간행물

한국언어문화 update

Journal of Korean Language and Culture

  • : 한국언어문화학회 ( 구 한양어문학회 )
  • : 어문학분야  >  언어학
  • : KCI등재
  • :
  • : 연속간행물
  • : 연3회
  • : 1598-1576
  • :
  • : 한양어문(~19권/~2001) → 한국언어문화(20권~/2001~)

수록정보
51권0호(2013) |수록논문 수 : 11
간행물 제목
51권0호(2013년) 수록논문
권호별 수록 논문
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KCI등재

11950년대와 김춘수 시의 자율성

저자 : 김점숙 ( Jeum Suk Kim )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 5-25 (21 pages)

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1950s, When other poets reflected on question of existence, Kim Chun-Su (From here on Kim) considered the experiment on language and the investigation on the problematic existence. Although Koreans experienced despair of the Korean War as a community, not all poets ought to write socially engaging works. That's because the poetry is not ideology. Not only the poetry reflects on the reality but also dreams on freedom that is outside the reality. For this reason, it is awkward to include Kim's poetry in the filed of the Korean 50s. On the other hand, the 50's conditions enable us to study Kim's work and the 50s as one bundle. The objectivity of this article is to clarify autonomics and characteristics of Kim's poetry in relation of the 1950s' Korean poetry. In relation with the 50s' Poetry in general, Kim's poetic concern is based upon epistemological self-awareness. That concrete work flows through among the experiment with naming the object, establishing the relation between the object and the idea and investigating the existence. The main point this article regards the most is that Kim was the first poet that presented the object exist due to the language. This fact is exposed in his most famous work “Flower.” The “Flower” reveals that the object or the being finally exists when it's identified with name. The flower in the poetry is not just a flower but a signifier symbolizing the existence. This work is a philosophical poetry that displays relation between the word and the object. Through the “Flower,” a flower becomes a flower when “I” label the flower and therefore the flower finally becomes a meaning to the subject. In “Prologue for the Flower,” Kim fulgurates his pessimism towards the absolute distance of media among the object-the idea-the words as “a bride who covered her face.” Therefore the being an unreachable existential distance is expressed as “flower” is “bloom and wither namelessly” on the “shaken branch of existence.”In “My God.” The absolute being and a pronoun “God” is objectized and overlaid with several strange words. The collision among un-humane tensions that produce the imagery discloses variously ubiquitous God. This observation expands the question of particular and individuality from epistemology to existentialism by showing the nature of existence is not limited by our vision but understood in different circumstantial relations. In the 1950s when most poets express the despair that Korean war left behind, Kim Chun Su live out with his own poetic vision. This effort upgraded Korean poetry and distinguished him from the rest. This is the reason of this study and will be considered as meaningful in history of Korean poetry in the 1950s.

KCI등재

2유튜브 전쟁 시대의 영상 지각 방식에 대한 연구 -브라이언 드 팔마의 영화 <리댁티드>를 중심으로

저자 : 신성환 ( Sung Hwan Shin )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 27-56 (30 pages)

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This study aims to explain the problem of mode of perception in picture images of the YouTube times, perception of technology and visual system in modern picture images based on the theory of Paul Virilio and Susan Sontag. Advancement in digital technical environment makes revolutionary change of the relations between consumer of visual recognition and picture images. This mechanism is very important analytical concept as the process which is composed consumer of visual recognition that indiscriminately accepts excessive picture images in recent years. The growth of technology and the popularity of internet, social networking, YouTube and video sites have changed the media landscape. As shown in this study``s examples, consumers are voyeuristically bewildered by unidentified picture images. It is important for main agents of visual recognition to gain an insight on unidentified picture images. Therefore, this study tried to analyse the Brian De Palma film . Many of the scenes are filmed in style of hand-held camcorder, digital camera, smart-phone camera, webcam, CCTV, mass media coverage, multimedia's pictures. This movie is the montage of stories about U.S. soldiers fighting in the Iraq conflict, focusing on the modern forms of media covering the war. Brian de Palma's Redacted ups the ante of protest films, fictionally recounting the rape and murder of a 14-year old Iraqi girl by U.S. soldiers in 2006. Using hand-held camera surveillance footage, internet videos, excerpts from a French documentary and an Arab TV channel, Islamic fundamentalist websites, and the fictional camcorder diary of a young U.S. private, Redacted lets us know not only about the atrocities of war but about the unreliability of the way in which information is presented in the media and how we cannot trust what we see, even in his film. This text are shown that ventilation of our situation and ethical question about technological advancements and visual system.

KCI등재

3김수영 시의 반복과 변주 연구

저자 : 오형엽 ( Hyung Yup Oh )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 57-80 (24 pages)

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This writing tried to analyze "Snow", "Waterfall" "Speech", "Petal 1", "Grass" laying stress on rhythm of ``repetition`` and ``variation`` equivalent to so-called Kim, Soo-Young``s nonsense-poetry, and investigate structural principle of Kim, Soo-Yung``s poetry. This writing investigates technique of ``repetition`` and ``variation`` in viewpoint of rhythm structure in Kim, Soo-Young``s poetry, wished to attempt new lighting about poetry consciousness related to time·memory·unconscious. "Snow"(1956)``s central rhythm structure is movement of ``falling`` of "snow". The whole structure of this poem is achieved by ``repetition`` and ``variation`` of three sentences, "snows are alive", "The young poet!", "Let``s cough". The discovery that "falling" snows "is alive" yet contain awakening for bigger vital force which ``falling`` is the same as death but dynamism of the movement overcomes death. The repetition of sentence "The young poet!" "Let``s cough" is sympathetic signal that react in awakening that "falling" snows "is alive" yet. "Waterfall"(1957)``s central rhythm structure is movement of ``falling`` of "waterfall". That movement of ``falling`` have contradictory two attributes to meaning of death that is bursting and meaning of vital force that is dynamic movement. "Stright" hints honest sprit and upright conscience overcoming "laziness" and "stability". "Without" and "not" contains meaning of non-provision, non-intention, unconsciousness as well as no pear courage, sleepless durability, infinity of width and height that is contain. "Speech"(1964.11.16)``s central rhythm structure is movement of that see ``sink`` of "root of a tree". The whole structure of this poem is achieved by cause of 1 line "Root of a tree was falling for little more the depth winter" and sequences since 2 lines "Now my body is not my body". On the other hand, "falling" and "is not my body" is looked like access to "eath", but it is access of a little more original "life" and movement that is prepares for larger bearing fruit. the sentence "Now my body is not my body" declaration that is intent which leave in hands own to ``other world``s force``, and will depart narrow outline of egotism with circulation of self-consciousness. "Petal 1"(1967.5.2)``s central rhythm structure is movement of "wind" ``falling`` of "petal". "Wind" that is ``other world``s force`` offer power to "Petal" that falls in egotism of subject. "Wind" is ``other world``s force`` intervening to "petal", it is force of post-subject to burn that do not recognize own. "Unaware" confirm ``post-subject`` and ``unconsciousness`` of this wind. "Rock" is the same as solid actual darkness that "petal" wishes to zap ``dynamism``, ``life force`` that dropping petal has are that have force that can crumple rock. "Gat" is expressed thing with "revolution" that force of "petal" has broken all fixed value and identity following. "Grass"(1968.5.29)``s central rhythm structure is movement of "wind". "lie down" and "get up", ``weep`` and "laugh" are not concept of opposition, are concept of dynamic transition. "Wind" is other world``s forces that secede from center of awareness and individual main chain self, and "grass" gets power of dynamism from this potential energy of post-subject. "Wind" is involved with ``unconsciousness of post-subject``. "Grass" is acquiring one space naturally because is been a work that produce at seat that have pushed bipolar agreement with whole body in process that dialectic of ``vanguard``, ``stop`` is spreaded by ``awareness of historical element``, ``signal merit speed``, ``satire``, ``deliverance``, and internalizes within work unlike works that way of such poem differs following and is smelted in language structure.

KCI등재

4김수영의 새로운 자료에 나타난 실존적 풍경

저자 : 유성호 ( Sung Ho Yoo )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 81-103 (23 pages)

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The possibility of unlimited reinterpretation of Kim Soo-young's texts is coming from amazing energy of confession and power of realistic penetration given to us by him. As much more, Kim's poetry and prose are texts of confession which faithfully reveal his inner world and also sources of discourses in the history of poetry from 1950s to 1960s. Whenever unearthed, his texts became the topic of conversation and some of them provided very useful facts to newly illuminate his literature. New poems and proses introduced and interpreted in this paper are very valuable texts that could supplement mental landscape of Kim Soo-young in early and mid 1950s. Newly unearthed  has much possibility of becoming important one among Kim Soo-young's early poems. As much, it is a controversial work which allusively shows his inner side and poetic orientation of postwar period. Poor and difficult days of primitiveness, dullness and sadness that could be called as existential thirst were reflected in this poem. As one part of his youth, Newly unearthed prose  shows empirical anecdote about Park Il-young, love story with Jang Seon-bang and culture of the period represented by the opera company. Through Kim Soo-young's confession of prosaic tracks close to personal affairs, we could look into his youth and tragic memory. In this sense, above two newly unearthed texts are valuable and supplement Kim Soo-young's existential scenes of the postwar period. Therefore, it is furthermore important to unearth new texts and expand the way of interpreting texts of great poets.

KCI등재

5기독교 소설의 빛과 어둠: 신앙성과 대중성의 사이에서-이청준의 《낮은 데로 임하소서》(1981)를 중심으로

저자 : 유정숙 ( Jung Suk Yoo )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 105-129 (25 pages)

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The 1980s were the glory days of “religious fiction” in modern Korean literature. This unexpected phenomenon was in line with the religious books “boom” in the publishing world, despite Korea's prolonged economic recession. A wide range of religious books, especially Christian fictions, were sold and attracted the public``s attention and interest. This popularity was attributable to the huge success of the Christian novel《Come Low unto Us》, published in November, 1981, by Yi Cheong-jun, a Korean representative novelist. This novel was a big hit and was made into a movie, which also achieved huge commercial success. In this paper, I examined the religious meaning of《Come Low unto Us》and related it to the historical and cultural contexts of Korean society around the time of its publication. I also explored the question of the relationship between Christianity and popularity in Korean society and culture. The novel《Come Low unto Us》was based on the real story of the blind pastor An Yo-han, who had opened his “soul eye” after he had lost the sight of his “physical” eyes. He practiced his Christian faith in interaction with poor people, sharing their sufferings and ordeals and opening his warm heart to them. This novel demonstrates a proper Christian life. An Yo-han's life called into question whether Korean churches practiced God``s love, especially toward the poor and the lower classes in Korean society. In the story, An Yo-han maintains that a church should not be a place in which parishioners petition for God``s blessing and pastors, but it should be a place of unity and compromise. The story suggests that Korean churches should open their eyes to the plight of the poor and marginalized and practice God's love and care for them. In short, it criticizes the materialism and secularization in the Korean churches at that time. On the other hand, the novel《Come Low unto Us》earned popularity. It was a “steady-seller” and “super best-seller” in the 1980s in the Korean publishing world. It was also made into a movie and played everywhere in theaters and churches. The movie drew audiences totaling 110, 500 people. It was a huge success. The reason behind this success was that Korean people had become more and more interested in true religious belief and living a spiritual life, which were in contrast to the empty and materialistic ideology of the day, an ideology and had produced distrustful people in a capitalist and competitive society. The media and those who read the book paid much attention to this blind Christian``s spiritual experience and victory through faith. The popularity of Christianity was developed and characterized by its spirituality and mysticism. The success of the movie《Come Low unto Us》ushered in the trend of Christian-themed movies in the 1980s. The general theme of these movies was the spiritual victory of a Christian over hardship and suffering through his Christianity. 《Come Low unto Us》exemplifies the light and darkness of Korean Christian literature in the 1980s. Its spirituality and popularity expose the characteristics and limitations of Korean Christianity. More importantly, its popularity reflects aspects of Korean people``s 'general' understanding of Christianity and aspects of Christian popular culture in Korean society at that time.

KCI등재

6"현대시를 위한 실험무대" 연구

저자 : 이상호 ( Sang Ho Lee )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 131-157 (27 pages)

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This study is related to 'Experimental Stage for Modern Poetry,' which was a poetic drama movement around 1980, and focused on comparison and analysis of the performance pattern and characteristics of the plays. The results can be summarized as follows. 'Experimental Stage for Modern Poetry' was a poetic drama movement organized in 1979 by eight poets - Kang Woo-sik, Kim Jong-hae, Kim Hoo-ran, Lee Geon-cheong, Lee Geun-bae, Lee Tan, Jeong Jin-gyu, and Heo Young-ja - and a folk theater (director Heo Gyu). Their activities were based on plays written by the poets, which were performed at the folk theater. Their main purpose was to overcome the crisis of modern poetry. Specifically, they tried to solve problems with the lack of attention from readers to the enigmatic poems and communicate with the readers while expanding the scope of poetry, which was limited to exclusive text. They performed six times in total from December 1979 until October 1984. Led by Jeong Jin-gyu, six poets including Kang Woo-sik, Lee Geun-bae, Kim Hoo-ran, Lee Geon-cheong, Lee Tan wrote plays and the performance was largely divided into poetic drama and poetry reading. In the latter, a couple of invited poets in addition to the author of the poem participated. In the beginning, they created the stage with enthusiasm and attracted the audience, but, as a result of failing to overcome the unfamiliar format of poetic drama, the experiment was finished after the 6th play. The main reason for their suspension was lack of clear awareness of the identity of poetic drama. As a result, it seems, both the performers and audience were not satisfied. First, as the agent of the performance, they did not properly integrate the characteristics of poetry ad drama, failing to bring out the advantages of poetic drama, which did not satisfy the audience as well. Therefore, their movement was limited to 'experimental stage' only and did not reach to 'establish poetic drama as an independent genre.'In short, 'Experimental Stage for Modern Poetry', which did not last for even 5 years, was inspiring for its possibility and also regrettable for not securing sustainability. However, it should be recognized as valuable experience in that some poets tried to overcome the crisis of modern poetry, experimented the expandability of the poetry with some results, and actually experience the integration of poetry and drama. It is also significant that they found the possibility of theater movement, diversification of plays, and integration with similar arts. In conclusion, 'Experimental Stage for Modern Poetry' made contribution to expanding the personal and static dimension of poetry, which is delivered through text, into more popular genre through a stage apart from its sustainability.

KCI등재

7장정일 시에 나타난 도시 공간의 인지적 특성 고찰

저자 : 이승철 ( Seung Cheol Lee )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 159-186 (28 pages)

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This article is to study Jeongil Jang``s poetry about urban space in cognitive poetic method. The urban spaces in Jeongil Jang``s poetry are divided into ``underpass``, ``apartment``, and ``department`` for their cognitive characteristics. First, we can see the space cognitive attitude towards ``underpass`` in the poem . In this poem, the narrator recognized both metaphors for [the underpass is a tomb] and [the underpass is a container for civilization]. In his poems, the narrator recognizes ``apartment`` through ``graveyard`` and ``loneliness``. This is emerged by the metaphors [the apartment is a graveyard] and [loneliness is a nutrient]. Based on the metaphor [the apartment is a graveyard], the narrator imagines an ``apartment``, where people are hated and sleep at night, as an image of ``graveyard`` in . In , the narrator describes ``loneliness``, an abstract emotion, as a ``food`` consuming body activity counteracting ``loneliness`` and ``food`` consuming. At last, this article studies the cognitive characteristics in Jeongil Jang``s poems about ``department store``, a representative consumer capitalism. In , the metaphors [the city is a kingdom] and [the desire is market transaction] are connected to create a metaphor [the department is a kingdom]. In <20 milli>, he recognizes the duplicity that capital has through the ``glass door``. In other words, the door is recognized as openness to people who use capitals, but a giant ``valve`` to people who have capitals or don``t want to use them.

KCI등재

8순수(純粹)와 독조(毒爪) 사이의 거리 -김동리와 김동석 비평의 논리

저자 : 이재복 ( Jae Bok Lee )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 187-208 (22 pages)

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Kim Dong-Ri's 'purity' and Kim Dong-Seok's 'poisonous claws' produced lots of critical contradiction and dogma. However their meaning in history of literature is nothing to be sneezed at. Two powers exist in the base of arguments leading Korean modern literary history, maintaining themselves as each other's rivalries. The one is the power that tries to understand and interpret literature with a sphere of purity and self-control. And the other is with the logic of progress and development related with social and historical realism. Though this is not only for Korean special quality, the point to see is that Kim Dong-Ri supporting the purity and Kim Dong-Seok criticizing him, both of them were not free from actual situation. Kim Dong-Ri was under the flag of the purity in the literature. However he was more political than anybody in realities outside of literature. Kim Dong-Seok was under the flag of realism based from dialectical materialism. However outside of the literature he showed the irony that he existed as his fate was unknown, not applying his political sense. It means that Korean modern literature history has formed particularity and universality of the literature in the functional relation between realities and literature and between life and politics. Unfortunately intermediation or middle point couldn't be established in the argument of the two. Their argument brought up lots of agenda which are still valid topics in our time, such as the purity/participation, shamanism/science, humanism/mechanism, spiritualism/materialism, poetry/prose, modernism/pre-modernism, bourgeois/proletarian, tradition/modernity, literature/politics, realities/observation, purity/enlightenment, rationalism/subjectivism, instrumental rationality/aesthetic rationality, spirit/material, and nationalism/globalism.

KCI등재

9<운영전>에서 표출된 임진왜란 후 사회계층의 신분구조 변동양상 및 작가의식 소고 -유영과 특을 중심으로-

저자 : Zhou Lei , Fan Shujie

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 209-227 (19 pages)

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As one of the most representative novels in Chosun Dynasty, < Woon-Young Jeon > beautifies the love between men and women. Because the novel profoundly reflects the social reality at that time, it has attracted extensive attention from scholars during this period. However, scholars have focused on the research on the female characters or Anpyeong Daegun in this novel during this period. In addition to Anpyeong Daegun, the study about other male characters appearing in this novel failed to actively carry out. Especially, through the analysis of the male characters, the research on that investigate the changes in the identity structure of social stratum after the War of Im­jin as well as the consciousness of the writer being related to it is still in the primary stage. The author believes that any literary works are inseparable from the background andare bound to reflect the social reality of that times writers who lived in. Therefore, analysing of Yuyeong and Teuk, this thesis aims to investigate the changes in the identity structure of social stratum as well as the consciousness of the writer being related to it in the early 17th century.

KCI등재

10청소년 글말 사용에 나타난 언어폭력과 규범 파괴

저자 : 전은진 ( Eun Jin Jeon ) , 이삼형 ( Sam Hyung Lee ) , 김정선 ( Jung Sun Kim ) , 김태경 ( Tae Kyung Kim ) , 이필영 ( Phil Young Lee ) , 장경희 ( Kyung Hee Chang )

발행기관 : 한국언어문화학회 ( 구 한양어문학회 ) 간행물 : 한국언어문화 51권 0호 발행 연도 : 2013 페이지 : pp. 229-254 (26 pages)

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The purpose of this study is to survey adolescents' using written language. It is well known that the departure from the language norm is prevalent in adolescents' language. Therefore, we aimed to exactly diagnose adolescents' language problem and prepare the ground for establishing educational plan or policy, by surveying adolescents' language. For this purpose we performed a survey targeting 542 students of elementary, middle, high schools in 6 regions(Gyeongin, Gangwon, Chungcheong, Jeolla, Gyeongsang, Jeju). As a result of this survey, we have shown that there is a widespread verbal abuse and language norm destruction among adolescents. Even curse against elder was appearing. Verbal abuse was being used recklessly even during school class. And it was surveyed that the rough intensity of slang and the language destruction level deepens with age.

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