대적 재해석

저자 : 박희본 ( Hee Bon Park )

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 55-77 (23 pages)

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In his 1997 stage play, The Invention of Love, Tom Stoppard re-presents the fantasies and realities of A. E. Housman, an English classical scholar and romantic poet, contrasting his life and loves with those of his dramatic (and contemporary) foil, Oscar Wilde. Also at the heart of the play is the poignant meeting between the older Housman ("AEH") and his younger self ("Housman"). Stoppard`s text deals (at a philosophical level) with the nature of love, poetry, scholarship, aesthetics, and attitudes to homosexuality in late Victorian England, the latter focus designed to challenge audience members into reappraising their preconceptions. This paper examines the ways in which the playwright employs uniquely Stoppardian juxtapositions to re-interpret the past and to re-examine philosophical concepts about art and love.

KCI등재

5『압살롬, 압살롬!』: 서트펜의 위대한 설계

저자 : 백석현 ( Seok Hyun Baik )

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 79-95 (17 pages)

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Absalom! Absalom! reproduces the cultural traits and conflicts of a patriarchal family awash with contradictions in Yoknapatawpha county, a meaningful parody of the Old Southern society after the Civil War. Especially the narrators in the novel are continuously searching for the explanations that might disclose the irrevocable destiny of Sutpen`s family-the fratricide, incest, miscegenation, and collapse-bred by the culture of patriarchal plantation based on a slave economy. Indeed, the success for which he longs is to be a rich, powerful Southern gentleman-to own a large estate, many slaves, and build a dynasty-which is also the symbol of his "grand design." But the true nature of his success is only a morally twisted Southern ideal, which forces his family to fall into `boundary situations.` The Sutpen family are like fluid essences strongly linked to the power and to the body of patriarch, which can be explained in a wider cultural context.

KCI등재

6The Cinematic Representation of Oriental Images in Hwang`s M. Butterfly

저자 : Hyun Joo Yoo

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 97-117 (21 pages)

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Adapting Hwang`s play, Cronenberg raises the question of fixed, coherent and unitary subjectivity. However, in Cronenberg`s film, political elements or themes clearly displayed in Hwang`s text are attenuated. Rather, it is the desire for the physical and mental transformation and homoeroticism that Cronenberg finds most interesting in Hwang`s play. For these reasons, Cronenbeg`s film can be seen as a work that lacks a voice for the Other and a power of expanding viewers` perspectives about the shifting power structure. Considering the countless possible relationships between literature and film, this paper attempts to point out that it might be problematic that Cronenberg delivers the messages that deviate from the intentions of the playwright under the same title M. Butterfly to an audience who might believe that the film is an authentic representation of the original text.

KCI등재

7Camelot`s Failure to See Beyond in Sir Gawain and the Green Knight

저자 : Dong Choon Lee , Seung Bok Lee

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 119-138 (20 pages)

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What seems overlooked by some critics is the fact that Camelot, represented by Gawain, in Sir Gawain and the Green Knight is strongly connected with doomed fate due to its limited vision. Camelot is a closed community by humanness, which provides the crucial clue for the understanding of the failure of both Gawain and Camelot members. The exclusiveness confined in human reason frequently comes to be vulnerable when challenged by inhuman or unnatural forces like the Green Knight. Besides the limited vision, Camelot is some sort of society which is an already fixed one with stable identity, hence, little possibility of development and adaptation. This results in Camelot`s possible vulnerability to the external forces as well. As a member of Camelot, Gawain`s limited vision, so much accustomed to closed Camelot society and its inflexible value judgment system, prevents him from acknowledging the values outside Camelot. Gawain is inadequate to deal with the complexity of his experience, because the absoluteness of Camelot community has built the extremely demanding and inflexible logic.

KCI등재

8안데르센의 「인어공주」에 나타난 "비극적 신비": "디오니시안 우주적 잔인성"

저자 : 이영준 ( Young Zun Lee )

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 139-164 (26 pages)

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Andersen`s 「The Little Mermaid」 exposes an enormous cruelty of a girl`s tragic life. Her blind passion for the love of the prince is ended in a total failure. 「The Little Mermaid」 reveals an absolutely inhuman cruelty of life, the presence of the Dionysian Cosmic Cruelty. According to Nietzsche, the ancient Greek tragedy was a kind of religious rituals, which was to purify the Dionysian Cosmic Cruelty. Antonin Artaud, a modern follower of Nietzsche, created `Theatre of Cruelty,` which is, to recreate the cruelty of fundamental life, thus, rediscovering the elements of ancient rituals. This kind of cosmic cruelty reminds us of the religious sacrifice of human in ancient pagan rituals, which indicates a spiritual rebirth, immediately following after an apocalyptic destruction and death of the old soul.

KCI등재

9『비평론』에서 "Nature"의 의미

저자 : 최희섭 ( Hie Sup Choi )

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 165-183 (19 pages)

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Alexander Pope expressed his thoughts on Criticism in his poetry An Essay on Criticism. In this work, the word `Nature` was used in many different meanings. The purpose of this paper is to examine the various meanings of `Nature` expressed in this poem. The meanings of `Nature` are sometimes ambiguous and various and different according to the context. In conclusion, Pope used `Nature` as external nature, the creator, the standard of writing and criticism, classic, old law and human nature in this poem. This paper aims at examining the various meanings of `Nature` to verify that the word didn`t have a fixed meaning at Pope`s times.

KCI등재

10초등학교 영어 수업의 교사질문 분석

저자 : 김영민 ( Young Min Kim )

발행기관 : 신영어영문학회 간행물 : 신영어영문학 (구 영남저널) 43권 0호 발행 연도 : 2009 페이지 : pp. 185-211 (27 pages)

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The purpose of this study is to analyze teachers` question types in terms of forms, function/content, and the purposes. Six videotapes of actual English class were collected and transcribed focusing on teacher`s questioning. The results were as follows. First, teachers used English-medium, wh-questions, text-related epitomic questions, and display questions more frequently than Korean-medium, yes/no questions, echoic questions and referential questions. Second, teachers used different types of questions according to the stages of the teaching procedures. Finally native English teachers used wh-questions, text-related epidemic questions, and referential questions more frequently than Korean English teachers. Some suggestions were made based on the results.

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