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한국스페인어문학회(구 한국서어서문학회)> 스페인어문학(구 서어서문연구)

스페인어문학(구 서어서문연구) update

Estudios Hispanicos

  • : 한국스페인어문학회(구 한국서어서문학회)
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  • : 서어서문연구(~2004) → 스페인어문학(2005~)

수록정보
수록범위 : 1권0호(1987)~94권0호(2020) |수록논문 수 : 1,591
스페인어문학(구 서어서문연구)
94권0호(2020년 03월) 수록논문
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The purpose of this study is to examine whether the effect of a teacher's corrective feedback for error correction in Spanish learners' writing tasks is more effective when the learners also have the opportunity to perform self-correction activities for the task. To this end, we designed two feedback experiments and examined which type of feedback is more effective for the learners in a university Spanish writing class. In the first experiment, the teacher provided direct feedback on the participants' writing tasks and the participants rewrote the assignment at the midterm exam; in the second experiment, the teacher provided indirect feedback with underlines on the learners' writing tasks, the learners performed self-correction activities, and, finally, the teacher provided direct feedback on the self-corrected writing tasks. Also, the participants rewrote the assignment at the final exam. In addition, the participants completed pre-experimental questionnaires about their needs for teacher feedback and post-experimental questionnaires evaluating the two types of feedback experiments they experienced and the effectiveness of the self-correction activities. The results of these two experiments revealed that participant learners considered the latter type of experiment that included self-correction more effective because it offered them the opportunity to determine the cause of their errors themselves, based on the teacher's indirect feedback.

KCI등재

2전치사의 목적어 생략이 불가한 이유에 대한 이론적 고찰

저자 : 정원석 ( Jung Wonsuk )

발행기관 : 한국스페인어문학회(구 한국서어서문학회) 간행물 : 스페인어문학(구 서어서문연구) 94권 0호 발행 연도 : 2020 페이지 : pp. 39-64 (26 pages)

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This paper discusses why the ellipsis of the complement of a Preposition(P) cannot be allowed in the general case. In principle this is unexpected if we consider that P is a functional category which is also eligible to be a licensing head of ellipsis, along with other functional categories such as T, C, and D, all of which can be the licensor of ellipsis in a variety of elliptical constructions. In this paper, I argue that the reason why a functional category P cannot allow ellipsis of its complement may be attributable to a PF-constraint; the so-called “Stranded Affix Filter(SAF)”(Lasnik 1981), in conjunction with the (a)tonicity of P(Gallego 2009, 2011). Concretely, I suggest that if P is atonic and thus cannot stand alone at PF, the complement of P cannot be elided due to the SAF imposed on P, whereas if P is tonic and can thus stand alone at PF, it is not subject to the SAF and thereby can be survived at PF after the deletion of its complement. To explore more of the possibility of ellipsis in the prepositional domain, I also discuss issues related to the ellipsis of PP as well as other instances where the complement of P is missing on the surface.

KCI등재

3한국어와 스페인어 신문기사문의 응결장치 비교 연구

저자 : 정혜윤 ( Chung Hye-yoon )

발행기관 : 한국스페인어문학회(구 한국서어서문학회) 간행물 : 스페인어문학(구 서어서문연구) 94권 0호 발행 연도 : 2020 페이지 : pp. 65-93 (29 pages)

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The purpose of this study is to compare and analyze the realization patterns of cohesion in newspaper articles written in Spanish and Korean by using corpus linguistic technique. The research question to be addressed in this study is as follows: are there any differences in the frequency and distribution of grammatical, lexical, logical or formal cohesion devices used in the newspaper articles between the two languages? Specifically, in this study, devices exhibiting cohesion were classified into three aspects: i) grammatical cohesion devices such as reference, substitution or ellipsis, ii) lexical cohesion devices such as lexical repetition, synonyms or hyperonyms, and iii) logical or formal cohesion devices such as coordinate/subordinate conjunctions or conjunctive or sentence adverbs. The results of this study are summarized as follows: Spanish newspapers articles show more diverse grammatical cohesion devices such as demonstratives, pronouns, definite articles, and apposition structures than Korean ones. Meanwhile, in Korean the main cohesion devices are logical ones such as connective suffices, in addition to the topical markers such as 'eun/nun'. The use of lexical cohesion devices differ in the two languages: Spanish prefers synonyms and hyperonyms, while Korean repeats the same lexical expressions abundantly.

KCI등재

4『인생은 꿈이다』의 바로크성 연구

저자 : 김선욱 ( Kim Seon-Uk )

발행기관 : 한국스페인어문학회(구 한국서어서문학회) 간행물 : 스페인어문학(구 서어서문연구) 94권 0호 발행 연도 : 2020 페이지 : pp. 97-122 (26 pages)

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Calderon de la Barca's Life is a dream is the most representative baroque theatre that expresses the Baroque world most symbolically. This play, written in Baroque period, shows the most distinct baroque tendencies both in style and content. This paper comprehensively examines the aspects of various baroque features inherent in the content dimensions of Life is a dream. This paly shows Baroque characteristics in terms of breaking the boundary between dream and reality, identity confusion, constantly affluent subject, overturning gender roles, uncertain world, skepticism about human existence, and overturning of intellectual roles. Interestingly, however, even though this play shows the Baroque spirit and the most Baroque feature, the Baroque, which attempted to deviate from the Renaissance and overthrow it, eventually failed, and his new subversion pattern was incorporated into the existing stable order. This is the Calderon de la Barca's political and social commentary on Spain's baroque society. The author offers the solution to the baroque chaos. His solution is the restoration of reason-based morality and social order. Segismundo, the protagonist, realizes and practices the need to overcome confusion through rational and moral actions through the device of dream. So the protagonist, who won the battle against his father, forgives and embraces his father, restores the honor of Rosaura, and punishes the soldiers who have overthrown the political order in order to establish the order that had been thrown into confusion for a while. Ultimately Calderón de la Barca suggested a way to restore stability and order in society by overcoming uncertainties and confusion in the 17th century through "Life is a Dream."

KCI등재

5신분이 다른 남녀 간의 사랑을 바라보는 로뻬의 두 가지 시선: 희극과 비극

저자 : 윤용욱 ( Yoon Yong-wook )

발행기관 : 한국스페인어문학회(구 한국서어서문학회) 간행물 : 스페인어문학(구 서어서문연구) 94권 0호 발행 연도 : 2020 페이지 : pp. 123-147 (25 pages)

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Lope's two plays El mayordomo de la duquesa de Amalfi and El perro del hortelano are very similar in plot, structure and spatial background. Nevertheless, the former is a tragedy and the latter is a comedy, with three major specific factors that made this distinction possible. The first is the fatal mistake of Libia, the servant of El Mayordomo de la duquesa de Amalfi, and the wit of Tristán, the servant of El perro del hortelano. The second is the absolute destiny. For Antonio, the main character of El mayordomo de la duquesa de Amalfi, love with the hostess is the absolute destiny, but for Teodoro, the protagonist of El perro del hortelano, love is not the absolute destiny. Third is the attitude of the heroine. Camila, the heroine of El Mayordomo de la duquesa de Amalfi, refused to change, but Diana, the heroine of El perro del hortelano, accepted the change and led the change. In conclusion, the play becomes a comedy or a tragedy, depending on whether one views the love between a man and a woman of different social standing in a progressive or conservative way.

KCI등재

6하이메 힐 데 비에드마와 경험의 시

저자 : 장재원 ( Chang Jae Won )

발행기관 : 한국스페인어문학회(구 한국서어서문학회) 간행물 : 스페인어문학(구 서어서문연구) 94권 0호 발행 연도 : 2020 페이지 : pp. 149-171 (23 pages)

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The purpose of this study is to examine the characteristics of the poetry of Jaime Gil de Biedma, a poet representing the poetry of Spain in the post-war era, and to analyze his representative poems. In the 1950s, when Spanish literature was culturally isolated and stagnant due to the state's powerful censorship policy after the Spanish Civil War, Jaime Gil de Biedma introduced the concept of 'the Poetry of Experience', which was a literary alternative to overcome the excessive sentimentalism or subjectivism of Spanish poetry of Franco periods by intensively studying the 'dramatic monologue' of T. S. Eliot, an emblematic figure of modernist movement. The dramatic monologue seeks to reveal and overcome the state of a divided ego in the modern world through the tension and conflict between 'I', the poet, and the other self or alter ego of his consciousness. In addition, to avoid traditional and conventional poetic expressions, Jaime Gil de Biedma uses colloquial language used in everyday conversation, and embodies concrete common experiences in everyday life. Through this, Jaime Gil de Biedma imbued freshness and vitality into Spanish poetry during the Franco dictatorship, and 'the Poetry of Experience' introduced by him became an important poet of modern Spanish poetry.

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The picaresque novel, which forms the basis of modern realism literature, features a 'pícaro', a character ostracized from the established social order, and represents a narrative dealing with life under a more realistic view, very far from the previous literary tradition of portraying life in idealistic or symbolic ways, such as those appearing in chivalric novels, court novels and pastoral novels. The modernity based on the affirmation of everyday life is related to the meaning of objects as they are perceived by human senses in daily life, breaking away from the allegorical interpretation which presupposed that there is a transcendent meaning behind any object. The modernity of this aspect in the picaresque novels can be seen through food and its grotesque variations, which are linked to pícaro's life journey. His life can be summarized as: first, hunger and step away from it, second, expressing the desire for a rise in status, and finally, as seen in El Buscón, when it is not accepted by the existing social structure, which frustrates his desire. The food and its grotesque variations function as a narrative device intimately connected to those aspects.

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This work investigates the two works, Juan Rulfo's “Diles que no me maten” and Carlos Fuentes's “Chac Mool”, through the term of death. Reger Bartra understands that the indifference to death was invented by Mexican intellectuals. It means that the indifference to death is the result of the intellectuals' project to create a national hero at the time of nation-state formation. Then it is necessary to observe that the Mexican writers how they contributed to that project. So, this work tries to observe how death works in the Mexican narrative, especially in the works of Juan Rulfo and Carlos Fuentes. This work observes that both works are related to Mexican cultural identity. “Diles que no me maten”, through death as a metaphor for Mexican history would be a desperate message that longs for no more death. “Chac Mool” would be the expression that Mexican identity comes from pre-Hispanic history and the present and the past are complementary to Mexican history.

KCI등재

9젠더적인 관점이 반영된 중남미 기후변화 정책의 분석과 함의

저자 : 정상희 ( Jung Sang-hee )

발행기관 : 한국스페인어문학회(구 한국서어서문학회) 간행물 : 스페인어문학(구 서어서문연구) 94권 0호 발행 연도 : 2020 페이지 : pp. 217-243 (27 pages)

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This study aimed to analyze the discussion trends of climate change and gender integration in the framework of international norms. Based on the results, the study examined how the gender perspective has been integrated into climate change policies in Latin American countries. This study also analyzed the policy factors from the gender perspective reflected in the climate change action plans in Peru, Cuba, and Costa Rica to draw policy implications. In conclusion, the gender perspective has been integrated into the action plans related to climate change in the legal and institutional systems within the framework of the national development plan and international norms. These action plans also play the role of setting the direction in planning and implementing the policies to mitigate and adapt to climate change, and reflect a wide range of policy factors. The factors include managing information(gender segregation data, gender statistics collection, and gender analysis); strengthening human and institutional capacity to integrate the gender perspective; formulating measures to secure public and private funding in related areas; changing perceptions and culture through education and campaigns; and establishing the system to engage more women in the process of policy decision making.

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